MACKEY The Symbolism of Freemasonry (Part 2)

Albert Gallatin Mackey 
Medal Issued in 1934 by the
Grand Lodge of South Carolina

THE SYMBOLISM OF FREEMASONRY

(PART 2)

Illustrating and Explaining

Its Science and Philosophy, its Legends,

Myths and Symbols.

By

Albert Gallatin Mackey, M.D.,

"Ea enim quae scribuntur tria habere decent, utilitatem praesentem, 

certum finem, inexpugnabile fundamentum."

Cardanus.

1869.

Entered, according to Act of Congress, in the year 1869, by

ALBERT G. MACKEY,

In the Clerk's Office of the District Court of the District of South Carolina.

CONTENTS

	PART 1
I.	Preliminary.
II.	The Noachidae.
III.	The Primitive Freemasonry of Antiquity.
IV.	The Spurious Freemasonry of Antiquity.
V.	The Ancient Mysteries.
VI.	The Dionysiac Artificers.
VII.	The Union of Speculative and Operative Masonry at the Temple of Solomon.
VIII.	The Travelling Freemasons of the Middle Ages.
IX.	Disseverance of the Operative Element.
X.	The System of Symbolic Instruction.
XI.	The Speculative Science and the Operative Art.
XII.	The Symbolism of Solomon's Temple.
XIII.	The Form of the Lodge.
XIV.	The Officers of a Lodge.
XV.	The Point within a Circle.
XVI.	The Covering of the Lodge.
XVII.	Ritualistic Symbolism.
XVIII.	The Rite of Discalceation.
XIX.	The Rite of Investiture.
XX.	The Symbolism of the Gloves.
XXI.	The Rite of Circumambulation.
XXII.	The Rite of Intrusting, and the Symbolism of Light.
XXIII.	Symbolism of the Corner-stone.
XXIV.	The Ineffable Name.
XXV.	The Legends of Freemasonry.
XXVI.	The Legend of the Winding Stairs.
XXVII.	The Legend of the Third Degree.
	PART 2
XXVIII.	The Sprig of Acacia.
XXIX.	The Symbolism of Labor.
XXX.	The Stone of Foundation.
XXXI.	The Lost Word.
	Synoptical Index.
	Footnotes

CHAPTER XXVIII.

The Sprig of Acacia.

Intimately connected with the legend of the third degree is the mythical history of the Sprig of Acacia, which we are now to consider.

There is no symbol more interesting to the masonic student than the Sprig of Acacia, not only on account of its own peculiar import, but also because it introduces us to an extensive and delightful field of research; that, namely, which embraces the symbolism of sacred plants. In all the ancient systems of religion, and Mysteries of initiation, there was always some one plant consecrated, in the minds of the worshippers and participants, by a peculiar symbolism, and therefore held in extraordinary veneration as a sacred emblem. Thus the ivy was used in the Mysteries of Dionysus, the myrtle in those of Ceres, the erica in the Osirian, and the lettuce in the Adonisian. But to this subject I shall have occasion to refer more fully in a subsequent part of the present investigation.

Before entering upon an examination of the symbolism of the Acacia, it will be, perhaps, as well to identify the true plant which occupies so important a place in the ritual of Freemasonry.

And here, in passing, I may be permitted to say that it is a very great error to designate the symbolic plant of Masonry by the name of "Cassia"—an error which undoubtedly arose, originally, from the very common habit among illiterate people of sinking the sound of the letter a in the pronunciation of any word of which it constitutes the initial syllable. Just, for instance, as we constantly hear, in the conversation of the uneducated, the words pothecary and prentice for apothecary and apprentice, shall we also find cassia used for acacia. (177) Unfortunately, however, this corruption of acacia into cassia has not always been confined to the illiterate: but the long employment of the corrupted form has at length introduced it, in some instances, among a few of our writers. Even the venerable Oliver, although well acquainted with the symbolism of the acacia, and having written most learnedly upon it, has, at times, allowed himself to use the objectionable corruption, unwittingly influenced, in all probability, by the too frequent adoption of the latter word in the English lodges. In America, but few Masons fall into the error of speaking of the Cassia. The proper teaching of the Acacia is here well understood. (178)

The cassia of the ancients was, in fact, an ignoble plant having no mystic meaning and no sacred character, and was never elevated to a higher function than that of being united, as Virgil informs us, with other odorous herbs in the formation of a garland:

"...violets pale,

The poppy's flush, and dill which scents the gale,

Cassia, and hyacinth, and daffodil,

With yellow marigold the chaplet fill." (179)

Alston says that the "Cassia lignea of the ancients was the larger branches of the cinnamon tree, cut off with their bark and sent together to the druggists; their Cassia fistula, or Syrinx, was the same cinnamon in the bark only;" but Ruæus says that it also sometimes denoted the lavender, and sometimes the rosemary.

In Scripture the cassia is only three times mentioned, (180) twice as the translation of the Hebrew word kiddak, and once as the rendering of ketzioth, but always as referring to an aromatic plant which formed a constituent portion of some perfume. There is, indeed, strong reason for believing that the cassia is only another name for a coarser preparation of cinnamon, and it is also to be remarked that it did not grow in Palestine, but was imported from the East.

The acacia, on the contrary, was esteemed a sacred tree. It is the acacia vera of Tournefort, and the mimosa nilotica of Linnæus. It grew abundantly in the vicinity of Jerusalem, (181) where it is still to be found, and is familiar to us all, in its modern uses at least, as the tree from which the gum arabic of commerce is obtained.

The acacia, which, in Scripture, is always called shittah (182) and in the plural shittim, was esteemed a sacred wood among the Hebrews. Of it Moses was ordered to make the tabernacle, the ark of the covenant, the table for the showbread, and the rest of the sacred furniture. Isaiah, in recounting the promises of God's mercy to the Israelites on their return from the captivity, tells them, that, among other things, he will plant in the wilderness, for their relief and refreshment, the cedar, the acacia (or, as it is rendered in our common version, the shittah), the fir, and other trees.

The first thing, then, that we notice in this symbol of the acacia, is, that it had been always consecrated from among the other trees of the forest by the sacred purposes to which it was devoted. By the Jew the tree from whose wood the sanctuary of the tabernacle and the holy ark had been constructed would ever be viewed as more sacred than ordinary trees. The early Masons, therefore, very naturally appropriated this hallowed plant to the equally sacred purpose of a symbol which was to teach an important divine truth in all ages to come.

Having thus briefly disposed of the natural history of this plant, we may now proceed to examine it in its symbolic relations.

First. The acacia, in the mythic system of Freemasonry, is preeminently the symbol of the IMMORTALITY OF THE SOUL—that important doctrine which it is the great design of the institution to teach. As the evanescent nature of the flower which "cometh forth and is cut down" reminds us of the transitory nature of human life, so the perpetual renovation of the evergreen plant, which uninterruptedly presents the appearance of youth and vigor, is aptly compared to that spiritual life in which the soul, freed from the corruptible companionship of the body, shall enjoy an eternal spring and an immortal youth. Hence, in the impressive funeral service of our order, it is said, "This evergreen is an emblem of our faith in the immortality of the soul. By this we are reminded that we have an immortal part within us, which shall survive the grave, and which shall never, never, never die." And again, in the closing sentences of the monitorial lecture of the Third Degree, the same sentiment is repeated, and we are told that by "the ever green and ever living sprig" the Mason is strengthened "with confidence and composure to look forward to a blessed immortality." Such an interpretation of the symbol is an easy and a natural one; it suggests itself at once to the least reflective mind, and consequently, in some one form or another, is to be found existing in all ages and nations. It was an ancient custom, which is not, even now, altogether disused, for mourners to carry in their hands at funerals a sprig of some evergreen, generally the cedar or the cypress, and to deposit it in the grave of the deceased. According to Dalcho, (183) the Hebrews always planted a sprig of the acacia at the head of the grave of a departed friend. Potter tells us that the ancient Greeks "had a custom of bedecking tombs with herbs and flowers." (184) All sorts of purple and white flowers were acceptable to the dead, but principally the amaranth and the myrtle. The very name of the former of these plants, which signifies "never fading," would seem to indicate the true symbolic meaning of the usage, although archaeologists have generally supposed it to be simply an exhibition of love on the part of the survivors. Ragon says, that the ancients substituted the acacia for all other plants because they believed it to be incorruptible, and not liable to injury from the attacks of any kind of insect or other animal—thus symbolizing the incorruptible nature of the soul.

Hence we see the propriety of placing the sprig of acacia, as an emblem of immortality, among the symbols of that degree, all of whose ceremonies are intended to teach us the great truth, that "the life of man, regulated by morality, faith, and justice, will be rewarded at its closing hour by the prospect of eternal bliss." (185) So, therefore, says Dr. Oliver, when the Master Mason exclaims, "My name is Acacia," it is equivalent to saying, "I have been in the grave,—I have triumphed over it by rising from the dead,—and being regenerated in the process, I have a claim to life everlasting."

The sprig of acacia, then, in its most ordinary signification, presents itself to the Master Mason as a symbol of the immortality of the soul, being intended to remind him, by its evergreen and unchanging nature, of that better and spiritual part within us, which, as an emanation from the Grand Architect of the Universe, can never die. And as this is the most ordinary, the most generally accepted signification, so also is it the most important; for thus, as the peculiar symbol of immortality, it becomes the most appropriate to an order all of whose teachings are intended to inculcate the great lesson that "life rises out of the grave." But incidental to this the acacia has two other interpretations, which are well worthy of investigation.

Secondly, then, the acacia is a symbol of INNOCENCE. The symbolism here is of a peculiar and unusual character, depending not on any real analogy in the form or use of the symbol to the idea symbolized, but simply on a double or compound meaning of the word. For αϗαϗια, in the Greek language, signifies both the plant in question and the moral quality of innocence or purity of life. In this sense the symbol refers, primarily, to him over whose solitary grave the acacia was planted, and whose virtuous conduct, whose integrity of life and fidelity to his trusts, have ever been presented as patterns to the craft, and consequently to all Master Masons, who, by this interpretation of the symbol, are invited to emulate his example.

Hutchinson, indulging in his favorite theory of Christianizing Masonry, when he comes to this signification of the symbol, thus enlarges on the interpretation: "We Masons, describing the deplorable estate of religion under the Jewish law, speak in figures: 'Her tomb was in the rubbish and filth cast forth of the temple, and Acacia wove its branches over her monument;' akakiabeing the Greek word for innocence, or being free from sin; implying that the sins and corruptions of the old law and devotees of the Jewish altar had hid Religion from those who sought her, and she was only to be found where innocence survived, and under the banner of the divine Lamb; and as to ourselves, professing that we were to be distinguished by our Acacy, or as trueAcacians in our religious faith and tenets." (186)

Among the nations of antiquity, it was common thus by peculiar plants to symbolize the virtues and other qualities of the mind. In many instances the symbolism has been lost to the moderns, but in others it has been retained, and is well understood, even at the present day. Thus the olive was adopted as the symbol of peace, because, says Lee, "its oil is very useful, in some way or other, in all arts manual which principally flourish in times of peace." (187)

The quince among the Greeks was the symbol of love and happiness; (188) and hence, by the laws of Solon, in Athenian marriages, the bride and bridegroom were required to eat a quince together.

The palm was the symbol of victory; (189) and hence, in the catacombs of Rome, the burial-place of so many of the early Christians, the palm leaf is constantly found as an emblem of the Christian's triumph over sin and death.

The rosemary was a symbol of remembrance, and hence was used both at marriages and at funerals, the memory of the past being equally appropriate in both rites. (190)

The parsley was consecrated to grief; and hence all the Greeks decked their tombs with it; and it was used to crown the conquerors in the Nemean games, which were of a funereal character. (191)

But it is needless to multiply instances of this symbolism. In adopting the acacia as a symbol of innocence, Masonry has but extended the principle of an ancient and universal usage, which thus consecrated particular plants, by a mystical meaning, to the representation of particular virtues.

But lastly, the acacia is to be considered as the symbol of INITIATION. This is by far the most interesting of its interpretations, and was, we have every reason to believe, the primary and original, the others being but incidental. It leads us at once to the investigation of that significant fact to which I have already alluded, that in all the ancient initiations and religious mysteries there was some plant, peculiar to each, which was consecrated by its own esoteric meaning, and which occupied an important position in the celebration of the rites; so that the plant, whatever it might be, from its constant and prominent use in the ceremonies of initiation, came at length to be adopted as the symbol of that initiation.

A reference to some of these sacred plants—for such was the character they assumed—and an investigation of their symbolism will not, perhaps, be uninteresting or useless, in connection with the subject of the present article.

In the Mysteries of Adonis, which originated in Phoenicia, and were afterwards transferred to Greece, the death and resurrection of Adonis was represented. A part of the legend accompanying these mysteries was, that when Adonis was slain by a wild boar, Venus laid out the body on a bed of lettuce. In memorial of this supposed fact, on the first day of the celebration, when funeral rites were performed, lettuces were carried in the procession, newly planted in shells of earth. Hence the lettuce became the sacred plant of the Adonia, or Adonisian Mysteries.

The lotus was the sacred plant of the Brahminical rites of India, and was considered as the symbol of their elemental trinity,—earth, water, and air,—because, as an aquatic plant, it derived its nutriment from all of these elements combined, its roots being planted in the earth, its stem rising through the water, and its leaves exposed to the air. (192) The Egyptians, who borrowed a large portion of their religious rites from the East, adopted the lotus, which was also indigenous to their country, as a mystical plant, and made it the symbol of their initiation, or the birth into celestial light. Hence, as Champollion observes, they often on their monuments represented the god Phre, or the sun, as borne within the expanded calyx of the lotus. The lotus bears a flower similar to that of the poppy, while its large, tongue-shaped leaves float upon the surface of the water. As the Egyptians had remarked that the plant expands when the sun rises, and closes when it sets, they adopted it as a symbol of the sun; and as that luminary was the principal object of the popular worship, the lotus became in all their sacred rites a consecrated and mystical plant.

The Egyptians also selected the erica (193) or heath, as a sacred plant. The origin of the consecration of this plant presents us with a singular coincidence, that will be peculiarly interesting to the masonic student. We are informed that there was a legend in the mysteries of Osiris, which related, that Isis, when in search of the body of her murdered husband, discovered it interred at the brow of a hill, near which an erica, or heath plant, grew; and hence, after the recovery of the body and the resurrection of the god, when she established the mysteries to commemorate her loss and her recovery, she adopted the erica, as a sacred plant, (194) in memory of its having pointed out the spot where the mangled remains of Osiris were concealed. (195)

The mistletoe was the sacred plant of Druidism. Its consecrated character was derived from a legend of the Scandinavian mythology, and which is thus related in the Edda, or sacred books. The god Balder, the son of Odin, having dreamed that he was in some great danger of life, his mother, Friga, exacted an oath from all the creatures of the animal, the vegetable, and the mineral kingdoms, that they would do no harm to her son. The mistletoe, contemptible from its size and weakness, was alone neglected, and of it no oath of immunity was demanded. Lok, the evil genius, or god of Darkness, becoming acquainted with this fact, placed an arrow made of mistletoe in the hands of Holder, the blind brother of Balder, on a certain day, when the gods were throwing missiles at him in sport, and wondering at their inability to do him injury with any arms with which they could attack him. But, being shot with the mistletoe arrow, it inflicted a fatal wound, and Balder died.

Ever afterwards the mistletoe was revered as a sacred plant, consecrated to the powers of darkness; and annually it became an important rite among the Druids to proceed into the forest in search of the mistletoe, which, being found, was cut down by the Arch Druid, and its parts, after a solemn sacrifice, were distributed among the people. Clavel (196) very ingeniously remarks, that it is evident, in reference to the legend, that as Balder symbolizes the Sun-god, and Lok, Darkness, this search for the mistletoe was intended to deprive the god of Darkness of the power of destroying the god of Light. And the distribution of the fragments of the mistletoe among their pious worshippers, was to assure them that henceforth a similar attempt of Lok would prove abortive, and he was thus deprived of the means of effecting his design. (197)

The myrtle performed the same office of symbolism in the Mysteries of Greece as the lotus did in Egypt, or the mistletoe among the Druids. The candidate, in these initiations, was crowned with myrtle, because, according to the popular theology, the myrtle was sacred to Proserpine, the goddess of the future life. Every classical scholar will remember the golden branch with which Aeneas was supplied by the Sibyl, before proceeding on his journey to the infernal regions (198) —a voyage which is now universally admitted to be a mythical representation of the ceremonies of initiation.

In all of these ancient Mysteries, while the sacred plant was a symbol of initiation, the initiation itself was symbolic of the resurrection to a future life, and of the immortality of the soul. In this view, Freemasonry is to us now in the place of the ancient initiations, and the acacia is substituted for the lotus, the erica, the ivy, the mistletoe, and the myrtle. The lesson of wisdom is the same; the medium of imparting it is all that has been changed.

Returning, then, to the acacia, we find that it is capable of three explanations. It is a symbol of immortality, of innocence, and of initiation. But these three significations are closely connected, and that connection must be observed, if we desire to obtain a just interpretation of the symbol. Thus, in this one symbol, we are taught that in the initiation of life, of which the initiation in the third-degree is simply emblematic, innocence must for a time lie in the grave, at length, however, to be called, by the word of the Grand Master of the Universe, to a blissful immortality. Combine with this the recollection of the place where the sprig of acacia was planted, and which I have heretofore shown to be Mount Calvary, the place of sepulture of Him who "brought life and immortality to light," and who, in Christian Masonry, is designated, as he is in Scripture, as "the lion of the tribe of Judah," and remember, too, that in the mystery of his death, the wood of the cross takes the place of the acacia, and in this little and apparently insignificant symbol, but which is really and truly the most important and significant one in masonic science, we have a beautiful suggestion of all the mysteries of life and death, of time and eternity, of the present and of the future. Thus read (and thus all our symbols should be read), Masonry proves something more to its disciples than a mere social society or a charitable association. It becomes a "lamp to our feet," whose spiritual light shines on the darkness of the deathbed, and dissipates the gloomy shadows of the grave.

CHAPTER XXIX.

The Symbolism of Labor.

It is one of the most beautiful features of the Masonic Institution, that it teaches not only the necessity, but the nobility, of labor. Among the earliest of the implements in whose emblematic use it instructs its neophytes is the Trestle Board, the acknowledged symbol of the Divine Law, in accordance with whose decree (199) labor was originally instituted as the common lot of all; and therefore the important lesson that is closely connected with this symbol is, that to labor well and truly, to labor honestly and persistently, is the object and the chief end of all humanity.

To work out well the task that is set before us is our highest duty, and should constitute our greatest happiness. All men, then, must have their trestle boards; for the principles that guide us in the discharge of our duty—the schemes that we devise—the plans that we propose—are but the trestle board, whose designs we follow, for good or for evil, in our labor of life.

Earth works with every coming spring, and within its prolific bosom designs the bursting seed, the tender plant, and the finished tree, upon its trestle board.

Old ocean works forever—restless and murmuring—but still bravely working; and storms and tempests, the purifiers of stagnant nature, are inscribed upon its trestle board.

And God himself, the Grand Architect, the Master Builder of the world, has labored from eternity; and working by his omnipotent will, he inscribes his plans upon illimitable space, for the universe is his trestle board.

There was a saying of the monks of old which is well worth meditation. They taught that "laborare est orare"—labor is worship. They did not, it is true, always practise the wise precept. They did not always make labor a part of their religion. Like Onuphrius, who lived threescore years and ten in the desert, without human voice or human sympathy to cheer him, because he had not learned that man was made for man, those old ascetics went into the wilderness, and built cells, and occupied themselves in solitary meditation and profitless thought. They prayed much, but they did no work. And thus they passed their lives, giving no pity, aid, or consolation to their fellow-men, adding no mite to the treasury of human knowledge, and leaving the world, when their selfish pilgrimage was finished, without a single contribution, in labor of mind or body, to its welfare.(200)

And men, seeing the uselessness of these ascetic lives, shrink now from their example, and fall back upon that wiser teaching, that he best does God's will who best does God's work. The world now knows that heaven is not served by man's idleness—that the "dolce far niente," though it might suit an Italian lazzaroni, is not fit for a brave Christian man, and that they who would do rightly, and act well their part, must take this distich for their motto:

"With this hand work, and with the other pray,

And God will bless them both from day to day."

Now, this doctrine, that labor is worship, is the very doctrine that has been advanced and maintained, from time immemorial, as a leading dogma of the Order of Freemasonry. There is no other human institution under the sun which has set forth this great principle in such bold relief. We hear constantly of Freemasonry as an institution that inculcates morality, that fosters the social feeling, that teaches brotherly love; and all this is well, because it is true; but we must never forget that from its foundation-stone to its pinnacle, all over its vast temple, is inscribed, in symbols of living light, the great truth that labor is worship.

It has been supposed that, because we speak of Freemasonry as a speculative system, it has nothing to do with the practical. But this is a most grievous error. Freemasonry is, it is true, a speculative science, but it is a speculative science based upon an operative art. All its symbols and allegories refer to this connection. Its very language is borrowed from the art, and it is singularly suggestive that the initiation of a candidate into its mysteries is called, in its peculiar phraseology, work.

I repeat that this expression is singularly suggestive. When the lodge is engaged in reading petitions, hearing reports, debating financial matters, it is said to be occupied in business; but when it is engaged in the form and ceremony of initiation into any of the degrees, it is said to be at work. Initiation is masonic labor. This phraseology at once suggests the connection of our speculative system with an operative art that preceded it, and upon which it has been founded. This operative art must have given it form and features and organization. If the speculative system had been founded solely on philosophical or ethical principles, if it had been derived from some ancient or modern sect of philosophers,—from the Stoics, the Epicureans, or the Platonists of the heathen world, or from any of the many divisions of the scholastics of the middle ages,—this origin would most certainly have affected its interior organization as well as its external form, and we should have seen our modern masonic reunions assuming the style of academies or schools. Its technical language—for, like every institution isolated from the ordinary and general pursuits of mankind, it would have had its own technical dialect—would have been borrowed from, and would be easily traced to, the peculiar phraseology of the philosophic sects which had given it birth. There would have been the sophists and the philosophers; the grammatists and the grammarians; the scholars, the masters, and the doctors. It would have had itstrivial and its quadrivial schools; its occupation would have been research, experiment, or investigation; in a word, its whole features would have been colored by a grammatical, a rhetorical, or a mathematical cast, accordingly as it should have been derived from a sect in which any one of these three characteristics was the predominating influence.

But in the organization of Freemasonry, as it now presents itself to us, we see an entirely different appearance. Its degrees are expressive, not of advancement in philosophic attainments, but of progress in a purely mechanical pursuit. Its highest grade is that of Master of the Work. Its places of meeting are not schools, but lodges, places where the workmen formerly lodged, in the neighborhood of the building on whose construction they were engaged. It does not form theories, but builds temples. It knows nothing of the rules of the dialecticians,—of the syllogism, the dilemma, the enthymeme, or the sorites,—but it recurs to the homely implements of its operative parent for its methods of instruction, and with the plumb-line it inculcates rectitude of conduct, and draws lessons of morality from the workman's square. It sees in the Supreme God that it worships, not a "numen divinum," a divine power, nor a "moderator rerum omnium," a controller of all things, as the old philosophers designated him, but a Grand Architect of the Universe. The masonic idea of God refers to Him as the Mighty Builder of this terrestrial globe, and all the countless worlds that surround it. He is not the ens entium, or to theion, or any other of the thousand titles with which ancient and modern speculation has invested him, but simply the Architect,—as the Greeks have it, the ἀρχὸς, the chief workman,—under whom we are all workmen also; (201) and hence our labor is his worship.

This idea, then, of masonic labor, is closely connected with the history of the organization of the institution. When we say "the lodge is at work," we recognize that it is in the legitimate practice of that occupation for which it was originally intended. The Masons that are in it are not occupied in thinking, or speculating, or reasoning, but simply and emphatically in working. The duty of a Mason as such, in his lodge, is to work. Thereby he accomplishes the destiny of his Order. Thereby he best fulfils his obligation to the Grand Architect, for with the Mason laborare est orare—labor is worship.

The importance of masonic labor being thus demonstrated, the question next arises as to the nature of that labor. What is the work that a Mason is called upon to perform?

Temple building was the original occupation of our ancient brethren. Leaving out of view that system of ethics and of religious philosophy, that search after truth, those doctrines of the unity of God and the immortality of the soul, which alike distinguish the ancient Mysteries and the masonic institution, and which both must have derived from a common origin,—most probably from some priesthood of the olden time,—let our attention be exclusively directed, for the present, to that period, so familiar to every Mason, when, under the supposed Grand Mastership of King Solomon, Freemasonry first assumed "a local habitation and a name" in the holy city of Jerusalem. There the labor of the Israelites and the skill of the Tyrians were occupied in the construction of that noble temple whose splendor and magnificence of decoration made it one of the wonders of the world.

Here, then, we see the two united nations directing their attention, with surprising harmony, to the task of temple building. The Tyrian workmen, coming immediately from the bosom of the mystical society of Dionysian artificers, whose sole employment was the erection of sacred edifices throughout all Asia Minor, indoctrinated the Jews with a part of their architectural skill, and bestowed upon them also a knowledge of those sacred Mysteries which they had practised at Tyre, and from which the present interior form of Freemasonry is said to be derived.

Now, if there be any so incredulous as to refuse their assent to the universally received masonic tradition on this subject, if there be any who would deny all connection of King Solomon with the origin of Freemasonry, except it be in a mythical or symbolical sense, such incredulity will, not at all affect the chain of argument which I am disposed to use. For it will not be denied that the corporations of builders in the middle ages, those men who were known as "Travelling Freemasons," were substantial and corporeal, and that the cathedrals, abbeys, and palaces, whose ruins are still objects of admiration to all observers, bear conclusive testimony that their existence was nothing like a myth, and that their labors were not apocryphal. But these Travelling Freemasons, whether led into the error, if error it be, by a mistaken reading of history, or by a superstitious reverence for tradition, always esteemed King Solomon as the founder of their Order. So that the first absolutely historical details that we have of the masonic institution, connect it with the idea of a temple. And it is only for this idea that I contend, for it proves that the first Freemasons of whom we have authentic record, whether they were at Jerusalem or in Europe, and whether they flourished a thousand years before or a thousand years after the birth of Christ, always supposed that temple building was the peculiar specialty of their craft, and that their labor was to be the erection of temples in ancient times, and cathedrals and churches in the Christian age.

So that we come back at last to the proposition with which I had commenced, namely: that temple building was the original occupation of our ancient brethren. And to this is added the fact, that after a long lapse of centuries, a body of men is found in the middle ages who were universally recognized as Freemasons, and who directed their attention and their skill to the same pursuit, and were engaged in the construction of cathedrals, abbeys, and other sacred edifices, these being the Christian substitute for the heathen or the Jewish temple.

And therefore, when we view the history of the Order as thus developed in its origin and its design, we are justified in saying that, in all times past, its members have been recognized as men of labor, and that their labor has been temple building.

But our ancient brethren wrought in both operative and speculative Masonry, while we work only in speculative. They worked with the hand; we work with the brain. They dealt in the material; we in the spiritual. They used in their labor wood and stones; we use thoughts, and feelings, and affections. We both devote ourselves to labor, but the object of the labor and the mode of the labor are different.

The French rituals have given us the key-note to the explanation of what is masonic labor when they say that "Freemasons erect temples for virtue and dungeons for vice."

The modern Freemasons, like the Masons of old, are engaged in the construction of a temple;—but with this difference: that the temple of the latter was material, that of the former spiritual. When the operative art was the predominant characteristic of the Order, Masons were engaged in the construction of material and earthly temples. But when the operative art ceased, and the speculative science took its place, then the Freemasons symbolized the labors of their predecessors by engaging in the construction of a spiritual temple in their hearts, which was to be made so pure that it might become the dwelling-place of Him who is all purity. It was to be "a house not made with hands," where the hewn stone was to be a purified heart.

This symbolism, which represents man as a temple, a house, a sacred building in which God is to dwell, is not new, nor peculiar to the masonic science. It was known to the Jewish, and is still recognized by the Christian, system. The Talmudists had a saying that the threefold repetition of the words "Temple of Jehovah," in the seventh chapter and fourth verse of the book of Jeremiah, was intended to allude to the existence of three temples; and hence in one of their treatises it is said, "Two temples have been destroyed, but the third will endure forever," in which it is manifest that they referred to the temple of the immortal soul in man.

By a similar allusion, which, however, the Jews chose wilfully to misunderstand, Christ declared, "Destroy this temple, and in three days I will raise it up." And the beloved disciple, who records the conversation, does not allow us to doubt of the Saviour's meaning.

"Then said the Jews, Forty and six years was this temple in building, and wilt thou rear it up in three days?

"But he spake of the temple of his body." (202)

In more than one place the apostle Paul has fondly dwelt upon this metaphor. Thus he tells the Corinthians that they are "God's building," and he calls himself the "wise master builder," who was to lay the foundation in his truthful doctrine, upon which they were to erect the edifice. (203) And he says to them immediately afterwards, "Know ye not that ye are the temple of God, and that the Spirit of God dwelleth in you?"

In consequence of these teachings of the apostles, the idea that the body was a temple has pervaded, from the earliest times to the present day, the system of Christian or theological symbolism. Indeed, it has sometimes been carried to an almost too fanciful excess. Thus Samuel Lee, in that curious and rare old work, "The Temple of Solomon, pourtrayed by Scripture Light," thus dilates on this symbolism of the temple:

"The foundation of this temple may be laid in humility and contrition of spirit, wherein the inhabiter of eternity delighteth to dwell; we may refer the porch to the mouth of a saint, wherein every holy Jacob erects the pillars of God's praise, calling upon and blessing his name for received mercies; when songs of deliverance are uttered from the doors of his lips. The holy place is the renewed mind, and the windows therein may denote divine illumination from above, cautioning a saint lest they be darkened with the smoke of anger, the mist of grief, the dust of vain-glory, or the filthy mire of worldly cares. The golden candlesticks, the infused habits of divine knowledge resting within the soul. The shew-bread, the word of grace exhibited in the promises for the preservation of a Christian's life and glory. The golden altar of odors, the breathings, sufferings, and groanings after God, ready to break forth into Abba, Father. The veiles, the righteousness of Christ. The holy of holies may relate to the conscience purified from dead works and brought into a heavenly frame." (204) And thus he proceeds, symbolizing every part and utensil of the temple as alluding to some emotion or affection of man, but in language too tedious for quotation.

In a similar vein has the celebrated John Bunyan, the author of the "Pilgrim's Progress" proceeded in his "Temple of Solomon Spiritualized" to refer every part of that building to a symbolic meaning, selecting, however, the church, or congregation of good men, rather than the individual man, as the object of the symbolism.

In the middle ages the Hermetic philosophers seem to have given the same interpretation of the temple, and Swedenborg, in his mystical writings, adopts the idea.

Hitchcock, who has written an admirable little work on Swedenborg considered as a Hermetic Philosopher, thus alludes to this subject, and his language, as that of a learned and shrewd investigator, is well worthy of quotation:

"With, perhaps, the majority of readers, the Tabernacle of Moses and the Temple of Solomon were mere buildings; very magnificent indeed, but still mere buildings for the worship of God. But some are struck with many portions of the account of their erection, admitting a moral interpretation; and while the buildings are allowed to stand (or to have stood once) visible objects, these interpreters are delighted to meet with indications that Moses and Solomon, in building the temples, were wise in the knowledge of God and of man; from which point it is not difficult to pass on to the moral meaning altogether, and to affirm that the building which was erected without 'the noise of a hammer or axe, or any tool of iron,' was altogether a moral building—a building of God, not made with hands: in short, many see in the story of Solomon's temple a symbolical representation of MAN as the temple of God, with its holy of holies deep-seated in the centre of the human heart." (205)

The French Masons have not been inattentive to this symbolism. Their already quoted expression that the "Freemasons build temples for virtue and dungeons for vice," has very clearly a reference to it, and their most distinguished writers never lose sight of it.

Thus Ragon, one of the most learned of the French historians of Freemasonry, in his lecture to the Apprentice, says that the founders of our Order "called themselves Masons, and proclaimed that they were building a temple to truth and virtue." (206) And subsequently he addresses the candidate who has received the Master's degree in the following language:

"Profit by all that has been revealed to you. Improve your heart and your mind. Direct your passions to the general good; combat your prejudices; watch over your thoughts and your actions; love, enlighten, and assist your brethren; and you will have perfected that temple of which you are at once the architect, the material, and the workman." (207)

Rebold, another French historian of great erudition, says, "If Freemasonry has ceased to erect temples, and by the aid of its architectural designs to elevate all hearts to the Deity, and all eyes and hopes to heaven, it has not therefore desisted from its work of moral and intellectual building;" and he thinks that the success of the institution has justified this change of purpose and the disruption of the speculative from the operative character of the Order. (208)

Eliphas Levi, who has written abstrusely and mystically on Freemasonry and its collateral sciences, sees very clearly an allegorical and a real design in the institution, the former being the rebuilding of the temple of Solomon, and the latter the improvement of the human race by a reconstruction of its social and religious elements. (209)

The Masons of Germany have elaborated this idea with all the exhaustiveness that is peculiar to the German mind, and the masonic literature of that country abounds in essays, lectures, and treatises, in which the prominent topic is this building of the Solomonic temple as referring to the construction of a moral temple.

Thus writes Bro. Rhode, of Berlin:

"So soon as any one has received the consecration of our Order, we say to him that we are building a mystical temple;" and he adds that "this temple which we Masons are building is nothing else than that which will conduce to the greatest possible happiness of mankind." (210)

And another German brother, Von Wedekind, asserts that "we only labor in our temple when we make man our predominating object, when we unite goodness of heart with polished manners, truth with beauty, virtue with grace." (211)

Again we have Reinhold telling us, in true Teutonic expansiveness of expression, that "by the mystical Solomonic temple we are to understand the high ideal or archetype of humanity in the best possible condition of social improvement, wherein every evil inclination is overcome, every passion is resolved into the spirit of love, and wherein each for all, and all for each, kindly strive to work." (212)

And thus the German Masons call this striving for an almost millennial result labor in the temple.

The English Masons, although they have not treated the symbolism of the Order with the same abstruse investigation that has distinguished those of Germany and France, still have not been insensible to this idea that the building of the Solomonic temple is intended to indicate a cultivation of the human character. Thus Hutchinson, one of the earliest of the symbolic writers of England, shows a very competent conception—for the age in which he lived—of the mystical meaning of the temple; and later writers have improved upon his crude views. It must, however, be acknowledged that neither Hutchinson nor Oliver, nor any other of the distinguished masonic writers of England, has dwelt on this peculiar symbolism of a moral temple with that earnest appreciation of the idea that is to be found in the works of the French and German Masons. But although the allusions are rather casual and incidental, yet the symbolic theory is evidently recognized. (213)

Our own country has produced many students of Masonic symbolism, who have thoroughly grasped this noble thought, and treated it with eloquence and erudition.

Fifty years ago Salem Towne wrote thus: "Speculative Masonry, according to present acceptation, has an ultimate reference to that spiritual building erected by virtue in the heart, and summarily implies the arrangement and perfection of those holy and sublime principles by which the soul is fitted for a meet temple of God in a world of immortality." (214)

Charles Scott has devoted one of the lectures in his "Analogy of Ancient Craft Masonry to Natural and Revealed Religion" to a thorough consideration of this subject. The language is too long for quotation, but the symbol has been well interpreted by him. (215)

Still more recently, Bro. John A. Loclor has treated the topic in an essay, which I regret has not had a larger circulation. A single and brief passage may show the spirit of the production, and how completely it sustains the idea of this symbolism.

"We may disguise it as we will," says Bro. Lodor, "we may evade a scrutiny of it; but our character, as it is, with its faults and blemishes, its weaknesses and infirmities, its vices and its stains, together with its redeeming traits, its better parts, is our speculative temple." And he goes on to extend the symbolic idea: "Like the exemplar temple on Mount Moriah, it should be preserved as a hallowed shrine, and guarded with the same vigilant care. It should be our pearl of price set round with walls and enclosures, even as was the Jewish temple, and the impure, the vicious, the guilty, and the profane be banished from even its outer courts. A faithful sentinel should be placed at every gate, a watchman on every wall, and the first approach of a cowan and eavesdropper be promptly met and resisted."

Teachings like this are now so common that every American Mason who has studied the symbolism of his Order believes, with Carlyle, that "there is but one temple in the world, and that is the body of man."

This inquiry into the meaning and object of labor, as a masonic symbol, brings us to these conclusions:

1. That our ancient brethren worked as long as the operative art predominated in the institution at material temples, the most prominent of these being the temple of King Solomon.

2. That when the speculative science took the place of the operative art, the modern Masons, working no longer at material temples, but holding still to the sacred thought, the reverential idea, of a holy temple, a Lord's house to be built, began to labor at living temples, and to make man, the true house of the Lord, the tabernacle for the indwelling of the Holy Spirit.

And, 3. Therefore to every Freemason who rightly comprehends his art, this construction of a living temple is his labor.

"Labor," says Gadicke, the German masonic lexicographer, "is an important word in Masonry; indeed, we might say the most important. For this, and this alone, does a man become a Freemason. Every other object is secondary or incidental. Labor is the accustomed design of every lodge meeting. But does such meeting always furnish evidence of industry? The labor of an operative mason will be visible, and he will receive his reward for it, even though the building he has constructed may, in the next hour, be overthrown by a tempest. He knows that he has done his labor. And so must the Freemason labor. His labor must be visible to himself and to his brethren, or, at least, it must conduce to his own internal satisfaction. As we build neither a visible Solomonic temple nor an Egyptian pyramid, our industry must become visible in works that are imperishable, so that when we vanish from the eyes of mortals it may be said of us that our labor was well done."

And remembering what the apostle has said, that we are the temple of God, and that the Spirit of God dwelleth in us, we know that our labor is so to build that temple that it shall become worthy of its divine Dweller.

And thus, too, at last, we can understand the saying of the old monks that "labor is worship;" and as Masons we labor in our lodge, labor to make ourselves a perfect building, without blemish, working hopefully for the consummation, when the house of our earthly tabernacle shall be finished, when the LOST WORD of divine truth shall at last be discovered, and when we shall be found by our own efforts at perfection to have done God service. For so truly is the meaning of those noble words—LABOR IS WORSHIP.

CHAPTER XXX.

The Stone of Foundation. (216)

The Stone of Foundation constitutes one of the most important and abstruse of all the symbols of Freemasonry. It is referred to in numerous legends and traditions, not only of the Freemasons, but also of the Jewish Rabbins, the Talmudic writers, and even the Musulman doctors. Many of these, it must be confessed, are apparently puerile and absurd; but some of them, and especially the masonic ones, are deeply interesting in their allegorical signification.

The Stone of Foundation is, properly speaking, a symbol of the higher degrees. It makes its first appearance in the Royal Arch, and forms, indeed, the most important symbol of that degree. But it is so intimately connected, in its legendary history, with the construction of the Solomonic temple, that it must be considered as a part of Ancient Craft Masonry, although he who confines the range of his investigations to the first three degrees, will have no means, within that narrow limit, of properly appreciating the symbolism of the Stone of Foundation.

As preliminary to the inquiry which is about to be instituted, it is necessary to distinguish the Stone of Foundation, both in its symbolism and in its legendary history, from other stones which play an important part in the masonic ritual, but which are entirely distinct from it. Such are the corner-stone, which was always placed in the north-east corner of the building about to be erected, and to which such a beautiful reference is made in the ceremonies of the first degree; or the keystone, which constitutes an interesting part of the Mark Master's degree; or, lastly, thecape-stone, upon which all the ritual of the Most Excellent Master's degree is founded. These are all, in their proper places, highly interesting and instructive symbols, but have no connection whatever with the Stone of Foundation or its symbolism. Nor, although the Stone of Foundation is said, for peculiar reasons, to have been of a cubical form, must it be confounded with that stone called by the continental Masons the cubical stone—the pierre cubique of the French, and the cubik stein of the German Masons, but which in the English system is known as the perfect ashlar.

The Stone of Foundation has a legendary history and a symbolic signification which are peculiar to itself, and which differ from the history and meaning which belong to these other stones.

Let us first define this masonic Stone of Foundation, then collate the legends which refer to it, and afterwards investigate its significance as a symbol. To the Mason who takes a pleasure in the study of the mysteries of his institution, the investigation cannot fail to be interesting, if it is conducted with any ability.

But in the very beginning, as a necessary preliminary to any investigation of this kind, it must be distinctly understood that all that is said of this Stone of Foundation in Masonry is to be strictly taken in a mythical or allegorical sense. Dr. Oliver, the most learned of our masonic writers, while undoubtedly himself knowing that it was simply a symbol, has written loosely of it, as though it were a substantial reality; and hence, if the passages in his "Historical Landmarks," and in his other works which refer to this celebrated stone are accepted by his readers in a literal sense, they will present absurdities and puerilities which would not occur if the Stone of Foundation was received, as it really is, as a philosophical myth, conveying a most profound and beautiful symbolism. Read in this spirit, as all the legends of Masonry should be read, the mythical story of the Stone of Foundation becomes one of the most important and interesting of all the masonic symbols.

The Stone of Foundation is supposed, by the theory which establishes it, to have been a stone placed at one time within the foundations of the temple of Solomon, and afterwards, during the building of the second temple, transported to the Holy of Holies. It was in form a perfect cube, and had inscribed upon its upper face, within a delta or triangle, the sacred tetragrammaton, or ineffable name of God. Oliver, speaking with the solemnity of an historian, says that Solomon thought that he had rendered the house of God worthy, so far as human adornment could effect, for the dwelling of God, "when he had placed the celebrated Stone of Foundation, on which the sacred name was mystically engraven, with solemn ceremonies, in that sacred depository on Mount Moriah, along with the foundations of Dan and Asher, the centre of the Most Holy Place, where the ark was overshadowed by the shekinah of God." (217) The Hebrew Talmudists, who thought as much of this stone, and had as many legends concerning it as the masonic Talmudists, called it eben shatijah (218) or "Stone of Foundation," because, as they said, it had been laid by Jehovah as the foundation of the world; and hence the apocryphal book of Enoch speaks of the "stone which supports the corners of the earth."

This idea of a foundation stone of the world was most probably derived from that magnificent passage of the book of Job, in which the Almighty demands of the afflicted patriarch,

"Where wast thou, when I laid the foundation of the earth?

Declare, since thou hast such knowledge!

Who fixed its dimensions, since thou knowest?

Or who stretched out the line upon it?

Upon what were its foundations fixed?

And who laid its corner-stone,

When the morning stars sang together,

And all the sons of God shouted for joy?"  (219)

Noyes, whose beautiful translation I have adopted as not materially differing from the common version, but which is far more poetical and more in the strain of the original, thus explains the allusions to the foundation-stone: "It was the custom to celebrate the laying of the corner-stone of an important building with music, songs, shouting, &c. Hence the morning stars are represented as celebrating the laying of the corner-stone of the earth." (220)

Upon this meagre statement have been accumulated more traditions than appertain to any other masonic symbol. The Rabbins, as has already been intimated, divide the glory of these apocryphal histories with the Masons; indeed, there is good reason for a suspicion that nearly all the masonic legends owe their first existence to the imaginative genius of the writers of the Jewish Talmud. But there is this difference between the Hebrew and the masonic traditions, that the Talmudic scholar recited them as truthful histories, and swallowed, in one gulp of faith, all their impossibilities and anachronisms, while the masonic student has received them as allegories, whose value is not in the facts, but in the sentiments which they convey.

With this understanding of their meaning, let us proceed to a collation of these legends.

In that blasphemous work, the "Toldoth Jeshu" or Life of Jesus, written, it is supposed, in the thirteenth or fourteenth century, we find the following account of this wonderful stone:

"At that time [the time of Jesus] there was in the House of the Sanctuary [that is, the temple] a Stone of Foundation, which is the very stone that our father Jacob anointed with oil, as it is described in the twenty-eighth chapter of the book of Genesis. On that stone the letters of the tetragrammaton were inscribed, and whosoever of the Israelites should learn that name would be able to master the world.

To prevent, therefore, any one from learning these letters, two iron dogs were placed upon two columns in front of the Sanctuary. If any person, having acquired the knowledge of these letters, desired to depart from the Sanctuary, the barking of the dogs, by magical power, inspired so much fear, that he suddenly forgot what he had acquired."

This passage is cited by the learned Buxtorf, in his "Lexicon Talmudicum;" (221) but in the copy of the "Toldoth Jeshu" which I have the good fortune to possess (for it is among the rarest of books), I find another passage which gives some additional particulars, in the following words:

"At that time there was in the temple the ineffable name of God, inscribed upon the Stone of Foundation. For when King David was digging the foundation for the temple, he found in the depths of the excavation a certain stone, on which the name of God was inscribed. This stone he removed, and deposited it in the Holy of Holies." (222)

The same puerile story of the barking dogs is repeated, still more at length. It is not pertinent to the present inquiry, but it may be stated as a mere matter of curious information, that this scandalous book, which is throughout a blasphemous defamation of our Saviour, proceeds to say, that he cunningly obtained a knowledge of the tetragrammaton from the Stone of Foundation, and by its mystical influence was enabled to perform his miracles.

The masonic legends of the Stone of Foundation, based on these and other rabbinical reveries, are of the most extraordinary character, if they are to be viewed as histories, but readily reconcilable with sound sense, if looked at only in the light of allegories. They present an uninterrupted succession of events, in which the Stone of Foundation takes a prominent part, from Adam to Solomon, and from Solomon to Zerubbabel.

Thus the first of these legends, in order of time, relates that the Stone of Foundation was possessed by Adam while in the garden of Eden; that he used it as an altar, and so reverenced it, that, on his expulsion from Paradise, he carried it with him into the world in which he and his descendants were afterwards to earn their bread by the sweat of their brow.

Another legend informs us that from Adam the Stone of Foundation descended to Seth. From Seth it passed by regular succession to Noah, who took it with him into the ark, and after the subsidence of the deluge, made on it his first thank-offering. Noah left it on Mount Ararat, where it was subsequently found by Abraham, who removed it, and consequently used it as an altar of sacrifice. His grandson Jacob took it with him when he fled to his uncle Laban in Mesopotamia, and used it as a pillow when, in the vicinity of Luz, he had his celebrated vision.

Here there is a sudden interruption in the legendary history of the stane, and we have no means of conjecturing how it passed from the possession of Jacob into that of Solomon. Moses, it is true, is said to have taken it with him out of Egypt at the time of the exodus, and thus it may have finally reached Jerusalem. Dr. Adam Clarke (223) repeats what he very properly calls "a foolish tradition," that the stone on which Jacob rested his head was afterwards brought to Jerusalem, thence carried after a long lapse of time to Spain, from Spain to Ireland, and from Ireland to Scotland, where it was used as a seat on which the kings of Scotland sat to be crowned. Edward I., we know, brought a stone, to which this legend is attached, from Scotland to Westminster Abbey, where, under the name of Jacob's Pillow, it still remains, and is always placed under the chair upon which the British sovereign sits to be crowned, because there is an old distich which declares that wherever this stone is found the Scottish kings shall reign. (224)

But this Scottish tradition would take the Stone of Foundation away from all its masonic connections, and therefore it is rejected as a masonic legend.

The legends just related are in many respects contradictory and unsatisfactory, and another series, equally as old, are now very generally adopted by masonic scholars, as much better suited to the symbolism by which all these legends are explained.

This series of legends commences with the patriarch Enoch, who is supposed to have been the first consecrator of the Stone of Foundation. The legend of Enoch is so interesting and important in masonic science as to excuse something more than a brief reference to the incidents which it details.

The legend in full is as follows: Enoch, under the inspiration of the Most High, and in obedience to the instructions which he had received in a vision, built a temple under ground on Mount Moriah, and dedicated it to God. His son, Methuselah, constructed the building, although he was not acquainted with his father's motives for the erection. This temple consisted of nine vaults, situated perpendicularly beneath each other, and communicating by apertures left in each vault.

Enoch then caused a triangular plate of gold to be made, each side of which was a cubit long; he enriched it with the most precious stones, and encrusted the plate upon a stone of agate of the same form. On the plate he engraved the true name of God, or the tetragrammaton, and placing it on a cubical stone, known thereafter as the Stone of Foundation, he deposited the whole within the lowest arch.

When this subterranean building was completed, he made a door of stone, and attaching to it a ring of iron, by which it might be occasionally raised, he placed it over the opening of the uppermost arch, and so covered it that the aperture could not be discovered. Enoch himself was not permitted to enter it but once a year, and after the days of Enoch, Methuselah, and Lamech, and the destruction of the world by the deluge, all knowledge of the vault or subterranean temple, and of the Stone of Foundation, with the sacred and ineffable name inscribed upon it, was lost for ages to the world.

At the building of the first temple of Jerusalem, the Stone of Foundation again makes its appearance. Reference has already been made to the Jewish tradition that David, when digging the foundations of the temple, found in the excavation which he was making a certain stone, on which the ineffable name of God was inscribed, and which stone he is said to have removed and deposited in the Holy of Holies. That King David laid the foundations of the temple upon which the superstructure was subsequently erected by Solomon, is a favorite theory of the legend-mongers of the Talmud.

The masonic tradition is substantiallv the same as the Jewish, but it substitutes Solomon for David, thereby giving a greater air of probability to the narrative; and it supposes that the stone thus discovered by Solomon was the identical one that had been deposited in his secret vault by Enoch. This Stone of Foundation, the tradition states, was subsequently removed by King Solomon, and, for wise purposes, deposited in a secret and safer place.

In this the masonic tradition again agrees with the Jewish, for we find in the third chapter of the "Treatise on the Temple" written by the celebrated Maimonides, the following narrative:

"There was a stone in the Holy of Holies, on its west side, on which was placed the ark of the covenant, and before it the pot of manna and Aaron's rod. But when Solomon had built the temple, and foresaw that it was, at some future time, to be destroyed, he constructed a deep and winding vault under ground, for the purpose of concealing the ark, wherein Josiah afterwards, as we learn in the Second Book of Chronicles, xxxv. 3, deposited it, with the pot of manna, the rod of Aaron, and the oil of anointing."

The Talmudical book "Yoma" gives the same tradition, and says that "the ark of the covenant was placed in the centre of the Holy of Holies, upon a stone rising three fingers' breadth above the floor, to be, as it were, a pedestal for it." "This stone," says Prideaux, (225) "the Rabbins call the Stone of Foundation, and give us a great deal of trash about it."

There is much controversy as to the question of the existence of any ark in the second temple. Some of the Jewish writers assert that a new one was made; others, that the old one was found where it had been concealed by Solomon; and others again contend that there was no ark at all in the temple of Zerubbabel, but that its place was supplied by the Stone of Foundation on which it had originally rested.

Royal Arch Masons well know how all these traditions are sought to be reconciled by the masonic legend, in which the substitute ark and the Stone of Foundation play so important a part.

In the thirteenth degree of the Ancient and Accepted Rite, the Stone of Foundation is conspicuous as the resting-place of the sacred delta.

In the Royal Arch and Select Master's degrees of the Americanized York Rite, the Stone of Foundation constitutes the most important part of the ritual. In both of these it is the receptacle of the ark, on which the ineffable name is inscribed.

Lee, in his "Temple of Solomon", has devoted a chapter to this Stone of Foundation, and thus recapitulates the Talmudic and Rabbinical traditions on the subject:

"Vain and futilous are the feverish dreams of the ancient Rabbins concerning the Foundation Stone of the temple. Some assert that God placed this stone in the centre of the world, for a future basis and settled consistency for the earth to rest upon. Others held this stone to be the first matter, out of which all the beautiful visible beings of the world have been hewn forth and produced to light. Others relate that this was the very same stone laid by Jacob for a pillow under his head, in that night when he dreamed of an angelic vision at Bethel, and afterwards anointed and consecrated it to God. Which when Solomon had found (no doubt by forged revelation, or some tedious search, like another Rabbi Selemoh), he durst not but lay it sure, as the principal foundation stone of the temple. Nay, they say further, he caused to be engraved upon it the tetragrammaton, or the ineffable name of Jehovah." (226)

It will be seen that the masonic traditions on the subject of the Stone of Foundation do not differ very materially from these Rabbinical ones, although they give a few additional circumstances.

In the masonic legend, the Foundation Stone first makes its appearance, as I have already said, in the days of Enoch, who placed it in the bowels of Mount Moriah. There it was subsequently discovered by King Solomon, who deposited it in a crypt of the first temple, where it remained concealed until the foundations of the second temple were laid, when it was discovered and removed to the Holy of Holies. But the most important point of the legend of the Stone of Foundation is its intimate and constant connection with the tetragrammaton, or ineffable name. It is this name, inscribed upon it, within the sacred and symbolic delta, that gives to the stone all its masonic value and significance. It is upon this fact, that it was so inscribed, that its whole symbolism depends.

Looking at these traditions in anything like the light of historical narratives, we are compelled to consider them, to use the plain language of Lee, "but as so many idle and absurd conceits." We must go behind the legend, viewing it only as an allegory, and study its symbolism.

The symbolism of the Foundation Stone of Masonry is therefore the next subject of investigation.

In approaching this, the most abstruse, and one of the most important, symbols of the Order, we are at once impressed with its apparent connection with the ancient doctrine of stone worship. Some brief consideration of this species of religious culture is therefore necessary for a proper understanding of the real symbolism of the Stone of Foundation.

The worship of stones is a kind of fetichism, which in the very infancy of religion prevailed, perhaps, more extensively than any other form of religious culture. Lord Kames explains the fact by supposing that stones erected as monuments of the dead became the place where posterity paid their veneration to the memory of the deceased, and that at length the people, losing sight of the emblematical signification, which was not readily understood, these monumental stones became objects of worship.

Others have sought to find the origin of stone-worship in the stone that was set up and anointed by Jacob at Bethel, and the tradition of which had extended into the heathen nations and become corrupted. It is certain that the Phoenicians worshipped sacred stones under the name of Baetylia, which word is evidently derived from the Hebrew Bethel; and this undoubtedly gives some appearance of plausibility to the theory.

But a third theory supposes that the worship of stones was derived from the unskilfulness of the primitive sculptors, who, unable to frame, by their meagre principles of plastic art, a true image of the God whom they adored, were content to substitute in its place a rude or scarcely polished stone. Hence the Greeks, according to Pausanias, originally used unhewn stones to represent their deities, thirty of which that historian says he saw in the city of Pharas. These stones were of a cubical form, and as the greater number of them were dedicated to the god Hermes, or Mercury, they received the generic name of Hermaa. Subsequently, with the improvement of the plastic art, the head was added. (227)

One of these consecrated stones was placed before the door of almost every house in Athens. They were also placed in front of the temples, in the gymnasia or schools, in libraries, and at the corners of streets, and in the roads. When dedicated to the god Terminus they were used as landmarks, and placed as such upon the concurrent lines of neighboring possessions.

The Thebans worshipped Bacchus under the form of a rude, square stone.

Arnobius (228) says that Cybele was represented by a small stone of a black color. Eusebius cites Porphyry as saying that the ancients represented the deity by a black stone, because his nature is obscure and inscrutable. The reader will here be reminded of the black stone Hadsjar el Aswad, placed in the south-west corner of the Kaaba at Mecca, which was worshipped by the ancient Arabians, and is still treated with religious veneration by the modern Mohammedans. The Mussulman priests, however, say that it was originally white, and of such surprising splendor that it could be seen at the distance of four days' journey, but that it has been blackened by the tears of pilgrims.

The Druids, it is well known, had no other images of their gods but cubical, or sometimes columnar, stones, of which Toland gives several instances.

The Chaldeans had a sacred stone, which they held in great veneration, under the name of Mnizuris, and to which they sacrificed for the purpose of evoking the Good Demon.

Stone-worship existed among the early American races. Squier quotes Skinner as asserting that the Peruvians used to set up rough stones in their fields and plantations, which were worshipped as protectors of their crops. And Gam a says that in Mexico the presiding god of the spring was often represented without a human body, and in place thereof a pilaster or square column, whose pedestal was covered with various sculptures.

Indeed, so universal was this stone-worship, that Higgins, in his "Celtic Druids," says that, "throughout the world the first object of idolatry seems to have been a plain, unwrought stone, placed in the ground, as an emblem of the generative or procreative powers of nature." And the learned Bryant, in his "Analysis of Ancient Mythology," asserts that "there is in every oracular temple some legend about a stone."

Without further citations of examples from the religious usages of other countries, it will, I think, be conceded that the cubical stone formed an important part of the religious worship of primitive nations. But Cudworth, Bryant, Faber, and all other distinguished writers who have treated the subject, have long since established the theory that the pagan religions were eminently symbolic. Thus, to use the language of Dudley, the pillar or stone "was adopted as a symbol of strength and firmness,—a symbol, also, of the divine power, and, by a ready inference, a symbol or idol of the Deity himself." (229) And this symbolism is confirmed by Cornutus, who says that the god Hermes was represented without hands or feet, being a cubical stone, because the cubical figure betokened his solidity and stability. (230)

Thus, then, the following facts have been established, but not precisely in this order: First, that there was a very general prevalence among the earliest nations of antiquity of the worship of stones as the representatives of Deity; secondly, that in almost every ancient temple there was a legend of a sacred or mystical stone; thirdly, that this legend is found in the masonic system; and lastly, that the mystical stone there has received the name of the "Stone of Foundation."

Now, as in all the other systems the stone is admitted to be symbolic, and the tradition connected with it mystical, we are compelled to assume the same predicates of the masonic stone. It, too, is symbolic, and its legend a myth or an allegory.

Of the fable, myth, or allegory, Bailly has said that, "subordinate to history and philosophy, it only deceives that it may the better instruct us. Faithful in preserving the realities which are confided to it, it covers with its seductive envelope the lessons of the one and the truths of the other." (231) It is from this stand-point that we are to view the allegory of the Stone of Foundation, as developed in one of the most interesting and important symbols of Masonry.

The fact that the mystical stone in all the ancient religions was a symbol of the Deity, leads us necessarily to the conclusion that the Stone of Foundation was also a symbol of Deity. And this symbolic idea is strengthened by the tetragrammaton, or sacred name of God, that was inscribed upon it. This ineffable name sanctifies the stone upon which it is engraved as the symbol of the Grand Architect. It takes from it its heathen signification as an idol, and consecrates it to the worship of the true God.

The predominant idea of the Deity, in the masonic system, connects him with his creative and formative power. God is, to the Freemason, Al Gabil, as the Arabians called him, that is, The Builder; or, as expressed in his masonic title, the Grand Architect of the Universe, by common consent abbreviated in the formula G.A.O.T.U. Now, it is evident that no symbol could so appropriately suit him in this character as the Stone of Foundation, upon which he is allegorically supposed to have erected his world. Such a symbol closely connects the creative work of God, as a pattern and exemplar, with the workman's erection of his temporal building on a similar foundation stone.

But this masonic idea is still further to be extended. The great object of all Masonic labor is divine truth. The search for the lost word is the search for truth. But divine truth is a term synonymous with God. The ineffable name is a symbol of truth, because God, and God alone, is truth. It is properly a scriptural idea. The Book of Psalms abounds with this sentiment. Thus it is said that the truth of the Lord "reacheth unto the clouds," and that "his truth endureth unto all generations." If, then, God is truth, and the Stone of Foundation is the masonic symbol of God, it follows that it must also be the symbol of divine truth.

When we have arrived at this point in our speculations, we are ready to show how all the myths and legends of the Stone of Foundation may be rationally explained as parts of that beautiful "science of morality, veiled in allegory and illustrated by symbols," which is the acknowledged definition of Freemasonry.

In the masonic system there are two temples; the first temple, in which the degrees of Ancient Craft Masonry are concerned, and the second temple, with which the higher degrees, and especially the Royal Arch, are related. The first temple is symbolic of the present life; the second temple is symbolic of the life to come. The first temple, the present life, must be destroyed; on its foundations the second temple, the life eternal, must be built.

But the mystical stone was placed by King Solomon in the foundations of the first temple. That is to say, the first temple of our present life must be built on the sure foundation of divine truth, "for other foundation can no man lay."

But although the present life is necessarily built upon the foundation of truth, yet we never thoroughly attain it in this sublunary sphere. The Foundation Stone is concealed in the first temple, and the Master Mason knows it not. He has not the true word. He receives only a substitute.

But in the second temple of the future life, we have passed from the grave, which had been the end of our labors in the first. We have removed the rubbish, and have found that Stone of Foundation which had been hitherto concealed from our eyes. We now throw aside the substitute for truth which had contented us in the former temple, and the brilliant effulgence of the tetragrammaton and the Stone of Foundation are discovered, and thenceforth we are the possessors of the true word—of divine truth. And in this way, the Stone of Foundation, or divine truth, concealed in the first temple, but discovered and brought to light in the second, will explain that passage of the apostle, "For now we see through a glass darkly, but then face to face: now I know in part; but then shall I know even as also I am known."

And so, the result of this inquiry is, that the masonic Stone of Foundation is a symbol of divine truth, upon which all Speculative Masonry is built, and the legends and traditions which refer to it are intended to describe, in an allegorical way, the progress of truth in the soul, the search for which is a Mason's labor, and the discovery of which is his reward.

CHAPTER XXXI.

The Lost Word.

The last of the symbols, depending for its existence on its connection with a myth to which I shall invite attention, is the Lost Word, and the search for it. Very appropriately may this symbol terminate our investigations, since it includes within its comprehensive scope all the others, being itself the very essence of the science of masonic symbolism. The other symbols require for their just appreciation a knowledge of the origin of the order, because they owe their birth to its relationship with kindred and anterior institutions. But the symbolism of the Lost Word has reference exclusively to the design and the objects of the institution.

First, let us define the symbol, and then investigate its interpretation.

The mythical history of Freemasonry informs us that there once existed a WORD of surpassing value, and claiming a profound veneration; that this Word was known to but few; that it was at length lost; and that a temporary substitute for it was adopted. But as the very philosophy of Masonry teaches us that there can be no death without a resurrection,—no decay without a subsequent restoration,—on the same principle it follows that the loss of the Word must suppose its eventual recovery.

Now, this it is, precisely, that constitutes the myth of the Lost Word and the search for it. No matter what was the word, no matter how it was lost, nor why a substitute was provided, nor when nor where it was recovered. These are all points of subsidiary importance, necessary, it is true, for knowing the legendary history, but not necessary for understanding the symbolism. The only term of the myth that is to be regarded in the study of its interpretation, is the abstract idea of a word lost and afterwards recovered.

This, then, points us to the goal to which we must direct our steps in the pursuit of the investigation.

But the symbolism, referring in this case, as I have already said, solely to the great design of Freemasonry, the nature of that design at once suggests itself as a preliminary subject of inquiry in the investigation.

What, then, is the design of Freemasonry? A very large majority of its disciples, looking only to its practical results, as seen in the every-day business of life,—to the noble charities which it dispenses, to the tears of widows which it has dried, to the cries of orphans which it has hushed, to the wants of the destitute which it has supplied,—arrive with too much rapidity at the conclusion that Charity, and that, too, in its least exalted sense of eleemosynary aid, is the great design of the institution.

Others, with a still more contracted view, remembering the pleasant reunions at their lodge banquets, the unreserved communications which are thus encouraged, and the solemn obligations of mutual trust and confidence that are continually inculcated, believe that it was intended solely to promote the social sentiments and cement the bonds of friendship.

But, although the modern lectures inform us that Brotherly Love and Relief are two of "the principal tenets of a Mason's profession," yet, from the same authority, we learn that Truth is a third and not less important one; and Truth, too, not in its old Anglo-Saxon meaning of fidelity to engagements, (232) but in that more strictly philosophical one in which it is opposed to intellectual and religious error or falsehood.

But I have shown that the Primitive Freemasonry of the ancients was instituted for the purpose of preserving that truth which had been originally communicated to the patriarchs, in all its integrity, and that the Spurious Masonry, or the Mysteries, originated in the earnest need of the sages, and philosophers, and priests, to find again the same truth which had been lost by the surrounding multitudes. I have shown, also, that this same truth continued to be the object of the Temple Masonry, which was formed by a union of the Primitive, or Pure, and the Spurious systems. Lastly, I have endeavored to demonstrate that this truth related to the nature of God and the human soul.

The search, then, after this truth, I suppose to constitute the end and design of Speculative Masonry. From the very commencement of his career, the aspirant is by significant symbols and expressive instructions directed to the acquisition of this divine truth; and the whole lesson, if not completed in its full extent, is at least well developed in the myths and legends of the Master's degree. God and the soul—the unity of the one and the immortality of the other—are the great truths, the search for which is to constitute the constant occupation of every Mason, and which, when found, are to become the chief corner-stone, or the stone of foundation, of the spiritual temple—"the house not made with hands"—which he is engaged in erecting.

Now, this idea of a search after truth forms so prominent a part of the whole science of Freemasonry, that I conceive no better or more comprehensive answer could be given to the question,What is Freemasonry? than to say that it is a science which is engaged in the search after divine truth.

But Freemasonry is eminently a system of symbolism, and all its instructions are conveyed in symbols. It is, therefore, to be supposed that so prominent and so prevailing an idea as this,—one that constitutes, as I have said, the whole design of the institution, and which may appropriately be adopted as the very definition of its science,—could not with any consistency be left without its particular symbol.

The WORD, therefore, I conceive to be the symbol of Divine Truth; and all its modifications—the loss, the substitution, and the recovery—are but component parts of the mythical symbol which represents a search after truth.

How, then, is this symbolism preserved? How is the whole history of this Word to be interpreted, so as to bear, in all its accidents of time, and place, and circumstance, a patent reference to the substantive idea that has been symbolized?

The answers to these questions embrace what is, perhaps, the most intricate as well as most ingenious and interesting portion of the science of masonic symbolism.

This symbolism may be interpreted, either in an application to a general or to a special sense.

The general application will embrace the whole history of Freemasonry, from its inception to its consummation. The search after the Word is an epitome of the intellectual and religious progress of the order, from the period when, by the dispersion at Babel, the multitudes were enshrouded in the profundity of a moral darkness where truth was apparently forever extinguished. The true name of God was lost; his true nature was not understood; the divine lessons imparted by our father Noah were no longer remembered; the ancient traditions were now corrupted; the ancient symbols were perverted. Truth was buried beneath the rubbish of Sabaism, and the idolatrous adoration of the sun and stars had taken the place of the olden worship of the true God. A moral darkness was now spread over the face of the earth, as a dense, impenetrable cloud, which obstructed the rays of the spiritual sun, and covered the people as with a gloomy pall of intellectual night.

But this night was not to last forever. A brighter dawn was to arise, and amidst all this gloom and darkness there were still to be found a few sages in whom the religious sentiment, working in them with powerful throes, sent forth manfully to seek after truth. There were, even in those days of intellectual and religious darkness, craftsmen who were willing to search for the Lost Word. And though they were unable to find it, their approximation to truth was so near that the result of their search may well be symbolized by the Substitute Word.

It was among the idolatrous multitudes that the Word had been lost. It was among them that the Builder had been smitten, and that the works of the spiritual temple had been suspended; and so, losing at each successive stage of their decline, more and more of the true knowledge of God and of the pure religion which had originally been imparted by Noah, they finally arrived at gross materialism and idolatry, losing all sight of the divine existence. Thus it was that the truth—the Word—was said to have been lost; or, to apply the language of Hutchinson, modified in its reference to the time, "in this situation, it might well be said that the guide to heaven was lost, and the master of the works of righteousness was smitten. The nations had given themselves up to the grossest idolatry, and the service of the true God was effaced from the memory of those who had yielded themselves to the dominion of sin."

And now it was among the philosophers and priests in the ancient Mysteries, or the spurious Freemasonry, that an anxiety to discover the truth led to the search for the Lost Word. These were the craftsmen who saw the fatal-blow which had been given, who knew that the Word was now lost, but were willing to go forth, manfully and patiently, to seek its restoration. And there were the craftsmen who, failing to rescue it from the grave of oblivion into which it had fallen, by any efforts of their own incomplete knowledge, fell back upon the dim traditions which had been handed down from primeval times, and through their aid found a substitute for truth in their own philosophical religions.

And hence Schmidtz, speaking of these Mysteries of the pagan world, calls them the remains of the ancient Pelasgian religion, and says that "the associations of persons for the purpose of celebrating them must therefore have been formed at the time when the overwhelming influence of the Hellenic religion began to gain the upper hand in Greece, and when persons who still entertained a reverence for the worship of former times united together, with the intention of preserving and upholding among themselves as much as possible of the religion of their forefathers."

Applying, then, our interpretation in a general sense, the Word itself being the symbol of Divine Truth, the narrative of its loss and the search for its recovery becomes a mythical symbol of the decay and loss of the true religion among the ancient nations, at and after the dispersion on the plains of Shinar, and of the attempts of the wise men, the philosophers, and priests, to find and retain it in their secret Mysteries and initiations, which have hence been designated as the Spurious Freemasonry of Antiquity.

But I have said that there is a special, or individual, as well as a general interpretation. This compound or double symbolism, if I may so call it, is by no means unusual in Freemasonry. I have already exhibited an illustration of it in the symbolism of Solomon's temple, where, in a general sense, the temple is viewed as a symbol of that spiritual temple formed by the aggregation of the whole order, and in which each mason is considered as a stone; and, in an individual or special sense, the same temple is considered as a type of that spiritual temple which each mason is directed to erect in his heart.

Now, in this special or individual interpretation, the Word, with its accompanying myth of a loss, a substitute, and a recovery, becomes a symbol of the personal progress of a candidate from his first initiation to the completion of his course, when he receives a full development of the Mysteries.

The aspirant enters on this search after truth, as an Entered Apprentice, in darkness, seeking for light—the light of wisdom, the light of truth, the light symbolized by the Word. For this important task, upon which he starts forth gropingly, falteringly, doubtingly, in want and in weakness, he is prepared by a purification of the heart, and is invested with a first substitute for the true Word, which, like the pillar that went before the Israelites in the wilderness, is to guide him onwards in his weary journey. He is directed to take, as a staff and scrip for his journey, all those virtues which expand the heart and dignify the soul. Secrecy, obedience, humility, trust in God, purity of conscience, economy of time, are all inculcated by impressive types and symbols, which connect the first degree with the period of youth.

And then, next in the degree of Fellow Craft, he fairly enters upon his journey. Youth has now passed, and manhood has come on. New duties and increased obligations press upon the individual. The thinking and working stage of life is here symbolized. Science is to be cultivated; wisdom is to be acquired; the lost Word—divine truth—is still to be sought for. But even yet it is not to be found.

And now the Master Mason comes, with all the symbolism around him of old age—trials, sufferings, death. And here, too, the aspirant, pressing onward, always onward, still cries aloud for "light, more light." The search is almost over, but the lesson, humiliating to human nature, is to be taught, that in this life—gloomy and dark, earthly and carnal—pure truth has no abiding place; and contented with a substitute, and to that second temple of eternal life, for that true Word, that divine Truth, which will teach us all that we shall ever learn of God and his emanation, the human soul.

So, the Master Mason, receiving this substitute for the lost Word, waits with patience for the time when it shall be found, and perfect wisdom shall be attained.

But, work as we will, this symbolic Word—this knowledge of divine Truth—is never thoroughly attained in this life, or in its symbol, the Master Mason's lodge. The corruptions of mortality, which encumber and cloud the human intellect, hide it, as with a thick veil, from mortal eyes. It is only, as I have just said, beyond the tomb, and when released from the earthly burden of life, that man is capable of fully receiving and appreciating the revelation. Hence, then, when we speak of the recovery of the Word, in that higher degree which is a supplement to Ancient Craft Masonry, we intimate that that sublime portion of the masonic system is a symbolic representation of the state after death. For it is only after the decay and fall of this temple of life, which, as masons, we have been building, that from its ruins, deep beneath its foundations, and in the profound abyss of the grave, we find that divine truth, in the search for which life was spent, if not in vain, at least without success, and the mystic key to which death only could supply.

And now we know by this symbolism what is meant by masonic labor, which, too, is itself but another form of the same symbol. The search for the Word—to find divine Truth—this, and this only, is a mason's work, and the WORD is his reward.

Labor, said the old monks, is worship—laborare est orare; and thus in our lodges do we worship, working for the Word, working for the Truth, ever looking forward, casting no glance behind, but cheerily hoping for the consummation and the reward of our labor in the knowledge which is promised to him who plays no laggard's part.

Goethe, himself a mason and a poet, knew and felt all this symbolism of a mason's life and work, when he wrote that beautiful poem, which Carlyle has thus thrown into his own rough but impulsive language.

"The mason's ways are

A type of existence,

And to his persistence

Is as the days are

Of men in this world.

"The future hides in it

Gladness and sorrow;

We press still thorow,

Nought that abides in it

Daunting us—onward.

"And solemn before us

Veiled the dark portal,

Goal of all mortal;

Stars silent rest o'er us

Graves under us silent.

"While earnest thou gazest

Come boding of terror,

Comes phantasm and error,

Perplexing the bravest

With doubt and misgiving.

"But heard are the voices,

Heard are the sages,

The worlds and the ages;

'Choose well; your choice is

Brief and yet endless.

"'Here eyes do regard you,

In eternity's stillness;

Here is all fullness,

Ye, brave to reward you;

Work and despair not.'"

And now, in concluding this work, so inadequate to the importance of the subjects that have been discussed, one deduction, at least, may be drawn from all that has been said.

In tracing the progress of Freemasonry, and in detailing its system of symbolism, it has been found to be so intimately connected with the history of philosophy, of religion, and of art, in all ages of the world, that the conviction at once forces itself upon the mind, that no mason can expect thoroughly to comprehend its nature, or to appreciate its character as a science, unless he shall devote himself, with some labor and assiduity, to this study of its system. That skill which consists in repeating, with fluency and precision, the ordinary lectures, in complying with all the ceremonial requisitions of the ritual, or the giving, with sufficient accuracy, the appointed modes of recognition, pertains only to the very rudiments of the masonic science.

But there is a far nobler series of doctrines with which Freemasonry is connected, and which it has been my object, in this work, to present in some imperfect way. It is these which constitute the science and the philosophy of Freemasonry, and it is these alone which will return the student who devotes himself to the task, a sevenfold reward for his labor.

Freemasonry, viewed no longer, as too long it has been, as a merely social institution, has now assumed its original and undoubted position as a speculative science. While the mere ritual is still carefully preserved, as the casket should be which contains so bright a jewel; while its charities are still dispensed as the necessary though incidental result of all its moral teachings; while its social tendencies are still cultivated as the tenacious cement which is to unite so fair a fabric in symmetry and strength, the masonic mind is everywhere beginning to look and ask for something, which, like the manna in the desert, shall feed us, in our pilgrimage, with intellectual food. The universal cry, throughout the masonic world, is for light; our lodges are henceforth to be schools; our labor is to be study; our wages are to be learning; the types and symbols, the myths and allegories, of the institution are beginning to be investigated with reference to their ultimate meaning; our history is now traced by zealous inquiries as to its connection with antiquity; and Freemasons now thoroughly understand that often quoted definition, that "Masonry is a science of morality veiled in allegory and illustrated by symbols."

Thus to learn Masonry is to know our work and to do it well. What true mason would shrink from the task?

SYNOPTICAL INDEX.

A

AB. The Hebrew word בא, AB, signifies "father," and was among the Hebrews a title of honor. From it, by the addition of the possessive pronoun, is compounded the word Abif, signifying "his father," and applied to the Temple Builder.

ABIF. See Hiram Abif.

ABNET. The band or apron, made of fine linen, variously wrought, and worn by the Jewish priesthood. It seems to have been borrowed directly from the Egyptians, upon the representations of all of whose gods is to be found a similar girdle. Like the zennaar, or sacred cord of the Brahmins, and the white shield of the Scandinavians, it is the analogue of the masonic apron.

ACACIA, SPRIG OF. No symbol is more interesting to the masonic student than the sprig of acacia.

It is the mimosa nilotica of Linnæus, the shittah of the Hebrew writers, and grows abundantly in Palestine.

It is preeminently the symbol of the immortality of the soul.

It was for this reason planted by the Jews at the head of a grave.

This symbolism is derived from its never-fading character as an evergreen.

It is also a symbol of innocence, and this symbolism is derived from the double meaning of the word αϗαϗια, which in Greek signifies the plant, and innocence; in this point of view Hutchinson has Christianized the symbol.

It is, lastly, a symbol of initiation.

This symbolism is derived from the fact that it is the sacred plant of Masonry; and in all the ancient rites there were sacred plants, which became in each rite the respective symbol of initiation into its Mysteries; hence the idea was borrowed by Freemasonry.

ADONIA. The Mysteries of Adonis, principally celebrated in Phoenicia and Syria. They lasted for two days, and were commemorative of the death and restoration of Adonis. The ceremonies of the first day were funereal in their character, and consisted in the lamentations of the initiates for the death of Adonis, whose picture or image was carried in procession. The second day was devoted to mirth and joy for the return of Adonis to life. In their spirit and their mystical design, these Mysteries bore a very great resemblance to the third degree of Masonry, and they are quoted to show the striking analogy between the ancient and the modern initiations.

ADONIS. In mythology, the son of Cinyras and Myrrha, who was greatly beloved by Venus, or Aphrodite. He was slain by a wild boar, and having descended into the realm of Pluto, Persephone became enamoured of him. This led to a contest for him between Venus and Persephone, which was finally settled by his restoration to life upon the condition that he should spend six months upon earth, and six months in the inferior regions. In the mythology of the philosophers, Adonis was a symbol of the sun; but his death by violence, and his subsequent restoration to life, make him the analogue of Hiram Abif in the masonic system, and identify the spirit of the initiation in his Mysteries, which was to teach the second life with that of the third degree of Freemasonry.

AHRIMAN, or ARIMANES. In the religious system of Zoroaster, the principle of evil, or darkness, which was perpetually opposing Ormuzd, the principle of good, or light. See Zoroaster.

ALFADER. The father of all, or the universal Father. The principal deity of the Scandinavian mythology.

The Edda gives twelve names of God, of which Alfader is the first and most ancient, and is the one most generally used.

ALGABIL. One of the names of the Supreme Being among the Cabalists. It signifies "the Master Builder," and is equivalent to the masonic epithet of "Grand Architect of the Universe."

ALLEGORY. A discourse or narrative, in which there is a literal and a figurative sense, a patent and a concealed meaning; the literal or patent sense being intended by analogy or comparison to indicate the figurative or concealed one. Its derivation from the Greek ἀλλος and ἀγορειν, to say something different, that is, to say something where the language is one thing, and the true meaning different, exactly expresses the character of an allegory. It has been said in the text that there is no essential difference between an allegory and a symbol. There is not in design, but there is this in their character: An allegory may be interpreted without any previous conventional agreement, but a symbol cannot. Thus the legend of the third degree is an allegory evidently to be interpreted as teaching a restoration to life; and this we learn from the legend itself, without any previous understanding. The sprig of acacia is a symbol of the immortality of the soul. But this we know only because such meaning had been conventionally determined when the symbol was first established. It is evident, then, that an allegory which is obscure is imperfect. The enigmatical meaning should be easy of interpretation; and hence Lemière, a French poet, has said, "L'allégorie habite un palais diaphane"—Allegory lives in a transparent palace. All the legends of Freemasonry are more or less allegorical, and whatever truth there may be in some of them in an historical point of view, it is only as allegories, or legendary symbols, that they are important.

ALL-SEEING EYE. A symbol of the third degree, of great antiquity. See Eye.

ANCIENT CRAFT MASONRY. The first three degrees of Freemasonry; viz., Entered Apprentice, Fellow Craft, and Master Mason. They are so called because they alone are supposed to have been practised by the ancient craft. In the agreement between the two grand lodges of England in 1813, the definition was made to include the Royal Arch degree. Now if by the "ancient craft" are meant the workmen at the first temple, the definition will be wrong, because the Royal Arch degree could have had no existence until the time of the building of the second temple. But if by the "ancient craft" is meant the body of workmen who introduced the rites of Masonry into Europe in the early ages of the history of the Order, then it will be correct; because the Royal Arch degree always, from its origin until the middle of the eighteenth century, formed a part of the Master's. "Ancient Craft Masonry," however, in this country, is generally understood to embrace only the first three degrees.

ANDERSON. James Anderson, D.D., is celebrated as the compiler and editor of "The Constitutions of the Freemasons," published by order of the Grand Lodge of England, in 1723. A second edition was published by him in 1738. Shortly after, Anderson died, and the subsequent editions, of which there are several, have been edited by other persons. The edition of 1723 has become exceedingly rare, and copies of it bring fancy prices among the collectors of old masonic books. Its intrinsic value is derived only from the fact that it contains the first printed copy of the "Old Charges," and also the "General Regulations." The history of Masonry which precedes these, and constitutes the body of the work, is fanciful, unreliable, and pretentious to a degree that often leads to absurdity. The craft are greatly indebted to Anderson for his labors in reorganizing the institution, but doubtless it would have been better if he had contented himself with giving the records of the Grand Lodge from 1717 to 1738 which are contained in his second edition, and with preserving for us the charges and regulations, which without his industry might have been lost. No masonic writer would now venture to quote Anderson as authority for the history of the Order anterior to the eighteenth century. It must also be added that in the republication of the old charges in the edition of 1738, he made several important alterations and interpolations, which justly gave some offence to the Grand Lodge, and which render the second edition of no authority in this respect.

ANIMAL WORSHIP. The worship of animals is a species of idolatry that was especially practised by the ancient Egyptians. Temples were erected by this people in their honor, in which they were fed and cared for during life; to kill one of them was a crime punishable with death; and after death, they were embalmed, and interred in the catacombs. This worship was derived first from the earlier adoration of the stars, to certain constellations of which the names of animals had been given; next, from an Egyptian tradition that the gods, being pursued by Typhon, had concealed themselves under the forms of animals; and lastly, from the doctrine of the metempsychosis, according to which there was a continual circulation of the souls of men and animals. But behind the open and popular exercise of this degrading worship the priests concealed a symbolism full of philosophical conceptions. How this symbolism was corrupted and misinterpreted by the uninitiated people, is shown by Gliddon, and quoted in the text.

APHANISM (Greek ἀφανίζω, to conceal). In each of the initiations of the ancient Mysteries, there was a scenic representation of the death or disappearance of some god or hero, whose adventures constituted the legend of the Mystery. That part of the ceremony of initiation which related to and represented the death or disappearance was called the aphanism.

Freemasonry, which has in its ceremonial form been framed after the model of these ancient Mysteries, has also its aphanism in the third degree.

APORRHETA (Greek αποῤῥέτα). The holy things in the ancient Mysteries which were known only to the initiates, and were not to be disclosed to the profane, were called the aporrheta. What are the aporrheta of Freemasonry? what are the arcana of which there can be no disclosure? is a question that for some years past has given rise to much discussion among the disciples of the institution. If the sphere and number of these aporrheta be very considerably extended, it is evident that much valuable investigation by public discussion of the science of Masonry will be prohibited. On the other hand, if the aporrheta are restricted to only a few points, much of the beauty, the permanency, and the efficacy of Freemasonry, which are dependent on its organization as a secret and mystical association, will be lost. We move between Scylla and Charybdis, and it is difficult for a masonic writer to know how to steer so as, in avoiding too frank an exposition of the principles of the Order, not to fall by too much reticence into obscurity. The European Masons are far more liberal in their views of the obligation of secrecy than the English or the American. There are few things, indeed, which a French or German masonic writer will refuse to discuss with the utmost frankness. It is now beginning to be very generally admitted, and English and American writers are acting on the admission, that the only real aporrheta of Freemasonry are the modes of recognition, and the peculiar and distinctive ceremonies of the Order; and to these last it is claimed that reference may be publicly made for the purposes of scientific investigation, provided that the reference be so made as to be obscure to the profane, and intelligible only to the initiated.

APRON. The lambskin, or white leather apron, is the peculiar and distinctive badge of a mason. Its color must be white, and its material a lambskin.

It is a symbol of purity, and it derives this symbolism from its color, white being symbolic of purity; from its material, the lamb having the same symbolic character; and from its use, which is to preserve the garments clean.

The apron, or abnet, worn by the Egyptian and the Hebrew priests, and which has been considered as the analogue of the masonic apron, is supposed to have been a symbol of authority; but the use of the apron in Freemasonry originally as an implement of labor, is an evidence of the derivation of the speculative science from an operative art.

APULEIUS. Lucius Apuleius, a Latin writer, born at Medaura, in Africa, flourished in the reigns of the emperors Antoninus and Marcus Aurelius. His most celebrated book, entitled "Metamorphoses, or the Golden Ass," was written, Bishop Warburton thinks, for the express purpose of recommending the ancient Mysteries. He had been initiated into many of them, and his descriptions of them, and especially of his own initiation into those of the Egyptian Isis, are highly interesting and instructive, and should be read by every student of the science of masonic symbolism.

ARCHETYPE. The principal type, figure, pattern, or example, whereby and whereon a thing is formed. In the science of symbolism, the archetype is the thing adopted as a symbol, whence the symbolic idea is derived. Thus we say the temple is the archetype of the lodge, because the former is the symbol whence all the temple symbolism of the latter is derived.

ARCHITECTURE. The art which teaches the proper method of constructing public and private edifices. It is to Freemasonry the "ars artium," the art of arts, because to it the institution is indebted for its origin in its present organization. The architecture of Freemasonry is altogether related to the construction of public edifices, and principally sacred or religious ones,—such as temples, cathedrals, churches,—and of these, masonically, the temple of Solomon is the archetype. Much of the symbolism of Freemasonry is drawn from the art of architecture. While the improvements of Greek and Roman architecture are recognized in Freemasonry, the three ancient orders, the Doric, Ionic, and Corinthian are alone symbolized. No symbolism attaches to the Tuscan and Composite.

ARK OF THE COVENANT. One of the most sacred objects among the Israelites. It was a chest made of shittim wood, or acacia, richly decorated, forty-five inches long, and eighteen inches wide, and contained the two tables of stone on which the ten commandments were engraved, the golden pot that held manna, and Aaron's rod. It was placed in the holy of holies, first of the tabernacle, and then of the temple. Such is its masonic and scriptural history. The idea of this ark was evidently borrowed from the Egyptians, in whose religious rites a similar chest or coffer is to be found. Herodotus mentions several instances. Speaking of the festival of Papremis, he says (ii. 63) that the image of the god was kept in a small wooden shrine covered with plates of gold, which shrine was conveyed in a procession of the priests and people from the temple into a second sacred building. Among the sculptures are to be found bass reliefs of the ark of Isis. The greatest of the religious ceremonies of the Egyptians was the procession of the shrines mentioned in the Rosetta stone, and which is often found depicted on the sculptures. These shrines were of two kinds, one a canopy, but the other, called the great shrine, was an ark or sacred boat. It was borne on the shoulders of priests by means of staves passing through rings in its sides, and was taken into the temple and deposited on a stand. Some of these arks contained, says Wilkinson (Notes to Herod. II. 58, n. 9), the elements of life and stability, and others the sacred beetle of the sun, overshadowed by the wings of two figures of the goddess Thmei. In all this we see the type of the Jewish ark. The introduction of the ark into the ceremonies of Freemasonry evidently is in reference to its loss and recovery; and hence its symbolism is to be interpreted as connected with the masonic idea of loss and recovery, which always alludes to a loss of life and a recovery of immortality. In the first temple of this life the ark is lost; in the second temple of the future life it is recovered. And thus the ark of the covenant is one of the many masonic symbols of the resurrection.

ARTS AND SCIENCES, LIBERAL. In the seventh century, and for many centuries afterwards, all learning was limited to and comprised in what were called the seven liberal arts and sciences; namely, grammar, rhetoric, logic, arithmetic, geometry, music, and astronomy. The epithet "liberal" is a fair translation of the Latin "ingenuus," which means "free-born;" thus Cicero speaks of the "artes ingenuæ," or the arts befitting a free-born man; and Ovid says in the well-known lines,

"Ingenuas didicisse fideliter artes

Emollit mores nec sinit esse feros,"

To have studied carefully the liberal arts refines the manners, and prevents us from being brutish. And Phillips, in his "New World of Words" (1706), defines the liberal arts and sciences to be "such as are fit for gentlemen and scholars, as mechanic trades and handicrafts for meaner people." As Freemasons are required by their landmarks to be free-born, we see the propriety of incorporating the arts of free-born men among their symbols. As the system of Masonry derived its present form and organization from the times when the study of these arts and sciences constituted the labors of the wisest men, they have very appropriately been adopted as the symbol of the completion of human learning.

ASHLAR. In builders' language, a stone taken from the quarries.

ASHLAR, PERFECT. A stone that has been hewed, squared, and polished, so as to be fit for use in the building. Masonically, it is a symbol of the state of perfection attained by means of education. And as it is the object of Speculative Masonry to produce this state of perfection, it may in that point of view be also considered as a symbol of the social character of the institution of Freemasonry.

ASHLAR, ROUGH. A stone in its rude and natural state. Masonically, it is a symbol of men's natural state of ignorance. But if the perfect ashlar be, in reference to its mode of preparation, considered as a symbol of the social character of Freemasonry, then the rough ashlar must be considered as a symbol of the profane world. In this species of symbolism, the rough and perfect ashlars bear the same relation to each other as ignorance does to knowledge, death to life, and light to darkness. The rough ashlar is the profane, the perfect ashlar is the initiate.

ASHMOLE, ELIAS. A celebrated antiquary of England, who was born in 1617. He has written an autobiography, or rather diary of his life, which extends to within eight years of his death. Under the date of October 16, 1646, he has made the following entry: "I was made a Free-Mason at Warrington, in Lancashire, with Col. Henry Mainwaring, of Carticham, in Cheshire; the names of those that were then at the lodge: Mr. Richard Penket, warden; Mr. James Collier, Mr. Richard Sankey, Henry Littler, John Ellam and Hugh Brewer." Thirty-six years afterwards, under date of March 10, 1682, he makes the following entry: "I received a summons to appear at a lodge to be held the next day at Masons' Hall, in London. 11. Accordingly I went, and about noon was admitted into the fellowship of Freemasons by Sir William Wilson, Knight, Captain Richard Borthwick, Mr. William Woodman, Mr. William Grey, Mr. Samuel Taylour, and Mr. William Wise. I was the senior fellow among them (it being thirty-five years since I was admitted); there was present beside myself the fellows after named: Mr. Thomas Wise, master of the Masons' Company this year; Mr. Thomas Shorthose, Mr. Thomas Shadbolt, ---- Waidsfford, Esq., Mr. Nicholas Young, Mr. John Shorthose, Mr. William Hamon, Mr. John Thompson, and Mr. William Stanton. We all dined at the Half-Moon Tavern, in Cheapside, at a noble dinner prepared at the charge of the new-accepted Masons." The titles of some of the persons named in these two receptions confirm what is said in the text, that the operative was at that time being superseded by the speculative element. It is deeply to be regretted that Ashmole did not carry out his projected design of writing a history of Freemasonry, for which it is said that he had collected abundant materials. His History of the Order of the Garter shows what we might have expected from his treatment of the masonic institution.

ASPIRANT. One who aspires to or seeks after the truth. The title given to the candidate in the ancient Mysteries.

ATHELSTAN. King of England, who ascended the throne in 924. Anderson cites the old constitutions as saying that he encouraged the Masons, and brought many over from France and elsewhere. In his reign, and in the year 926, the celebrated General Assembly of the Craft was held in the city of York, with prince Edward, the king's brother, for Grand Master, when new constitutions were framed. From this assembly the York Rite dates its origin.

AUTOPSY (Greek αὐτοψία, a seeing with one's own eyes). The complete communication of the secrets in the ancient Mysteries, when the aspirant was admitted into the sacellum, or most sacred place, and was invested by the Hierophant with all the aporrheta, or sacred things, which constituted the perfect knowledge of the initiate. A similar ceremony in Freemasonry is called the Rite of Intrusting.

AUM. The triliteral name of God in the Brahminical mysteries, and equivalent among the Hindoos to the tetragrammaton of the Jews. In one of the Puranas, or sacred books of the Hindoos, it is said, "All the rites ordained in the Vedas, the sacrifices to fire, and all other solemn purifications, shall pass away; but that which shall never pass away is the word AUM, for it is the symbol of the Lord of all things."

B

BABEL. The biblical account of the dispersion of mankind in consequence of the confusion of tongues at Babel, has been incorporated into the history of Masonry. The text has shown the probability that the pure and abstract principles of the Primitive Freemasonry had been preserved by Noah and his immediate descendants; and also that, as a consequence of the dispersion, these principles had been lost or greatly corrupted by the Gentiles, who were removed from the influence and teachings of the great patriarch.

Now there was in the old rituals a formula in the third degree, preserved in some places to the present day, which teaches that the candidate has come from the tower of Babel, where language was confounded and Masonry lost, and that he is travelling to the threshing-floor of Ornan the Jebusite, where language was restored and Masonry found. An attentive perusal of the nineteen propositions set forth in the preliminary chapter of this work will furnish the reader with a key for the interpretation of this formula. The principles of the Primitive Freemasonry of the early priesthood were corrupted or lost at Babel by the defection of a portion of mankind from Noah, the conservator of those principles. Long after, the descendants of this people united with those of Noah at the temple of Solomon, whose site was the threshing-floor of Ornan the Jebusite, from whom it had been bought by David; and here the lost principles were restored by this union of the Spurious Freemasons of Tyre with the Primitive Freemasons of Jerusalem. And this explains the latter clause of the formula.

BABYLONISH CAPTIVITY. When the city and temple of Jerusalem were destroyed by the army of Nebuchadnezzar, and the inhabitants conveyed as captives to Babylon, we have a right to suppose,—that is to say, if there be any truth in masonic history, the deduction is legitimate,—that among these captives were many of the descendants of the workmen at the temple. If so, then they carried with them into captivity the principles of Masonry which they had acquired at home, and the city of Babylon became the great seat of Speculative Masonry for many years. It was during the captivity that the philosopher Pythagoras, who was travelling as a seeker after knowledge, visited Babylon. With his ardent thirst for wisdom, he would naturally hold frequent interviews with the leading Masons among the Jewish captives. As he suffered himself to be initiated into the Mysteries of Egypt during his visit to that country, it is not unlikely that he may have sought a similar initiation into the masonic Mysteries. This would account for the many analogies and resemblances to Masonry that we find in the moral teachings, the symbols, and the peculiar organization of the school of Pythagoras—resemblances so extraordinary as to have justified, or at least excused, the rituals for calling the sage of Samos "our ancient brother."

BACCHUS. One of the appellations of the "many-named" god Dionysus. The son of Jupiter and Semele was to the Greeks Dionysus, to the Romans Bacchus.

BARE FEET. A symbol of reverence when both feet are uncovered. Otherwise the symbolism is modern; and from the ritualistic explanation which is given in the first degree, it would seem to require that the single bare foot should be interpreted as the symbol of a covenant.

BLACK. Pythagoras called this color the symbol of the evil principle in nature. It was equivalent to darkness, which is the antagonist of light. But in masonic symbolism the interpretation is different. There, black is a symbol of grief, and always refers to the fate of the temple-builder.

BRAHMA. In the mythology of the Hindoos there is a trimurti, or trinity, the Supreme Being exhibiting himself in three manifestations; as, Brahma the Creator, Vishnu the Preserver, and Siva the Destroyer,—the united godhead being a symbol of the sun.

Brahma was a symbol of the rising sun, Siva of the sun at meridian, and Vishnu of the setting sun.

BRUCE. The introduction of Freemasonry into Scotland has been attributed by some writers to King Robert Bruce, who is said to have established in 1314 the Order of Herodom, for the reception of those Knights Templars who had taken refuge in his dominions from the persecutions of the Pope and the King of France. Lawrie, who is excellent authority for Scottish Masonry, does not appear, however, to give any credit to the narrative. Whatever Bruce may have done for the higher degrees, there is no doubt that Ancient Craft Masonry was introduced into Scotland at an earlier period. See Kilwinning. Yet the text is right in making Bruce one of the patrons and encouragers of Scottish Freemasonry.

BRYANT. Jacob Bryant, frequently quoted in this work, was a distinguished English antiquary, born in the year 1715, and deceased in 1804. His most celebrated work is "A New System of Ancient Mythology," which appeared in 1773-76. Although objectionable on account of its too conjectural character, it contains a fund of details on the subject of symbolism, and may be consulted with advantage by the masonic student.

BUILDER. The chief architect of the temple of Solomon is often called "the Builder." But the word is also applied generally to the craft; for every Speculative Mason is as much a builder as was his operative predecessor. An American writer (F.S. Wood, of Arkansas) thus alludes to this symbolic idea. "Masons are called moral builders. In their rituals, they declare that a more noble and glorious purpose than squaring stones and hewing timbers is theirs, fitting immortal nature for that spiritual building not made with hands, eternal in the heavens." And he adds, "The builder builds for a century; masons for eternity." In this sense, "the builder" is the noblest title that can be bestowed upon a mason.

BUNYAN, JOHN. Familiar to every one as the author of the "Pilgrim's Progress." He lived in the seventeenth century, and was the most celebrated allegorical writer of England. His work entitled "Solomon's Temple Spiritualized" will supply the student of masonic symbolism with many valuable suggestions.

C

CABALA. The mystical philosophy of the Jews. The word which is derived from a Hebrew root, signifying to receive, has sometimes been used in an enlarged sense, as comprehending all the explanations, maxims, and ceremonies which have been traditionally handed down to the Jews; but in that more limited acceptation, in which it is intimately connected with the symbolic science of Freemasonry, the cabala may be defined to be a system of philosophy which embraces certain mystical interpretations of Scripture, and metaphysical speculations concerning the Deity, man, and spiritual beings. In these interpretations and speculations, according to the Jewish doctors, were enveloped the most profound truths of religion, which, to be comprehended by finite beings, are obliged to be revealed through the medium of symbols and allegories. Buxtorf (Lex. Talm.) defines the Cabala to be a secret science, which treats in a mystical and enigmatical manner of things divine, angelical, theological, celestial, and metaphysical, the subjects being enveloped in striking symbols and secret modes of teaching.

CABALIST. A Jewish philosopher. One who understands and teaches the doctrines of the Cabala, or the Jewish philosophy.

CABIRI. Certain gods, whose worship was first established in the Island of Samothrace, where the Cabiric Mysteries were practised until the beginning of the Christian era. They were four in number, and by some are supposed to have referred to Noah and his three sons. In the Mysteries there was a legend of the death and restoration to life of Atys, the son of Cybele. The candidate represented Cadmillus, the youngest of the Cabiri, who was slain by his three brethren. The legend of the Cabiric Mysteries, as far as it can be understood from the faint allusions of ancient authors, was in spirit and design very analogous to that of the third degree of Masonry.

CADMILLUS. One of the gods of the Cabiri, who was slain by his brothers, on which circumstance the legend of the Cabiric or Samothracian Mysteries is founded. He is the analogue of the Builder in the Hiramic legend of Freemasonry. (256)

CAIRNS. Heaps of stones of a conical form, erected by the Druids. Some suppose them to have been sepulchral monuments, others altars. They were undoubtedly of a religious character, since sacrificial fires were lighted upon them, and processions were made around them. These processions were analogous to the circumambulations in Masonry, and were conducted like them with reference to the apparent course of the sun.

CASSIA. A gross corruption of Acacia. The cassia is an aromatic plant, but it has no mystical or symbolic character.

CELTIC MYSTERIES. The religious rites of ancient Gaul and Britain, more familiarly known as Druidism, which see.. (109)

CEREMONIES. The outer garments which cover and adorn Freemasonry as clothing does the human body. Although ceremonies give neither life nor truth to doctrines or principles, yet they have an admirable influence, since by their use certain things are made to acquire a sacred character which they would not otherwise have had; and hence Lord Coke has most wisely said that "prudent antiquity did, for more solemnity and better memory and observation of that which is to be done, express substances under ceremonies.".

CERES. Among the Romans the goddess of agriculture; but among the more poetic Greeks she became, as Demeter, the symbol of the prolific earth. See Demeter.

CHARTER OF COLOGNE. A masonic document of great celebrity, but not of unquestioned authenticity. It is a declaration or affirmation of the design and principles of Freemasonry, issued in the year 1535, by a convention of masons who had assembled in the city of Cologne. The original is in the Latin language. The assertors of the authenticity of the document claim that it was found in the chest of a lodge at Amsterdam in 1637, and afterwards regularly transmitted from hand to hand until the year 1816, when it was presented to Prince Frederick of Nassau, through whom it was at that time made known to the masonic world. Others assert that it is a forgery, which was perpetrated about the year 1816. Like the Leland manuscript, it is one of those vexed questions of masonic literary history over which so much doubt has been thrown, that it will probably never be satisfactorily solved. For a translation of the charter, and copious explanatory notes, by the author of this work, the reader is referred to the "American Quarterly Review of Freemasonry," vol. ii. p. 52.

CHRISTIANIZATION OF FREEMASONRY. The interpretation of its symbols from a Christian point of view. This is an error into which Hutchinson and Oliver in England, and Scott and one or two others of less celebrity in this country, have fallen. It is impossible to derive Freemasonry from Christianity, because the former, in point of time, preceded the latter. In fact, the symbols of Freemasonry are Solomonic, and its religion was derived from the ancient priesthood.

The infusion of the Christian element was, however, a natural result of surrounding circumstances; yet to sustain it would be fatal to the cosmopolitan character of the institution.

Such interpretation is therefore modern, and does not belong to the ancient system.

CIRCULAR TEMPLES. These were used in the initiations of the religion of Zoroaster. Like the square temples of Masonry, and the other Mysteries, they were symbolic of the world, and the symbol was completed by making the circumference of the circle a representation of the zodiac.

CIRCUMAMBULATION. The ceremony of perambulating the lodge, or going in procession around the altar, which was universally practised in the ancient initiations and other religious ceremonies, and was always performed so that the persons moving should have the altar on their right hand. The rite was symbolic of the apparent daily course of the sun from the east to the west by the way of the south, and was undoubtedly derived from the ancient sun-worship.

CIVILIZATION. Freemasonry is a result of civilization, for it exists in no savage or barbarous state of society; and in return it has proved, by its social and moral principles, a means of extending and elevating the civilization which gave it birth.

Freemasonry is therefore a type of civilization, bearing the same relation to the profane world that civilization does to the savage state.

COLLEGES OF ARTIFICERS. The Collegia Fabrorum, or Workmen's Colleges, were established in Rome by Numa, who for this purpose distributed all the artisans of the city into companies, or colleges, according to their arts and trades. They resembled the modern corporations, or guilds, which sprang up in the middle ages. The rule established by their founder, that not less than three could constitute a college,—"tres faciunt collegium,"—has been retained in the regulations of the third degree of masonry, to a lodge of which these colleges bore other analogies.

COLOGNE, CHARTER OF. See Charter of Cologne.

COMMON GAVEL. See Gavel.

CONSECRATION. The appropriating or dedicating, with certain ceremonies, anything to sacred purposes or offices, by separating it from common use. Masonic lodges, like ancient temples and modern churches, have always been consecrated. Hobbes, in his Leviathan (p. iv. c. 44), gives the best definition of this ceremony. "To consecrate is in Scripture to offer, give, or dedicate, in pious and decent language and gesture, a man, or any other thing, to God, by separating it from common use.".

CONSECRATION, ELEMENTS OF. Those things, the use of which in the ceremony as constituent and elementary parts of it, are necessary to the perfecting and legalizing of the act of consecration. In Freemasonry, these elements of consecration are corn, wine, and oil,—which see.

CORN. One of the three elements of masonic consecration, and as a symbol of plenty it is intended, under the name of the "corn of nourishment," to remind us of those temporal blessings of life, support, and nourishment which we receive from the Giver of all good.

CORNER STONE. The most important stone in the edifice, and in its symbolism referring to an impressive ceremony in the first degree of Masonry.

The ancients laid it with peculiar ceremonies, and among the Oriental nations it was the symbol of a prince, or chief.

It is one of the most impressive symbols of Masonry.

It is a symbol of the candidate on his initiation.

As a symbol it is exclusively masonic, and confined to a temple origin.

COVERING OF THE LODGE. Under the technical name of the "clouded canopy or starry-decked heavens," it is a symbol of the future world,—of the celestial lodge above, where the G.A.O.T.U. forever presides, and which constitutes the "foreign country" which every mason hopes to reach.

CREUZER. George Frederick Creuzer, who was born in Germany in 1771, and was a professor at the University of Heidelberg, devoted himself to the study of the ancient religions, and with profound learning, established a peculiar system on the subject. Many of his views have been adopted in the text of the present work. His theory was, that the religion and mythology of the ancient Greeks were borrowed from a far more ancient people,—a body of priests coming from the East,—who received them as a revelation. The myths and traditions of this ancient people were adopted by Hesiod, Homer, and the later poets, although not without some misunderstanding of them, and they were finally preserved in the Mysteries, and became subjects of investigation for the philosophers. This theory Creuzer has developed in his most important work, entitled "Symbolik und Mythologie der alten Völker, besonders der Greichen," which was published at Leipsic in 1819. There is no translation of this work into English, but Guigniaut published at Paris, in 1824, a paraphrastic translation of it, under the title of "Religions de l'Antiquité considérées principalement dans leur Formes Symboliques et Mythologiques." Creuzer's views throw much light on the symbolic history of Freemasonry.

CROSS. No symbol was so universally diffused at an early period as the cross. It was, says Faber (Cabir. ii. 390), a symbol throughout the pagan world long previous to its becoming an object of veneration to Christians. In ancient symbology it was a symbol of eternal life. M. de Mortillet, who in 1866 published a work entitled "Le Signe de la Croix avant le Christianisme," found in the very earliest epochs three principal symbols of universal occurrences; viz., the circle, the pyramid, and the cross. Leslie (Man's Origin and Destiny, p. 312), quoting from him in reference to the ancient worship of the cross, says "It seems to have been a worship of such a peculiar nature as to exclude the worship of idols." This sacredness of the crucial symbol may be one reason why its form was often adopted, especially by the Celts in the construction of their temples, though I have admitted in the text the commonly received opinion that in cross-shaped temples the four limbs of the cross referred to the four elements. But in a very interesting work lately published—"The Myths of the New World" (N.Y., 1863)—Mr. Brinton assigns another symbolism. "The symbol," says this writer, "that beyond all others has fascinated the human mind, THE CROSS, finds here its source and meaning. Scholars have pointed out its sacredness in many natural religions, and have reverently accepted it as a mystery, or offered scores of conflicting, and often debasing, interpretations. It is but another symbol of the four cardinal points, the four winds of heaven. This will luminously appear by a study of its use and meaning in America." (p. 95.) And Mr. Brinton gives many instances of the religious use of the cross by several of the aboriginal tribes of this continent, where the allusion, it must be confessed, seems evidently to be to the four cardinal points, or the four winds, or four spirits, of the earth. If this be so, and if it is probable that a similar reference was adopted by the Celtic and other ancient peoples, then we would have in the cruciform temple as much a symbolism of the world, of which the four cardinal points constitute the boundaries, as we have in the square, the cubical, and the circular.

CTEIS. A representation of the female generative organ. It was, as a symbol, always accompanied by the phallus, and, like that symbol, was extensively venerated by the nations of antiquity. It was a symbol of the prolific powers of nature. See Phallus.

CUBE. A geometrical figure, consisting of six equal sides and six equal angles. It is the square solidified, and was among the ancients a symbol of truth. The same symbolism is recognized in Freemasonry.

D

DARKNESS. It denotes falsehood and ignorance, and was a very universal symbol among the nations of antiquity.

In all the ancient initiations, the aspirant was placed in darkness for a period differing in each,—among the Druids for three days, among the Greeks for twenty-seven, and in the Mysteries of Mithras for fifty.

In all of these, as well as in Freemasonry, darkness is the symbol of initiation not complete.

DEATH. Because it was believed to be the entrance to a better and eternal life, which was the dogma of the Mysteries, death became the symbol of initiation; and hence among the Greeks the same word signified to die, and to be initiated. In the British Mysteries, says Davies (Mythol. of the British Druids), the novitiate passed the river of death in the boat of Garanhir, the Charon of the Greeks; and before he could be admitted to this privilege, it was requisite that he should have been mystically buried, as well as mystically dead.

DEFINITION OF FREEMASONRY. The definition quoted in the text, that it is a science of morality, veiled in allegory and illustrated by symbols, is the one which is given in the English lectures.

But a more comprehensive and exact definition is, that it is a science which is engaged in the search after divine truth.

DELTA. In the higher degrees of Masonry, the triangle is so called because the Greek letter of that name is of a triangular form.

It is a symbol of Deity, because it is the first perfect figure in geometry; it is the first figure in which space is enclosed by lines.

DEMETER. Worshipped by the Greeks as the symbol of the prolific earth. She was the Ceres of the Romans. To her is attributed the institution of the Eleusinian Mysteries in Greece, the most popular of all the ancient initiations.

DESIGN OF FREEMASONRY. It is not charity or alms-giving.

Nor the cultivation of the social sentiment; for both of these are merely incidental to its organization.

But it is the search after truth, and that truth is the unity of God, and the immortality of the soul.

DIESEAL. A term used by the Druids to designate the circumambulation around the sacred cairns, and is derived from two words signifying "on the right of the sun," because the circumambulation was always in imitation of the course of the sun, with the right hand next to the cairn or altar.

DIONYSIAC ARTIFICERS. An association of architects who possessed the exclusive privilege of erecting temples and other public buildings in Asia Minor. The members were distinguished from the uninitiated inhabitants by the possession of peculiar marks of recognition, and by the secret character of their association. They were intimately connected with the Dionysiac Mysteries, and are supposed to have furnished the builders for the construction of the temple of Solomon.

DIONYSIAC MYSTERIES. In addition to what is said in the text, I add the following, slightly condensed, from the pen of that accomplished writer, Albert Pike: "The initiates in these Mysteries had preserved the ritual and ceremonies that accorded with the simplicity of the earliest ages, and the manners of the first men. The rules of Pythagoras were followed there. Like the Egyptians, who held wool unclean, they buried no initiate in woollen garments. They abstained from bloody sacrifices, and lived on fruits or vegetables. They imitated the life of the contemplative sects of the Orient. One of the most precious advantages promised by their initiation was to put man in communion with the gods by purifying his soul of all the passions that interfere with that enjoyment, and dim the rays of divine light that are communicated to every soul capable of receiving them. The sacred gates of the temple, where the ceremonies of initiation were performed, were opened but once in each year, and no stranger was allowed to enter. Night threw her veil over these august Mysteries. There the sufferings of Dionysus were represented, who, like Osiris, died, descended to hell, and rose to life again; and raw flesh was distributed to the initiates, which each ate in memory of the death of the deity torn in pieces by the Titans."

DIONYSUS. Or Bacchus; mythologically said to be the son of Zeus and Semele. In his Mysteries he was identified with Osiris, and regarded as the sun. His Mysteries prevailed in Greece, Rome, and Asia, and were celebrated by the Dionysiac artificers—those builders who united with the Jews in the construction of King Solomon's temple. Hence, of all the ancient Mysteries, they are the most interesting to the masonic student.

DISSEVERANCE. The disseverance of the operative from the speculative element of Freemasonry occurred at the beginning of the eighteenth century.

DISCALCEATION, RITE OF. The ceremony of uncovering the feet, or taking off the shoes; from the Latin discalceare. It is a symbol of reverence. See Bare Feet.

DRUIDICAL MYSTERIES. The Celtic Mysteries celebrated in Britain and Gaul. They resembled, in all material points, the other mysteries of antiquity, and had the same design. The aspirant was subjected to severe trials, underwent a mystical death and burial in imitation of the death of the god Hu, and was eventually enlightened by the communication to him of the great truths of God and immortality, which it was the object of all the Mysteries to teach.

DUALISM. A mythological and philosophical doctrine, which supposes the world to have been always governed by two antagonistic principles, distinguished as the good and the evil principle. This doctrine pervaded all the Oriental religions, and its influences are to be seen in the system of Speculative Masonry, where it is developed in the symbolism of Light and Darkness.

E

EAST. That part of the heavens where the sun rises; and as the source of material light to which we figuratively apply the idea of intellectual light, it has been adopted as a symbol of the Order of Freemasonry. And this symbolism is strengthened by the fact that the earliest learning and the earliest religion came from the east, and have ever been travelling to the west.

In Freemasonry, the east has always been considered the most sacred of the cardinal points, because it is the place where light issues; and it was originally referred to the primitive religion, or sun-worship. But in Freemasonry it refers especially to that east whence an ancient priesthood first disseminated truth to enlighten the world; wherefore the east is masonically called "the place of light."

EGG. The mundane egg is a well-recognized symbol of the world. "The ancient pagans," says Faber, "in almost every part of the globe, were wont to symbolize the world by an egg. Hence this symbol is introduced into the cosmogony of nearly all nations; and there are few persons, even among those who have not made mythology their study, to whom the Mundane Egg is not perfectly familiar. It was employed not only to represent the earth, but also the universe in its largest extent." Origin of Pag. Idolatry, i. 175.

EGG AND LUNETTE. The egg, being a symbol not only of the resurrection, but also of the world rescued from destruction by the Noachic ark, and the lunette, or horizontal crescent, being a symbol of the Great Father, represented by Noah, the egg and lunette combined, which was the hieroglyphic of the god Lunus, at Heliopolis, was a symbol of the world proceeding from the Great Father.

EGYPT. Egypt has been considered as the cradle not only of the sciences, but of the religions of the ancient world. Although a monarchy, with a king nominally at the head of the state, the government really was in the hands of the priests, who were the sole depositaries of learning, and were alone acquainted with the religious formularies that in Egypt controlled all the public and private actions of the life of every inhabitant.

ELEPHANTA. An island in the Bay of Bombay, celebrated for the stupendous caverns artificially excavated out of the solid rock, which were appropriated to the initiations in the ancient Indian Mysteries.

ELEUSINIAN MYSTERIES. Of all the Mysteries of the ancients these were the most popular. They were celebrated at the village of Eleusis, near Athens, and were dedicated to Demeter. In them the loss and the restoration of Persephone were scenically represented, and the doctrines of the unity of God and the immortality of the soul were taught. See Demeter.

ENTERED APPRENTICE. The first degree of Ancient Craft Masonry, analogous to the aspirant in the Lesser Mysteries.

It is viewed as a symbol of childhood, and is considered as a preparation and purification for something higher.

EPOPT. (From the Greek ἐπόπτης, an eye witness.) One who, having been initiated in the Greater Mysteries of paganism, has seen the aporrheta.

ERA OF MASONRY. The legendary statement that the origin of Masonry is coeval with the beginning of the world, is only a philosophical myth to indicate the eternal nature of its principles.

ERICA. The tree heath; a sacred plant among the Egyptians, and used in the Osirian Mysteries as the symbol of immortality, and the analogue of the masonic acacia.

ESSENES. A society or sect of the Jews, who combined labor with religious exercises, whose organization partook of a secret character, and who have been claimed to be the descendants of the builders of the temple of Solomon.

EUCLID. The masonic legend which refers to Euclid is altogether historically untrue. It is really a philosophical myth intended to convey a masonic truth.

EURESIS. (From the Greek εὔρεσις, a discovery.) That part of the initiation in the ancient Mysteries which represented the finding of the body of the god or hero whose death was the subject of the initiation.

The euresis has been adopted in Freemasonry, and forms an essential part of the ritual of the third degree.

EVERGREEN. A symbol of the immortality of the soul.

Planted by the Hebrews and other ancient peoples at the heads of graves.

For this purpose the Hebrews preferred the acacia, because its wood was incorruptible, and because, as the material of the ark, it was already considered as a sacred plant.

EYE, ALL-SEEING. A symbol of the omniscient and watchful providence of God. It is a very ancient symbol, and is supposed by some to be a relic of the primitive sun-worship. Volney says (Les Ruines, p. 186) that in most of the ancient languages of Asia, the eye and the sun are expressed by the same word. Among the Egyptians the eye was the symbol of their supreme god, Osiris, or the sun.

F

FABER. The works of the Rev. G.S. Faber, on the Origin of Pagan Idolatry, and on the Cabiri, are valuable contributions to the science of mythology. They abound in matters of interest to the investigator of masonic symbolism and philosophy, but should be read with a careful view of the preconceived theory of the learned author, who refers everything in the ancient religions to the influences of the Noachic cataclysm, and the arkite worship which he supposes to have resulted from it.

FELLOW CRAFT. The second degree of Ancient Craft Masonry, analogous to the mystes in the ancient Mysteries. The symbol of a youth setting forth on the journey of life.

FETICHISM. The worship of uncouth and misshapen idols, practised only by the most ignorant and debased peoples, and to be found at this day among some of the least civilized of the negro tribes of Africa. "Their fetiches," says Du Chaillu, speaking of some of the African races, "consisted of fingers and tails of monkeys; of human hair, skin, teeth, bones; of clay, old nails, copper chains; shells, feathers, claws, and skulls of birds; pieces of iron, copper, or wood; seeds of plants, ashes of various substances, and I cannot tell what more." Equatorial Africa, p. 93.

FIFTEEN. A sacred number, symbolic of the name of God, because the letters of the holy name יה, JAH, are equal, in the Hebrew mode of numeration by the letters of the alphabet, to fifteen; for י is equal to ten, and ה is equal to five. Hence, from veneration for this sacred name, the Hebrews do not, in ordinary computations, when they wish to express the number 15, make use of these two letters, but of two others, which are equivalent to 9 and 6.

FORTY-SEVENTH PROBLEM. The forty-seventh problem of the first book of Euclid is, that in any right-angled triangle the square which is described upon the side subtending the right angle is equal to the squares described upon the sides which contain the right angle. It is said to have been discovered by Pythagoras while in Egypt, but was most probably taught to him by the priests of that country, in whose rites he had been initiated; it is a symbol of the production of the world by the generative and prolific powers of the Creator; hence the Egyptians made the perpendicular and base the representatives of Osiris and Isis, while the hypothenuse represented their child Horus. Dr. Lardner says (Com. on Euclid, p. 60) of this problem, "Whether we consider the forty-seventh proposition with reference to the peculiar and beautiful relation established by it, or to its innumerable uses in every department of mathematical science, or to its fertility in the consequences derivable from it, it must certainly be esteemed the most celebrated and important in the whole of the elements, if not in the whole range of mathematical science."

FOURTEEN. Some symbologists have referred the fourteen pieces into which the mutilated body of Osiris was divided, and the fourteen days during which the body of the builder was buried, to the fourteen days of the disappearance of the moon. The Sabian worshippers of "the hosts of heaven" were impressed with the alternate appearance and disappearance of the moon, which at length became a symbol of death and resurrection. Hence fourteen was a sacred number. As such it was viewed in the Osirian Mysteries, and may have been introduced into Freemasonry with other relics of the old worship of the sun and planets.

FREEMASONRY, DEFINITION OF. See Definition.

FREEMASONS, TRAVELLING. The travelling Freemasons were a society existing in the middle ages, and consisting of learned men and prelates, under whom were operative masons. The operative masons performed the labors of the craft, and travelling from country to country, were engaged in the construction of cathedrals, monasteries, and castles. "There are few points in the history of the middle ages," says Godwin, "more pleasing to look back upon than the existence of the associated masons; they are the bright spot in the general darkness of that period; the patch of verdure when all around is barren." The Builder, ix. 463

G

G. The use of the letter G in the Fellow Craft's degree is an anachronism. It is really a corruption of, or perhaps rather a substitution for, the Hebrew letter י (yod), which is the initial of the ineffable name. As such, it is a symbol of the life-giving and life-sustaining power of God.

G.A.O.T.U. A masonic abbreviation used as a symbol of the name of God, and signifying the Grand Architect of the Universe. It was adopted by the Freemasons in accordance with a similar practice among all the nations of antiquity of noting the Divine Name by a symbol.

GAVEL. What is called in Masonry a common gavel is a stone-cutter's hammer; it is one of the working tools of an Entered Apprentice, and is a symbol of the purification of the heart.

GLOVES. On the continent of Europe they are given to candidates at the same time that they are invested with the apron; the same custom formerly prevailed in England; but although the investiture of the gloves is abandoned as a ceremony both there and in America, they are worn as a part of masonic clothing. They are a symbol of purification of life. In the middle ages gloves were worn by operative masons.

GOD, UNITY OF. See Unity of God.

GOD, NAME OF. See Name.

GOLGOTHA. In Hebrew and Syriac it means a skull; a name of Mount Calvary, and so called, probably, because it was the place of public execution. The Latin Calvaria, whence Mount Calvary, means also a skull.

GRAVE. In the Master's degree, a symbol which is the analogue of the pastos, or couch, in the ancient Mysteries. The symbolism has been Christianized by some masonic writers, and the grave has thus been referred to the sepulchre of Christ.

GRIPS AND SIGNS. They are valuable only for social purposes as modes of recognition.

H

HAND. The hand is a symbol of human actions; pure hands symbolize pure actions, and impure or unclean hands symbolize impure actions.

HARE. Among the Egyptians the hare was a hieroglyphic of eyes that are open, and was the symbol of initiation into the Mysteries of Osiris. The Hebrew word for hare is arnabet, and this is compounded of two words that signify to behold the light. The connection of ideas is apparent.

HELLENISM. The religion of the Helles, or ancient Greeks who immediately succeeded the Pelasgians in the settlement of that country. It was, in consequence of the introduction of the poetic element, more refined than the old Pelasgic worship for which it was substituted. Its myths were more philosophical and less gross than those of the religion to which it succeeded.

HERMAE. Stones of a cubical form, which were originally unhewn, by which the Greeks at first represented all their deities. They came in the progress of time to be especially dedicated by the Greeks to the god Hermes, whence the name, and by the Romans to the god Terminus, who presided over landmarks.

HERO WORSHIP. The worship of men deified after death. It is a theory of some, both ancient and modern writers, that all the pagan gods were once human beings, and that the legends and traditions of mythology are mere embellishments of the acts of these personages when alive. It was the doctrine taught by Euhemerus among the ancients, and has been maintained among the moderns by such distinguished authorities as Bochart, Bryant, Voss, and Banier.

HERMETIC PHILOSOPHY. The system of the Alchemists, the Adepts, or seekers of the philosopher's stone. No system has been more misunderstood than this. It was secret, esoteric, and highly symbolical. No one has so well revealed its true design as E.A. Hitchcock, who, in his delightful work entitled "Remarks upon Alchemy and the Alchemists," says, "The genuine Alchemists were religious men, who passed their time in legitimate pursuits, earning an honest subsistence, and in religious contemplation, studying how to realize in themselves the union of the divine and human nature, expressed in man by an enlightened submission to God's will; and they thought out and published, after a manner of their own, a method of attaining or entering upon this state, as the only rest of the soul." There is a very great similarity between their doctrines and those of the Freemasons; so much so that the two associations have sometimes been confounded.

HIEROPHANT. (From the Greek ἱερὸς, holy, sacred, and φαίνω to show.) One who instructs in sacred things; the explainer of the aporrheta, or secret doctrines, to the initiates in the ancient Mysteries. He was the presiding officer, and his rank and duties were analogous to those of the master of a masonic lodge.

HIRAM ABIF. The architect of Solomon's temple. The word "Abif" signifies in Hebrew "his father," and is used by the writer of Second Chronicles (iv. 16) when he says, "These things did Hiram his father [in the original Hiram Abif ] do for King Solomon." The legend relating to him is of no value as a mere narrative, but of vast importance in a symbolical point of view, as illustrating a great philosophical and religious truth; namely, the dogma of the immortality of the soul. Hence, Hiram Abif is the symbol of man in the abstract sense, or human nature, as developed in the life here and in the life to come.

HIRAM OF TYRE. The king of Tyre, the friend and ally of King Solomon, whom he supplied with men and materials for building the temple. In the recent, or what I am inclined to call the grand lecturer's symbolism of Masonry (a sort of symbolism for which I have very little veneration), Hiram of Tyre is styled the symbol of strength, as Hiram Abif is of beauty. But I doubt the antiquity or authenticity of any such symbolism. Hiram of Tyre can only be considered, historically, as being necessary to complete the myth and symbolism of Hiram Abif. The king of Tyre is an historical personage, and there is no necessity for transforming him into a symbol, while his historical character lends credit and validity to the philosophical myth of the third degree of Masonry.

HIRAM THE BUILDER. An epithet of Hiram Abif. For the full significance of the term, see the word Builder.

HO-HI. A cabalistic pronunciation of the tetragrammaton, or ineffable name of God; it is most probably the true one; and as it literally means HE-SHE, it is supposed to denote the hermaphroditic essence of Jehovah, as containing within himself the male and the female principle,—the generative and the prolific energy of creation.

HO The sacred name of God among the Druids. Bryant supposes that by it they intended the Great Father Noah; but it is very possible that it was a modification of the Hebrew tetragrammaton, being the last syllable read cabalistically (see ho-hi); if so, it signified the great male principle of nature. But HU, in Hebrew הוא, is claimed by Talmudic writers to be one of the names of God; and the passage in Isaiah xlii. 8, in the original ani Jehovah, Hu shemi, which is in the common version "I am the LORD; that is my name," they interpret, "I am Jehovah; my name is Hu."

HUTCHINSON, WILLIAM. A distinguished masonic writer of England, who lived in the eighteenth century. He is the author of "The Spirit of Masonry," published in 1775. This was the first English work of any importance that sought to give a scientific interpretation of the symbols of Freemasonry; it is, in fact, the earliest attempt of any kind to treat Freemasonry as a science of symbolism. Hutchinson, however, has to some extent impaired the value of his labors by contending that the institution is exclusively Christian in its character and design.

I

IH-HO. See Ho-hi.

IMMORTALITY OF THE SOUL. This is one of the two religious dogmas which have always been taught in Speculative Masonry. It was also taught in all the Rites and Mysteries of antiquity. The doctrine was taught as an abstract proposition by the ancient priesthood of the Pure or Primitive Freemasonry of antiquity, but was conveyed to the mind of the initiate, and impressed upon him by a scenic representation in the ancient Mysteries, or the Spurious Freemasonry of the ancients.

INCOMMUNICABLE NAME. The tetragrammaton, so called because it was not common to, and could not be bestowed upon, nor shared by, any other being. It was proper to the true God alone. Thus Drusius (Tetragrammaton, sive de Nomine Dei proprio, p. 108) says, "Nomen quatuor literarum proprie et absolute non tribui nisi Deo vero. Unde doctores catholici dicunt incommunicabile[not common] esse creaturae."

INEFFABLE NAME. The tetragrammaton. So called because it is ineffabile, or unpronounceable. See Tetragrammaton.

INTRUSTING, RITE OF. That part of the ceremony of initiation which consists in communicating to the aspirant or candidate the aporrheta, or secrets of the mystery.

INUNCTION. The act of anointing. This was a religious ceremony practised from the earliest times. By the pouring on of oil, persons and things were consecrated to sacred purposes.

INVESTITURE, RITE OF. That part of the ceremony of initiation which consists of clothing the candidate masonically. It is a symbol of purity.

ISH CHOTZEB. Hebrew איש הצב, hewers of stones. The Fellow Crafts at the temple of Solomon. (2 Chron. ii. 2.).

ISH SABAL. Hebrew איש סבל, bearers of burdens. The Apprentices at the temple of Solomon. (2 Chron. ii. 2.).

J

JAH. It is in Hebrew יה whence Maimonides calls it "the two-lettered name," and derives it from the tetragrammaton, of which it is an abbreviation. Others have denied this, and assert that Jahis a name independent of Jehovah, but expressing the same idea of the divine essenee. See Gataker, De Nom. Tetrag..

JEHOVAH. The incommunicable, ineffable name of God, in Hebrew יהוה, and called, from the four letters of which it consists, the tetragrammaton, or four-lettered name.

L

LABOR. Since the article on the Symbolism of Labor was written, I have met with an address delivered in 1868 by brother Troué, before St. Peter's Lodge in Martinico, which contains sentiments on the relation of Masonry to labor which are well worth a translation from the original French. See Bulletin du Grand Orient de France, December, 1868.

"Our name of Mason, and our emblems, distinctly announce that our object is the elevation of labor.

"We do not, as masons, consider labor as a punishment inflicted on man; but on the contrary, we elevate it in our thought to the height of a religious act, which is the most acceptable to God because it is the most useful to man and to society.

"We decorate ourselves with the emblems of labor to affirm that our doctrine is an incessant protest against the stigma branded on the law of labor, and which an error of apprehension, proceeding from the ignorance of men in primitive times has erected into a dogma; an error that has resulted in the production of this anti-social phenomenon which we meet with every day; namely, that the degradation of the workman is the greater as his labor is more severe, and the elevation of the idler is higher as his idleness is more complete. But the study of the laws which maintain order in nature, released from the fetters of preconceived ideas, has led the Freemasons to that doctrine, far more moral than the contrary belief, that labor is not an expiation, but a law of harmony, from the subjection to which man cannot be released without impairing his own happiness, and deranging the order of creation. The design of Freemasons is, then, the rehabilitation of labor, which is indicated by the apron which we wear, and the gavel, the trowel, and the level, which are found among our symbols."

Hence the doctrine of this work is, that Freemasonry teaches not only the necessity, but the nobility, of labor. And that labor is the proper worship due by man to God.

LADDER. A symbol of progressive advancement from a lower to a higher sphere, which is common to Masonry, and to many, if not all, of the ancient Mysteries.

LADDER, BRAHMINICAL. The symbolic ladder used in the Mysteries of Brahma. It had seven steps, symbolic of the seven worlds of the Indian universe.

LADDER, MITHRAITIC. The symbolic ladder used in the Persian Mysteries of Mithras. It had seven steps, symbolic of the seven planets and the seven metals.

LADDER, SCANDINAVIAN. The symbolic ladder used in the Gothic Mysteries. Dr. Oliver refers it to the Yggrasil, or sacred ash tree. But the symbolism is either very abstruse or very doubtful.

LADDER, THEOLOGICAL. The symbolic ladder of the masonic Mysteries. It refers to the ladder seen by Jacob in his vision, and consists, like all symbolical ladders, of seven rounds, alluding to the four cardinal and the three theological virtues.

LAMB. A symbol of innocence. A very ancient symbol.

LAMB, PASCHAL. See Paschal Lamb.

LAMBSKIN APRON. See Apron.

LAW, ORAL. See Oral Law.

LEGEND. A narrative, whether true or false, that has been traditionally preserved from the time of its first oral communication. Such is the definition of a masonic legend. The authors of the Conversations-Lexicon, referring to the monkish Lives of the Saints which originated in the twelfth and thirteenth centuries, say that the title legend was given to all fictions which make pretensions to truth. Such a remark, however correct it may be in reference to these monkish narratives, which were often invented as ecclesiastical exercises, is by no means applicable to the legends of Freemasonry. These are not necessarily fictitious, but are either based on actual and historical facts which have been but slightly modificd, or they are the offspring and expansion of some symbolic idea in which latter respect they differ entirely from the monastic legends, which often have only the fertile imagination of some studious monk for the basis of their construction.

LEGEND OF THE ROYAL ARCH DEGREE. Much of this legend is a mythical history; but some portion of it is undoubtedly a philosophical myth. The destruction and the reëdification of the temple, the captivity and the return of the captives, are matters of history; but many of the details have been invented and introduced for the purpose of giving form to a symbolic idea.

LEGEND OF THE THIRD DEGREE. In all probability this legend is a mythical history, in which truth is very largely and preponderatingly mixed with fiction.

It is the most important and significant of the legendary symbols of Freemasonry.

Has descended from age to age by oral tradition, and has been preserved in every masonic rite.

No essential alteration of it has ever been made in any masonic system, but the interpretations of it have been various; the most general one is, that it is a symbol of the resurrection and the immortality of the soul.

Some continental writers have supposed that it was a symbol of the downfall of the Order of Templars, and its hoped-for restoration. In some of the high philosophical degrees it is supposed to be a symbol of the sufferings, death, and resurrection Christ. Hutchinson thought it a symbol of the decadence of the Jewish religion, and the rise of the Christian on its ruins. Oliver says that it symbolically refers to the murder of Abel, the death of our race through Adam, and its restoration through Christ.

Ragon thinks that it is a symbol of the sun shorn of its vigor by the three winter months, and restored to generative power by the spring. And lastly, Des Etangs says that it is a symbol of eternal reason, whose enemies are the vices that deprave and finally destroy humanity.

But none of these interpretations, except the first, can be sustained.

LETTUCE. The sacred plant of the Mysteries of Adonis; a symbol of immortality, and the analogue of the acacia.

LEVEL. One of the working tools of a Fellow Craft. It is a symbol of the equality of station of all men before God.

LIBERAL ARTS AND SCIENCES. In the seventh century, all learning was limited to the seven liberal arts and sciences; their introduction into Freemasonry, referring to this theory, is a symbol of the completion of human learning.

LIGHT. It denotes truth and knowledge, and is so explained in all the ancient systems; in initiation, it is not material but intellectual light that is sought.

It is predominant as a symbol in all the ancient initiations.

There it was revered because it was an emanation trom the sun, the common object of worship; but the theory advanced by some writers, that the veneration of light originally proceeded from its physical qualities, is not correct.

Pythagoras called it the good principle in nature; and the Cabalists taught that eternal light filled all space before the creation, and that after creation it retired to a central spot, and became the instrument of the Divine Mind in creating matter.

It is the symbol of the autopsy, or the full perfection and fruition of initiation.

It is therefore a fundamental symbol in Freemasonry, and contains within itself the very essence of the speculative science.

LINGAM. The phallus was so called by the Indian nations of the East. See Phallus.

LODGE. The place where Freemasons meet, and also the congregation of masons so met. The word is derived from the lodges occupied by the travelling Freemasons of the middle ages. It is a symbol of the world, or universe. Its form, an oblong square, is symbolic of the supposed oblong form of the world as known to the ancients.

LOST WORD. There is a masonic myth that there was a certain word which was lost and afterwards recovered.

It is not material what the word was, nor how lost, nor when recovered: the symbolism refers only to the abstract idea of a loss and a recovery.

It is a symbol of divine truth.

The search for it was also made by the philosophers and priests in the Mysteries of the Spurious Freemasonry.

LOTUS. The sacred plant of the Brahminical Mysteries, and the analogue of the acacia. It was also a sacred plant among the Egyptians.

LUSTRATION. A purification by washing the hands or body in consecrated water, practised in the ancient Mysteries. See Purification.

LUX (light). One of the appellations bestowed upon Freemasonry, to indicate that it is that sublime doctrine of truth by which the pathway of him who has attained it is to be illumined in the pilgrimage of life. Among the Rosicrucians, light was the knowledge of the philosopher's stone; and Mosheim says that in chemical language the cross was an emblem of light, because it contains within its figure the forms of the three figures of which LVX, or light, is composed.

LUX EX TENEBRIS (light out of darkness). A motto of the Masonic Order, which is equivalent to "truth out of initiation;" light being the symbol of truth, and darkness the symbol of initiation commenced.

M

MAN. Repeatedly referred to by Christ and the apostles as the symbol of a temple.

MASTER MASON. The third degree of Ancient Craft Masonry, analogous to the epopt of the ancient Mysteries.

MENATZCHIM. Hebrew מנצהים superintendents, or overseers. The Master Masons at the temple of Solomon. (2 Chron. ii. 2.)

MENU. In the Indian mythology, Menu is the son of Brahma, and the founder of the Hindoo religion. Thirteen other Menus are said to exist, seven of whom have already reigned on earth. But it is the first one whose instructions constitute the whole civil and religious polity of the Hindoos. The code attributed to him by the Brahmins has been translated by Sir William Jones, with the title of "The Institutes of Menu."

MIDDLE CHAMBER. A part of the Solomonic temple, which was approached by winding stairs, but which was certainly not appropriated to the purpose indicated in the Fellow Craft's degree. The legend of the Winding Stairs is therefore only a philosophical myth. It is a symbol of this life and its labors.

MISTLETOE. The sacred plant of Druidism; commemorated also in the Scandinavian rites. It is the analogue of the acacia, and like all the other sacred plants of antiquity, is a symbol of the immortality of the soul. Lest the language of the text should be misunderstood, it may be remarked here that the Druidical and the Scandinavian rites are not identical. The former are Celtic, the latter Gothic. But the fact that in both the mistletoe was a sacred plant affords a violent presumption that there must have been a common point from which both religions started. There was, as I have said, an identity of origin for the same ancient and general symbolic idea.

MITHRAS. He was the god worshipped by the ancient Persians, and celebrated in their Mysteries as the symbol of the sun. In the initiation in these Mysteries, the candidate passed through many terrible trials, and his courage and fortitude were exposed to the most rigorous tests. Among others, after ascending the mystical ladder of seven steps, he passed through a scenic representation of Hades, or the infernal regions; out of this and the surrounding darkness he was admitted into the full light of Elysium, where he was obligated by an oath of secrecy, and invested by the Archimagus, or High Priest, with the secret instructions of the rite, among which was a knowledge of the Ineffable Name.

MOUNT CALVARY. A small hill of Jerusalem, in a westerly direction, and not far from Mount Moriah. In the legends of Freemasonry it is known as "a small hill near Mount Moriah," and is referred to in the third degree. This "small hill" having been determined as the burial-place of Jesus, the symbol has been Christianized by many modern masons. There are many masonic traditions, principally borrowed from the Talmud, connected with Mount Calvary; such as, that it was the place where Adam was buried, &c.

MOUNT MORIAH. The hill in Jerusalem on which the temple of Solomon was built.

MYRTLE. The sacred plant in the Eleusinian Mysteries, and, as symbolic of a resurrection and immortality, the analogue of the acacia.

MYSTERIES. A secret worship paid by the ancients to several of the pagan gods, to which none were admitted but those who had been solemnly initiated. The object of instruction in these Mysteries was, to teach the unity of God and the immortality of the soul. They were divided into Lesser and Greater Mysteries. The former were merely preparatory. In the latter the whole knowledge was communicated. Speaking of the doctrine that was communicated to the initiates, Philo Judaeus says that "it is an incorruptible treasure, not like gold or silver, but more precious than everything beside; for it is the knowledge of the Great Cause, and of nature, and of that which is born of both." And his subsequent language shows that there was a confraternity existing among the initiates like that of the masonic institution; for he says, with his peculiar mysticism, "If you meet an initiate, besiege him with your prayers that he conceal from you no new mysteries that he may know; and rest not until you have obtained them. For me, although I was initiated into the Great Mysteries by Moses, the friend of God, yet, having seen Jeremiah, I recognized him not only as an Initiate, but as a Hierophant; and I followed his school." So, too, the mason acknowledges every initiate as his brother, and is ever ready and anxious to receive all the light that can be bestowed on the Mysteries in which he has been indoctrinated.

MYSTES. (From the Greek μύω, to shut the eyes.) One who had been initiated into the Lesser Mysteries of paganism. He was now blind, but when he was initiated into the Greater Mysteries he was called an Epopt, or one who saw.

MYTH. Grote's definition of the myth, which is cited in the text, may be applied without modification to the myths of Freemasonry, although intended by the author only for the myths of the ancient Greek religion.

The myth, then, is a narrative of remote date, not necessarily true or false, but whose truth can only be certified by internal evidence. The word was first applied to those fables of the pagan gods which have descended from the remotest antiquity, and in all of which there prevails a symbolic idea, not always, however, capable of a positive interpretation. As applied to Freemasonry, the words myth and legend are synonymous.

From this definition it will appear that the myth is really only the interpretation of an idea. But how we are to read these myths will best appear from these noble words of Max Müller: "Everything is true, natural, significant, if we enter with a reverent spirit into the meaning of ancient art and ancient language. Everything becomes false, miraculous, and unmeaning, if we interpret the deep and mighty words of the seers of old in the shallow and feeble sense of modern chroniclers." (Science of Language, 2d Ser. p. 578.).

MYTH, HISTORICAL. An historical myth is a myth that has a known and recognized foundation in historical truth, but with the admixture of a preponderating amount of fiction in the introduction of personages and circumstances. Between the historical myth and the mythical history, the distinction as laid down in the text cannot always be preserved, because we are not always able to determine whether there is a preponderance of truth or of fiction in the legend or narrative under examination.

MYTHICAL HISTORY. A myth or legend in which the historical and truthful greatly preponderate over the inventions of fiction.

MYTHOLOGY. Literally, the science of myths; and this is a very appropriate definition, for mythology is the science which treats of the religion of the ancient pagans, which was almost altogether founded on myths, or popular traditions and legendary tales; and hence Keightly (Mythol. of Ancient Greece and Italy, p. 2) says that "mythology may be regarded as the repository of the early religion of the people." Its interest to a masonic student arises from the constant antagonism that existed between its doctrines and those of the Primitive Freemasonry of antiquity and the light that the mythological Mysteries throw upon the ancient organization of Speculative Masonry.

MYTH, PHILOSOPHICAL. This is a myth or legend that is almost wholly unhistorical, and which has been invented only for the purpose of enunciating and illustrating a particular thought or dogma.

N

NAME. All Hebrew names are significant, and were originally imposed with reference to some fact or feature in the history or character of the persons receiving them. Camden says that the same custom prevailed among all the nations of antiquity. So important has this subject been considered, that "Onomastica," or treatises on the signification of names have been written by Eusebius and St. Jerome, by Simonis and Hillerus, and by several other scholars, of whom Eusebe Salverte is the most recent and the most satisfactory. Shuckford (Connect. ii. 377) says that the Jewish Rabbins thought that the true knowledge of names was a science preferable to the study of the written law.

NAME OF GOD. The true pronunciation, and consequently the signification, of the name of God can only be obtained through a cabalistical interpretation. It is a symbol of divine truth. None but those who are familiar with the subject can have any notion of the importance bestowed on this symbol by the Orientalists. The Arabians have a science called Ism Allah, or the science of the name of God; and the Talmudists and Rabbins have written copiously on the same subject. The Mussulmans, says Salverte (Essai sur les Noms, ii. 7), have one hundred names of God, which they repeat while counting the beads of a rosary.

NEOPHYTE. (From the Greek νέον and φυιὸν, a new plant.) One who has been recently initiated in the Mysteries. St. Paul uses the same word (I Tim. iii. 6) to denote one who had been recently converted to the Christian faith.

NOACHIDAE. The descendants of Noah, and the transmitters of his religious dogmas, which were the unity of God and the immortality of the soul. The name has from the earliest times been bestowed upon the Freemasons, who teach the same doctrines. Thus in the "old charges," as quoted by Anderson (Const. edit. 1738, p. 143), it is said, "A mason is obliged by his tenure to observe the moral law as a true Noachidae."

NOACHITES. The same as Noachidae, which see.

NORTH. That part of the earth which, being most removed from the influence of the sun at his meridian height, is in Freemasonry called "a place of darkness." Hence it is a symbol of the profane world.

NORTH-EAST CORNER. An important ceremony of the first degree, which refers to the north-east corner of the lodge, is explained by the symbolism of the corner-stone.

The corner-stone of a building is always laid in the north-east corner, for symbolic reasons.

The north-east point of the heavens was especially sacred among the Hindoos.

In the symbolism of Freemasonry, the north refers to the outer or profane world, and the east to the inner world of Masonry; and hence the north-east is symbolic of the double position of the neophyte, partly in the darkness of the former, partly in the light of the latter.

NUMBERS. The symbolism of sacred numbers, which prevails very extensively in Freemasonry, was undoubtedly borrowed from the school of Pythagoras; but it is just as likely that he got it from Egypt or Babylon, or from both. The Pythagorean doctrine was, according to Aristotle (Met. xii. 8), that all things proceed from numbers. M. Dacier, however, in his life of the philosopher, denies that the doctrine of numbers was taught by Pythagoras himself, but attributes it to his later disciples. But his arguments are not conclusive or satisfactory.

O

OATH OF SECRECY. It was always administered to the candidate in the ancient Mysteries.

ODD NUMBERS. In the system of Pythagoras, odd numbers were symbols of perfection. Hence the sacred numbers of Freemasonry are all odd. They are 3, 5, 7, 9, 15, 27, 33, and 81.

OIL. An element of masonic consecration, and, as a symbol of prosperity and happiness, is intended, under the name of the "oil of joy," to indicate the expected propitious results of the consecration of any thing or person to a sacred purpose.

OLIVE. In a secondary sense, the symbol of peace and of victory; but in its primary meaning, like all the other Sacred plants of antiquity, a symbol of immortality; and thus in the Mysteries it was the analogue of the acacia of the Freemasons.

OLIVER. The Rev. George Oliver, D.D., of Lincolnshire, England, who died in 1868, is by far the most distinguished and the most voluminous of the English writers on Freemasonry. Looking to his vast labors and researches in the arcana of the science, no student of masonry can speak of his name or his memory without profound reverence for his learning, and deep gratitude for the services that he has accomplished. To the author of this work the recollection will ever be most grateful that he enjoyed the friendship of so good and so great a man; one of whom we may testify, as Johnson said of Goldsmith, that "nihil quod tetigit non ornavit." In his writings he has traversed the whole field of masonic literature and science, and has treated, always with great ability and wonderful research, of its history, its antiquities, its rites and ceremonies, its ethics, and its symbols. Of all his works, his "Historical Landmarks," in two volumes, is the most important, the most useful, and the one which will perhaps the longest perpetuate his memory. In the study of his works, the student must be careful not to follow too implicitly all his conclusions. These were in his own mind controlled by the theory which he had adopted, and which he continuously maintained, that Freemasonry was a Christian institution, and that the connection between it and the Christian religion was absolute and incontrovertible. He followed in the footsteps of Hutchinson, but with a far more expanded view of the masonic system.

OPERATIVE MASONRY. Masonry considered merely as a useful art, intended for the protection and the convenience of man by the erection of edifices which may supply his intellectual, religious, and physical wants. In contradistinction to Speculative Masonry, therefore, it is said to be engaged in the construction of a material temple.

ORAL LAW. The oral law among the Jews was the commentary on and the interpretation of the written contained in the Pentateuch; and the tradition is, that it was delivered to Moses at the same time, accompanied by the divine command, "Thou shalt not divulge the words which I have said to thee out of my mouth." The oral law was, therefore, never intrusted to books; but being preserved in the memories of the judges, prophets, priests, and wise men, was handed down from one to the other through a long succession of ages. But after the destruction of Jerusalem by the Romans under Adrian, A.D. 135, and the final dispersion of the Jews, fears being entertained that the oral law would be lost, it was then committed to writing, and now constitutes the text of the Talmud.

ORMUZD. Worshipped by the disciples of Zoroaster as the principle of good, and symbolized by light. See Ahriman.

OSIRIS. The chief god of the ancient Egyptians, and worshipped as a symbol of the sun, and more philosophically as the male or generative principle. Isis, his wife, was the female or prolific principle; and Horus, their child, was matter, or the world—the product of the two principles.

OSIRIS, MYSTERIES OF. The Osirian Mysteries consisted in a scenic representation of the murder of Osiris by Typhon, the subsequent recovery of his mutilated body by Isis, and his deification, or restoration to immortal life.

OVAL TEMPLES. Temples of an oval form were representations of the mundane egg, a symbol of the world.

P

PALM TREE. In its secondary sense the palm tree is a symbol of victory; but in its primary signification it is a symbol of the victory over death, that is, immortality.

PARABLE. A narrative in which one thing is compared with another. It is in principle the same as a symbol or an allegory.

PARALLEL LINES. The lines touching the circle in the symbol of the point within a circle. They are said to represent St. John the Baptist and St. John the Evangelist; but they really refer to the solstitial points Cancer and Capricorn, in the zodiac.

PASTOS. (From the Greek παστὸς, a nuptial couch.) The coffin or grave which contained the body of the god or hero whose death was scenically represented in the ancient Mysteries. It is the analogue of the grave in the third degree of Masonry.

PELASGIAN RELIGION. The Pelasgians were the oldest if not the aboriginal inhabitants of Greece. Their religion differed from that of the Hellenes who succeeded them in being less poetical, less mythical, and more abstract. We know little of their religious worship, except by conjecture; but we may suppose it resembled in some respects the doctrines of the Primitive Freemasonry. Creuzer thinks that the Pelasgians were either a nation of priests or a nation ruled by priests.

PHALLUS. A representation of the virile member, which was venerated as a religious symbol very universally, and without the slightest lasciviousness, by the ancients. It was one of the modifications of sun worship, and was a symbol of the fecundating power of that luminary. The masonic point within a circle is undoubtedly of phallic origin.

PHILOSOPHY OF FREEMASONRY. The dogmas taught in the masonic system constitute its philosophy. These consist in the contemplation of God as one and eternal, and of man as immortal. In other words, the philosophy of Freemasonry inculcates the unity of God and the immortality of the soul.

PLUMB. One of the working tools of a Fellow Craft, and a symbol of rectitude of conduct.

POINT WITHIN A CIRCLE. It is derived from the ancient sun worship, and is in reality of phallic origin. It is a symbol of the universe, the sun being represented by the point, while the circumference is the universe.

PORCH OF THE TEMPLE. A symbol of the entrance into life.

PRIMITIVE FREEMASONRY. The Primitive Freemasonry of the antediluvians is a term for which we are indebted to Oliver, although the theory was broached by earlier writers, and among them by the Chevalier Ramsay. The theory is, that the principles and doctrines of Freemasonry existed in the earliest ages of the world, and were believed and practised by a primitive people, or priesthood, under the name of Pure or Primitive Freemasonry. That this Freemasonry, that is to say, the religious doctrine inculcated by it, was, after the flood, corrupted by the pagan philosophers and priests, and, receiving the title of Spurious Freemasory, was exhibited in the ancient Mysteries. The Noachidae, however, preserved the principles of the Primitive Freemasonry, and transmitted them to succeeding ages, when at length they assumed the name of Speculative Masonry. The Primitive Freemasonry was probably without ritual or symbolism, and consisted only of a series of abstract propositions derived from antediluvian traditions. Its dogmas were the unity of God and the immortality of the soul.

PROFANE. One who has not been initiated as a Freemason. In the technical language of the Order, all who are not Freemasons are profanes. The term is derived from the Latin words pro fano, which literally signify "in front of the temple," because those in the ancient religions who were not initiated in the sacred rites or Mysteries of any deity were not permitted to enter the temple, but were compelled to remain outside, or in front of it. They were kept on the outside. The expression a profane is not recognized as a noun substantive in the general usage of the language; but it has been adopted as a technical term in the dialect of Freemasonry, in the same relative sense in which the word layman is used in the professions of law and divinity.

PURE FREEMASONRY OF ANTIQUITY. The same as Primitive Freemasonry,—which see.

PURIFICATION. A religious rite practised by the ancients, and which was performed before any act of devotion. It consisted in washing the hands, and sometimes the whole body, in lustral or consecrated water. It was intended as a symbol of the internal purification of the heart. It was a ceremony preparatory to initiation in all the ancient Mysteries.

PYTHAGORAS. A Grecian philosopher, supposed to have been born in the island of Samos, about 584 B.C. He travelled extensively for the purpose of acquiring knowledge. In Egypt he was initiated in the Mysteries of that country by the priests. He also repaired to Babylon, where he became acquainted with the mystical learning of the Chaldeans, and had, no doubt, much communication with the Israelitish captives who had been exiled from Jerusalem, and were then dwelling in Babylon. On his return to Europe he established a school, which in its organization, as well as its doctrines, bore considerable resemblance to Speculative Masonry; for which reason he has been claimed as "an ancient friend and brother" by the modern Freemasons.

R

RESURRECTION. This doctrine was taught in the ancient Mysteries, as it is in Freemasonry, by a scenic representation. The initiation was death, the autopsy was resurrection. Freemasonry does not interest itself with the precise mode of the resurrection, or whether the body buried and the body raised are in all their parts identical. Satisfied with the general teaching of St. Paul, concerning the resurrection that "it is sown a natural body, it is raised a spiritual body," Freemasonry inculcates by its doctrine of the resurrection the simple fact of a progressive advancement from a lower to a higher sphere, and the raising of the soul from the bondage of death to its inheritance of eternal life.

RITUAL. The forms and ceremonies used in conferring the degrees, or in conducting the labors, of a lodge are called the ritual. There are many rites of Freemasonry, which differ from each other in the number and division of the degrees, and in their rituals, or forms and ceremonies. But the great principles of Freemasonry, its philosophy and its symbolism, are alike in all. It is evident, then, that in an investigation of the symbolism of Freemasonry, we have no concern with its ritual, which is but an outer covering that is intended to conceal the treasure that is within.

ROSICRUCIANS. A sect of hermetical philosophers, founded in the fifteenth century, who were engaged in the study of abstruse sciences. It was a secret society much resembling the masonic in its organization, and in some of the subjects of its investigation; but it was in no other way connected with Freemasonry. It is, however, well worth the study of the masonic student on account of the light that it throws upon many of the masonic symbols.

ROYAL ART. Freemasonry is so called because it is supposed to have been founded by two kings,—the kings of Israel and Tyre,—and because it has been subsequently encouraged and patronized by monarchs in all countries.

S

SABIANISM, or SABAISM. The worship of the sun, moon, and stars, the צבא השמים TSABA Hashmaim, "the host of heaven." It was practised in Persia, Chaldea, India, and other Oriental countries, at an early period of the world's history. Sun-worship has had a powerful influence on subsequent and more rational religions, and relics of it are to be found even in the symbolism of Freemasonry.

SACELLUM. A sacred place consecrated to a god, and containing an altar.

SAINTE CROIX. The work of the Baron de Sainte Croix, in two volumes, entitled, "Recherches Historiques et Critiques sur les Mystères du Paganisme," is one of the most valuable and instructive works that we have in any language on the ancient Mysteries,—those religious associations whose history and design so closely connect them with Freemasonry. To the student of masonic philosophy and symbolism this work of Sainte Croix is absolutely essential.

SALSETTE. An island in the Bay of Bombay, celebrated for stupendous caverns excavated artificially out of the solid rock, and which were appropriated to the initiations in the ancient Mysteries of India.

SENSES, FIVE HUMAN. A symbol of intellectual cultivation.

SETH. It is the masonic theory that the principles of the Pure or Primitive Freemasonry were preserved in the race of Seth, which had always kept separate from that of Cain, but that after the flood they became corrupted, by a secession of a portion of the Sethites, who established the Spurious Freemasonry of the Gentiles.

SEVEN. A sacred number among the Jews and the Gentiles, and called by Pythagoras a "venerable number."

SHEM HAMPHORASH. (שם המפירש the declaratory name.) The tetragrammaton is so called, because, of all the names of God, it alone distinctly declares his nature and essence as self-existent and eternal.

SHOE. See Investiture, Rite of.

SIGNS. There is abundant evidence that they were used in the ancient Mysteries. They are valuable only as modes of recognition. But while they are absolutely conventional, they have, undoubtedly, in Freemasonry, a symbolic reference.

SIVA. One of the manifestations of the supreme deity of the Hindoos, and a symbol of the sun in its meridian.

SONS OF LIGHT. Freemasons are so called because Lux, or Light, is one of the names of Speculative Masonry.

SOLOMON. The king of Israel, and the founder of the temple of Jerusalem and of the temple organization of Freemasonry. That his mind was eminently symbolic in its propensities, is evident from all the writings that are attributed to him.

SPECULATIVE MASONRY. Freemasonry considered as a science which speculates on the character of God and man, and is engaged in philosophical investigations of the soul and a future existence, for which purpose it uses the terms of an operative art. It is engaged symbolically in the construction of a spiritual temple. There is in it always a progress—an advancement from a lower to a higher sphere.

SPIRITUAL TEMPLE. The body of man; that temple alluded to by Christ and St. Paul; the temple, in the construction of which the Speculative Mason is engaged, in contradistinction to that material temple which occupies the labors of the Operative Mason.

SPURIOUS FREEMASONRY OF ANTIQUITY. A term applied to the initiations in the Mysteries of the ancient pagan world, and to the doctrines taught in those Mysteries. See Mysteries.

SQUARE. A geometric figure consisting of four equal sides and equal angles. In Freemasonry it is a symbol of morality, or the strict performance of every duty. The Greeks deemed it a figure of perfection, and the "square man" was a man of unsullied integrity.

SQUARE, TRYING. One of the working-tools of a Fellow Craft, and a symbol of morality.

STONE OF FOUNDATION. A very important symbol in the masonic system. It is like the word, the symbol of divine truth.

STONE WORSHIP. A very early form of fetichism. The Pelasgians are supposed to have given to their statues of the gods the general form of cubical stones, whence in Hellenic times came the Hermae, or images of Hermes.

SUBSTITUTE WORD. A symbol of the unsuccessful search after divine truth, and the discovery in this life of only an approximation to it.

SUN, RISING. In the Sabian worship the rising sun was adored on its resurrection from the apparent death of its evening setting. Hence, in the ancient Mysteries, the rising sun was a symbol of the regeneration of the soul.

SUN-WORSHIP. The most ancient of all superstitions. It prevailed especially in Phoenicia, Chaldea. and Egypt, and traces of it have been discovered in Peru and Mexico. Its influence was felt in the ancient Mysteries, and abundant allusions to it are to be found in the symbolism of Freemasonry.

SWEDENBORG. A Swedish philosopher, and the founder of a religious sect. Clavel, Ragon, and some other writers have sought to make him the founder of a masonic rite also, but without authority. In 1767 Chastanier established the rite of Illuminated Theosophists, whose instructions are derived from the writings of Swedenborg, but the sage himself had nothing to do with it. Yet it cannot be denied that the mind of Swedenborg was eminently symbolic in character, and that the masonic student may derive many valuable ideas from portions of his numerous works, especially from his "Celestial Arcana" and his "Apocalypse Revealed."

SYMBOL. A visible sign with which a spiritual feeling, emotion, or idea is connected.—Müller. Every natural thing which is made the sign or representation of a moral idea is a symbol.

SYMBOL, COMPOUND. A species of symbol not unusual in Freemasonry, where the symbol is to be taken in a double sense, meaning in its general application one thing, and then in a special application another.

SYMBOLISM, SCIENCE OF. To what has been said in the text, may be added the following apposite remarks of Squier: "In the absence of a written language or forms of expression capable of conveying abstract ideas, we can readily comprehend the necessity, among a primitive people, of a symbolic system. That symbolism in a great degree resulted from this necessity, is very obvious; and that, associated with man's primitive religious systems, it was afterwards continued, when in the advanced stage of the human mind, the previous necessity no longer existed, is equally undoubted. It thus came to constitute a kind of sacred language, and became invested with an esoteric significance understood only by the few."—The Serpent Symbol in America, p. 19.

T

TABERNACLE. Erected by Moses in the wilderness as a temporary place for divine worship. It was the antitype of the temple of Jerusalem, and, like it, was a symbol of the universe.

TALISMAN. A figure either carved in metal or stone, or delineated on parchment or paper, made with superstitious ceremonies under what was supposed to be the special influence of the planetary bodies, and believed to possess occult powers of protecting the maker or possessor from danger. The figure in the text is a talisman, and among the Orientals no talisman was more sacred than this one where the nine digits are so disposed as to make 15 each way. The Arabians called it zahal, which was the name of the planet Saturn, because the nine digits added together make 45, and the letters of the word zahal are, according to the numerical powers of the Arabic alphabet, equivalent to 45. The cabalists esteem it because 15 was the numerical power of the letters composing the word JAH, which is one of the names of God.

TALMUD. The mystical philosophy of the Jewish Rabbins is contained in the Talmud, which is a collection of books divided into two parts, the Mishna, which contains the record of the oral law, first committed to writing in the second or third century, and the Gemara, or commentaries on it. In the Talmud much will be found of great interest to the masonic student.

TEMPLE. The importance of the temple in the symbolism of Freemasonry will authorize the following citation from the learned Montfaucon (Ant. ii. 1. ii. ch. ii.): "Concerning the origin of temples, there is a variety of opinions. According to Herodotus, the Egyptians were the first that made altars, statues, and temples. It does not, however, appear that there were any in Egypt in the time of Moses, for he never mentions them, although he had many opportunities for doing so. Lucian says that the Egyptians were the first people who built temples, and that the Assyrians derived the custom from them, all of which is, however, very uncertain. The first allusion to the subject in Scripture is the Tabernacle, which was, in fact, a portable temple, and contained one place within it more holy and secret than the others, called the Holy of Holies, and to which the adytum in the pagan temples corresponded. The first heathen temple mentioned in Scripture is that of Dagon, the god of the Philistines. The Greeks, who were indebted to the Phoenicians for many things, may be supposed to have learned from them the art of building temples; and it is certain that the Romans borrowed from the Greeks both the worship of the gods and the construction of temples."

TEMPLE BUILDER. The title by which Hiram Abif is sometimes designated.

TEMPLE OF SOLOMON. The building erected by King Solomon on Mount Moriah, in Jerusalem, has been often called "the cradle of Freemasonry," because it was there that that union took place between the operative and speculative masons, which continued for centuries afterwards to present the true organization of the masonic system. As to the size of the temple, the dimensions given in the text may be considered as accurate so far as they agree with the description given in the First Book of Kings. Josephus gives a larger measure, and makes the length 105 feet, the breadth 35 feet, and the height 210 feet; but even these will not invalidate the statement in the text, that in size it was surpassed by many a parish church.

TEMPLE SYMBOLISM. That symbolism which is derived from the temple of Solomon. It is the most fertile of all kinds of symbolism in the production of materials for the masonic science.

TERMINUS. One of the most ancient of the Roman deities. He was the god of boundaries and landmarks, and his statue consisted only of a cubical stone, without arms or legs, to show that he was immovable.

TETRACTYS. A figure used by Pythagoras, consisting of ten points, arranged in a triangular form so as to represent the monad, duad, triad, and quarterniad. It was considered as very sacred by the Pythagoreans, and was to them what the tetragrammaton was to the Jews.

TETRAGRAMMATON. (From the Greek τετρὰς, four, and γρὰμμα, a letter). The four-lettered name of God in the Hebrew language, which consisted of four letters, viz. יהוה commonly, but incorrectly, pronounced Jehovah. As a symbol it greatly pervaded the rites of antiquity, and was perhaps the earliest symbol corrupted by the Spurious Freemasonry of the pagan Mysteries.

It was held by the Jews in profound veneration, and its origin supposed to have been by divine revelation at the burning bush.

The word was never pronounced, but wherever met with Adonai was substituted for it, which custom was derived from the perverted reading of a, passage in the Pentateuch. The true pronunciation consequently was utterly lost; this is explained by the want of vowels in the Hebrew alphabet, so that the true vocalization of a word cannot be learned from the letters of which it is composed.

The true pronunciation was intrusted to the high priest; but lest the knowledge of it should be lost by his sudden death, it was also communicated to his assistant; it was known also, probably, to the kings of Israel.

The Cabalists and Talmudists enveloped it in a host of superstitions.

It was also used by the Essenes in their sacred rites, and by the Egyptians as a pass-word.

Cabalistically read and pronounced, it means the male and female principle of nature, the generative and prolific energy of creation.

THAMMUZ. A Syrian god, who was worshipped by those women of the Hebrews who had fallen into idolatry. The idol was the same as the Phoenician Adonis, and the Mysteries of the two were identical.

TRAVELLING FREEMASONS. See Freemasons, Travelling.

TRESTLE BOARD. The board or tablet on which the designs of the architect are inscribed. It is a symbol of the moral law as set forth in the revealed will of God. Every man must have his trestle board, because it is the duty of every man to work out the task which God, the chief Architect, has assigned to him.

TRIANGLE. A symbol of Deity. This symbolism is found in many of the ancient religions.Among the Egyptians it was a symbol of universal nature, or of the protection of the world by the male and female energies of creation.

TRIANGLE, RADIATED. A triangle placed within a circle of rays. In Christian art it is a symbol of God; then the rays are called a glory. When they surround the triangle in the form of a circle, the triangle is a symbol of the glory of God. When the rays emanate from the centre of the triangle, it is a symbol of divine light. This is the true form of the masonic radiated triangle.

TRILITERAL NAME. This is the word AUM, which is the ineffable name of God among the Hindoos, and symbolizes the three manifestations of the Brahminical supreme god, Brahma, Siva, and Vishnu. It was never to be pronounced aloud, and was analogous to the sacred tetragrammaton of the Jews.

TROWEL. One of the working tools of a Master Mason. It is a symbol of brotherly love.

TRUTH. It was not always taught publicly by the ancient philosophers to the people. The search for it is the object of Freemasonry. It is never found on earth, but a substitute for it is provided.

TUAPHOLL. A term used by the Druids to designate an unhallowed circumambulation around the sacred cairn, or altar, the movement being against the sun, that is, from west to east by the north, the cairn being on the left hand of the circumambulator.

TUBAL CAIN. Of the various etymologies of this name, only one is given in the text; but most of the others in some way identify him with Vulcan. Wellsford (Mithridates Minor p. 4) gives a singular etymology, deriving the name of the Hebrew patriarch from the definite article ה converted into ת, or T and Baal, "Lord," with the Arabic kayn, "a blacksmith," so that the word would then signify "the lord of the blacksmiths." Masonic writers have, however, generally adopted the more usual derivation of Cain, from a word signifying possession; and Oliver descants on Tubal Cain as a symbol of worldly possessions. As to the identity of Vulcan with Tubal Cain, we may learn something from the definition of the offices of the former, as given by Diodorus Siculus: "Vulcan was the first founder of works in iron, brass, gold, silver, and all fusible metals; and he taught the uses to which fire can be applied in the arts." See Genesis: "Tubal Cain, an instructor of every artificer in brass and iron."

TWENTY-FOUR INCH GAUGE. A two-foot rule. One of the working-tools of an Entered Apprentice, and a symbol of time well employed.

TYPHON. The brother and slayer of Osiris in the Egyptian mythology. As Osiris was a type or symbol of the sun, Typhon was the symbol of winter, when the vigor, heat, and, as it were, life of the sun are destroyed, and of darkness as opposed to light.

TYRE. A city of Phoenicia, the residence of King Hiram, the friend and ally of Solomon, whom he supplied with men and materials for the construction of the temple.

TYRIAN FREEMASONS. These were the members of the Society of Dionysiac Artificers, who at the time of the building of Solomon's temple flourished at Tyre. Many of them were sent to Jerusalem by Hiram, King of Tyre, to assist King Solomon in the construction of his temple. There, uniting with the Jews, who had only a knowledge of the speculative principles of Freemasonry, which had been transmitted to them from Noah, through the patriarchs, the Tyrian Freemasons organized that combined system of Operative and Speculative Masonry which continued for many centuries, until the beginning of the eighteenth, to characterize the institution. See Dionysiac Artificers.

U

UNION. The union of the operative with the speculative element of Freemasonry took place at the building of King Solomon's temple.

UNITY OF GOD. This, as distinguished from the pagan doctrine of polytheism, or a multitude of gods, is one of the two religious truths taught in Speculative Masonry, the other being the immortality of the soul.

W

WEARY SOJOURNERS. The legend of the "three weary sojourners" in the Royal Arch degree is undoubtedly a philosophical myth, symbolizing the search after truth.

WHITE. A symbol of innocence and purity. Among the Pythagoreans it was a symbol of the good principle in nature, equivalent to light.

WIDOW'S SON. An epithet bestowed upon the chief architect of the temple, because he was "a widow's son of the tribe of Naphthali." 1 Kings vii. 14.

WINDING STAIRS, LEGEND OF. A legend in the Fellow Craft's degree having no historical truth, but being simply a philosophical myth or legendary symbol intended to communicate a masonic dogma.

It is the symbol of an ascent from a lower to a higher sphere.

It commences at the porch of the temple, which is a symbol of the entrance into life.

The number of steps are always odd, because odd numbers are a symbol of perfection.

But the fifteen steps in the American system are a symbol of the name of God, Jah.

WINE. An element of masonic consecration, and, as a symbol of the inward refreshment of a good conscience, is intended under the name of the "wine of refreshment," to remind us of the eternal refreshments which the good are to receive in the future life for the faithful performance of duty in the present.

WORD. In Freemasonry this is a technical and symbolic term, and signifies divine truth. The search after this word constitutes the whole system of speculative masonry.

WORD, LOST. See Lost Word.

WORD, SUBSTITUTE. See Substitute Word.

WORK. In Freemasonry the initiation of a candidate is called work. It is suggestive of the doctrine that labor is a masonic duty.

Y

YGGDRASIL. The sacred ash tree in the Scandinavian Mysteries. Dr. Oliver propounds the theory that it is the analogue of the theological ladder in the Masonic Mysteries. But it is doubtful whether this theory is tenable.

YOD. A Hebrew letter, in form thus י, and about equivalent to the English I or Y. It is the initial letter of the tetragrammaton, and is often used, especially enclosed within a triangle, as a substitute for, or an abridgement of, that sacred word. It is a symbol of the life-giving and sustaining power of God.

YONI. Among the nations and religions of India the yoni was the representation of the female organ of generation, and was the symbol of the prolific power of nature. It is the same as the cteisamong the Occidental nations.

Z

ZENNAAR. The sacred girdle of the Hindoos. It is supposed to be the analogue of the masonic apron.

ZOROASTER. A distinguished philosopher and reformer, whose doctrines were professed by the ancient Persians. The religion of Zoroaster was a dualism, in which the two antagonizing principles were Ormuzd and Abriman, symbols of Light and Darkness. It was a modification and purification of the old fire-worship, in which the fire became a symbol of the sun, so that it was really a species of sun-worship. Mithras, representing the sun, becomes the mediator between Ormuzd, or the principle of Darkness, and the world.

FOOTNOTES

1. "The doctrine of the immortality of the soul, if it is a real advantage, follows unavoidably from the idea of God. The best Being, he must will the best of good things; the wisest, he must devise plans for that effect; the most powerful, he must bring it about. None can deny this."—THEO. PARKER, Discourse of Matters pertaining to Religion, b. ii. ch. viii. p. 205.

2. "This institution of religion, like society, friendship, and marriage, comes out of a principle, deep and permanent in the heart: as humble, and transient, and partial institutions come out of humble, transient, and partial wants, and are to be traced to the senses and the phenomena of life, so this sublime, permanent, and useful institution came out from sublime, permanent, and universal wants, and must be referred to the soul, and the unchanging realities of life."—PARKER, Discourse of Religion, b. i. ch. i. p. 14.

3. "The sages of all nations, ages, and religions had some ideas of these sublime doctrines, though more or less degraded, adulterated and obscured; and these scattered hints and vestiges of the most sacred and exalted truths were originally rays and emanations of ancient and primitive traditions, handed down from, generation to generation, since the beginning of the world, or at least since the fall of man, to all mankind."—CHEV. RAMSAY, Philos. Princ. of Nat. and Rev. Relig., vol ii. p. 8.

4. "In this form, not only the common objects above enumerated, but gems, metals, stones that fell from heaven, images, carved bits of wood, stuffed skins of beasts, like the medicine-bags of the North American Indians, are reckoned as divinities, and so become objects of adoration. But in this case, the visible object, is idealized; not worshipped as the brute thing really is, but as the type and symbol of God."—PARKER, Disc. of Relig. b. i. ch. v. p. 50.

5. A recent writer thus eloquently refers to the universality, in ancient times, of sun-worship: "Sabaism, the worship of light, prevailed amongst all the leading nations of the early world. By the rivers of India, on the mountains of Persia, in the plains of Assyria, early mankind thus adored, the higher spirits in each country rising in spiritual thought from the solar orb up to Him whose vicegerent it seems—to the Sun of all being, whose divine light irradiates and purifies the world of soul, as the solar radiance does the world of sense. Egypt, too, though its faith be but dimly known to us, joined in this worship; Syria raised her grand temples to the sun; the joyous Greeks sported with the thought while feeling it, almost hiding it under the mythic individuality which their lively fancy superimposed upon it. Even prosaic China makes offerings to the yellow orb of day; the wandering Celts and Teutons held feasts to it, amidst the primeval forests of Northern Europe; and, with a savagery characteristic of the American aborigines, the sun temples of Mexico streamed with human blood in honor of the beneficent orb."—The Castes and Creeds of India, Blackw. Mag., vol. lxxxi. p. 317.—"There is no people whose religion is known to us," says the Abbé Banier, "neither in our own continent nor in that of America, that has not paid the sun a religious worship, if we except some inhabitants of the torrid zone, who are continually cursing the sun for scorching them with his beams."—Mythology, lib. iii. ch. iii.—Macrobius, in hisSaturnalia, undertakes to prove that all the gods of Paganism may be reduced to the sun.

6. "Varro de religionibus loquens, evidenter dicit, multa esse vera, quae vulgo scire non sit utile; multaque, quae tametsi falsa sint, aliter existimare populum expediat."—St. AUGUSTINE, De Civil. Dei.—We must regret, with the learned Valloisin, that the sixteen books of Varro, on the religious antiquities of the ancients, have been lost; and the regret is enhanced by the reflection that they existed until the beginning of the fourteenth century, and disappeared only when their preservation for less than two centuries more would, by the discovery of printing, have secured their perpetuity.

7. Strabo, Geog., lib. i.

8. Maurice, Indian Antiquities, vol. ii. p. 297.

9. Div. Leg., vol. i. b. ii. § iv. p. 193, 10th Lond. edit.

10. The hidden doctrines of the unity of the Deity and the immortality of the soul were taught originally in all the Mysteries, even those of Cupid and Bacchus.—WARBURTON, apud Spence'sAnecdotes, p. 309.

11. Isoc. Paneg., p. 59.

12. Apud Arrian. Dissert., lib. iii. c. xxi.

13. Phaedo.

14. Dissert. on the Eleusinian and Bacchic Mysteries, in the Pamphleteer, vol. viii. p. 53.

15. Symbol. und Mythol. der Alt. Völk.

16. In these Mysteries, after the people had for a long time bewailed the loss of a particular person, he was at last supposed to be restored to life.—BRYANT, Anal. of Anc. Mythology, vol. iii. p. 176.

17. Herod. Hist., lib. iii. c. clxxi.

18. The legend says it was cut into fourteen pieces. Compare this with the fourteen days of burial in the masonic legend of the third degree. Why the particular number in each? It has been thought by some, that in the latter legend there was a reference to the half of the moon's age, or its dark period, symbolic of the darkness of death, followed by the fourteen days of bright moon, or restoration to life.

19. Mystères du Paganisme, tom. i. p. 6.

20. Notes to Rawlinson's Herodotus, b. ii. ch. clxxi. Mr. Bryant expresses the same opinion: "The principal rites in Egypt were confessedly for a person lost and consigned for a time to darkness, who was at last found. This person I have mentioned to have been described under the character of Osiris."—Analysis of Ancient Mythology, vol. iii. p. 177.

21. Spirit of Masonry, p. 100.

22. Varro, according to St. Augustine (De Civ. Dei, vi. 5), says that among the ancients there were three kinds of theology—a mythical, which was used by the poets; a physical, by the philosophers, and a civil, by the people.

23. "Tous les ans," says Sainte Croix, "pendant les jours consacrés au souvenir de sa mort, tout étoit plongé dans la tristesse: on ne cessoit de pousser des gémissemens; on alloit même jusqu'à se flageller et se donner des coups. Le dernier jour de ce deuil, on faisoit des sacrifices funèbres en l'honneur de ce dieu. Le jour suivant, on recevoit la nouvelle qu'Adonis venoit d'être rappelé à la vie, qui mettoit fin à leur deuil."—Recherches sur les Myst. du Paganisme, tom. ii. p. 105.

24. Clement of Alexandria calls them μυστήρια τὰ πρὸ μυστηρίων, "the mysteries before the mysteries."

25. Les petits mystères ne consistoient qu'en cérémonies préparatoires.—Sainte Croix, i. 297.—As to the oath of secrecy, Bryant says, "The first thing at these awful meetings was to offer an oath of secrecy to all who were to be initiated, after which they proceeded to the ceremonies."—Anal. of Anc. Myth., vol. iii. p. 174.—The Orphic Argonautics allude to the oath: μετὰ δ' ὁρϗια Μύσῖαις, ϗ. τ. λ., "after the oath was administered to the mystes," &c.—Orph. Argon., v. 11.

26. The satirical pen of Aristophanes has not spared the Dionysiac festivals. But the raillery and sarcasm of a comic writer must always be received with many grains of allowance. He has, at least, been candid enough to confess that no one could be initiated who had been guilty of any crime against his country or the public security.—Ranae, v. 360-365.—Euripides makes the chorus in his Bacchae proclaim that the Mysteries were practised only for virtuous purposes. In Rome, however, there can be little doubt that the initiations partook at length of a licentious character. "On ne peut douter," says Ste. Croix, "que l'introduction des fêtes de Bacchus en Italie n'ait accéleré les progrès du libertinage et de la débauche dans cette contrée."—Myst. du Pag., tom. ii. p. 91.—St. Augustine (De Civ. Dei, lib. vii. c. xxi.) inveighs against the impurity of the ceremonies in Italy of the sacred rites of Bacchus. But even he does not deny that the motive with which they were performed was of a religious, or at least superstitious nature—"Sic videlicet Liber deus placandus fuerat." The propitiation of a deity was certainly a religious act.

27. Hist. Greece, vol. ii. p. 140.

28. This language is quoted from Robison (Proofs of a Conspiracy, p. 20, Lond. edit. 1797), whom none will suspect or accuse of an undue veneration for the antiquity or the morality of the masonic order.

29. We must not confound these Asiatic builders with the play-actors, who were subsequently called by the Greeks, as we learn from Aulus Gellius (lib. xx. cap. 4), "artificers of Dionysus"—Διονυσιαϗοι τεχνιταὶ.

30. There is abundant evidence, among ancient authors, of the existence of signs and passwords in the Mysteries. Thus Apuleius, in his Apology, says, "Si qui forte adest eorundem Solemnium mihi particeps, signum dato," etc.; that is, "If any one happens to be present who has been initiated into the same rites as myself, if he will give me the sign, he shall then be at liberty to hear what it is that I keep with so much care." Plautus also alludes to this usage, when, in his "Miles Gloriosus," act iv. sc. 2, he makes Milphidippa say to Pyrgopolonices, "Cedo signum, si harunc Baccharum es;" i.e., "Give the sign if you are one of these Bacchae," or initiates into the Mysteries of Bacchus. Clemens Alexandrinus calls these modes of recognition σωθηματα, as if means of safety. Apuleius elsewhere uses memoracula, I think to denote passwords, when he says, "sanctissimè sacrorum signa et memoracula custodire," which I am inclined to translate, "most scrupulously to preserve the signs and passwords of the sacred rites."

31. The Baron de Sainte Croix gives this brief view of the ceremonies: "Dans ces mystères on employoit, pour remplir l'âme des assistans d'une sainte horreur, les mêmes moyens qu'à Eleusis. L'apparition de fantômes et de divers objets propres à effrayer, sembloit disposer les esprits à la crédulité. Ils en avoient sans doute besoin, pour ajouter foi à toutes les explications des mystagogues: elles rouloient sur le massacre de Bacchus par les Titans," &c.—Recherches sur les Mystères du Paganisme, tom. ii. sect. vii. art. iii. p. 89.

32. Lawrie, Hist. of Freemasonry, p. 27.

33. Vincentius Lirinensis or Vincent of Lirens, who lived in the fifth century of the Christian era, wrote a controversial treatise entitled "Commonitorium," remarkable for the blind veneration which it pays to the voice of tradition. The rule which he there lays down, and which is cited in the text, may be considered, in a modified application, as an axiom by which we may test theprobability, at least, of all sorts of traditions. None out of the pale of Vincent's church will go so far as he did in making it the criterion of positive truth.

34. Prolog. zu einer wissenshaftlich. Mythologie.

35. In German hutten, in English lodges, whence the masonic term.

36. Historical Essay on Architecture, ch. xxi.

37. Bishop England, in his "Explanation of the Mass," says that in every ceremony we must look for three meanings: "the first, the literal, natural, and, it may be said, the original meaning; the second, the figurative or emblematic signification; and thirdly, the pious or religious meaning: frequently the two last will be found the same; sometimes all three will be found combined." Here lies the true difference between the symbolism of the church and that of Masonry. In the former, the symbolic meaning was an afterthought applied to the original, literal one; in the latter, the symbolic was always the original signification of every ceremony.

38. /P "Was not all the knowledge Of the Egyptians writ in mystic symbols? Speak not the Scriptures oft in parables? Are not the choicest fables of the poets, That were the fountains and first springs of wisdom, Wrapped in perplexed allegories?"

BEN JONSON, Alchemist, act ii. sc. i. P/

39. The distinguished German mythologist Müller defines a symbol to be "an eternal, visible sign, with which a spiritual feeling, emotion, or idea is connected." I am not aware of a more comprehensive, and at the same time distinctive, definition.

40. And it may be added, that the word becomes a symbol of an idea; and hence, Harris, in his "Hermes," defines language to be "a system of articulate voices, the symbols of our ideas, but of those principally which are general or universal."—Hermes, book iii. ch. 3.

41. "Symbols," says Müller, "are evidently coeval with the human race; they result from the union of the soul with the body in man; nature has implanted the feeling for them in the human heart."—Introduction to a Scientific System of Mythology, p. 196, Leitch's translation.—R.W. Mackay says, "The earliest instruments of education were symbols, the most universal symbols of the multitudinously present Deity, being earth or heaven, or some selected object, such as the sun or moon, a tree or a stone, familiarly seen in either of them."—Progress of the Intellect, vol. i p. 134.

42. Between the allegory, or parable, and the symbol, there is, as I have said, no essential difference. The Greek verb παραβαλλω, whence comes the word parable, and the verb συμβαλλω in the same language, which is the root of the word symbol, both have the synonymous meaning "to compare." A parable is only a spoken symbol. The definition of a parable given by Adam Clarke is equally applicable to a symbol, viz.: "A comparison or similitude, in which one thing is compared with another, especially spiritual things with natural, by which means these spiritual things are better understood, and make a deeper impression on the attentive mind."

43. North British Review, August, 1851. Faber passes a similar encomium. "Hence the language of symbolism, being so purely a language of ideas, is, in one respect, more perfect than any ordinary language can be: it possesses the variegated elegance of synonymes without any of the obscurity which arises from the use of ambiguous terms."—On the Prophecies, ii. p. 63.

44. "By speculative Masonry we learn to subdue our passions, to act upon the square, to keep a tongue of good report, to maintain secrecy, and practise charity."—Lect. of Fel. Craft. But this is a very meagre definition, unworthy of the place it occupies in the lecture of the second degree.

45. "Animal worship among the Egyptians was the natural and unavoidable consequence of the misconception, by the vulgar, of those emblematical figures invented by the priests to record their own philosophical conception of absurd ideas. As the pictures and effigies suspended in early Christian churches, to commemorate a person or an event, became in time objects of worship to the vulgar, so, in Egypt, the esoteric or spiritual meaning of the emblems was lost in the gross materialism of the beholder. This esoteric and allegorical meaning was, however, preserved by the priests, and communicated in the mysteries alone to the initiated, while the uninstructed retained only the grosser conception."—GLIDDON, Otia Aegyptiaca, p. 94.

46. "To perpetuate the esoteric signification of these symbols to the initiated, there were established the Mysteries, of which institution we have still a trace in Freemasonry."—GLIDDON, Otia Aegyp. p. 95.

47. Philo Judaeus says, that "Moses had been initiated by the Egyptians into the philosophy of symbols and hieroglyphics, as well as into the ritual of the holy animals." And Hengstenberg, in his learned work on "Egypt and the Books of Moses," conclusively shows, by numerous examples, how direct were the Egyptian references of the Pentateuch; in which fact, indeed, he recognizes "one of the most powerful arguments for its credibility and for its composition by Moses."—HENGSTENBERG, p. 239, Robbins's trans.

48. Josephus, Antiq. book iii. ch. 7.

49. The ark, or sacred boat, of the Egyptians frequently occurs on the walls of the temples. It was carried in great pomp by the priests on the occasion of the "procession of the shrines," by means of staves passed through metal rings in its side. It was thus conducted into the temple, and deposited on a stand. The representations we have of it bear a striking resemblance to the Jewish ark, of which it is now admitted to have been the prototype.

50. "The Egyptian reference in the Urim and Thummim is especially distinct and incontrovertible."—HENGSTENBERG, p. 158.

51. According to the estimate of Bishop Cumberland, it was only one hundred and nine feet in length, thirty-six in breadth, and fifty-four in height.

52. "Thus did our wise Grand Master contrive a plan, by mechanical and practical allusions, to instruct the craftsmen in principles of the most sublime speculative philosophy, tending to the glory of God, and to secure to them temporal blessings here and eternal life hereafter, as well as to unite the speculative and operative Masons, thereby forming a twofold advantage, from the principles of geometry and architecture on the one part, and the precepts of wisdom and ethics on the other."—CALCOTT, Candid Disquisition, p. 31, ed. 1769.

53. This proposition I ask to be conceded; the evidences of its truth are, however, abundant, were it necessary to produce them. The craft, generally, will, I presume, assent to it.

54.

"The groves were God's first temples. Ere man learned

To hew the shaft, and lay the architrave,

And spread the roof above them—ere he framed

The lofty vault, to gather and roll back

The sound of anthems—in the darkling wood,

Amid the cool and silence, he knelt down,

And offered to the Mightiest solemn thanks

And supplication."—BRYANT.

55. Theologians have always given a spiritual application to the temple of Solomon, referring it to the mysteries of the Christian dispensation. For this, consult all the biblical commentators. But I may particularly mention, on this subject, Bunyan's "Solomon's Temple Spiritualized," and a rare work in folio, by Samuel Lee, Fellow of Wadham College, Oxford, published at London in 1659, and entitled "Orbis Miraculum, or the Temple of Solomon portrayed by Scripture Light." A copy of this scarce work, which treats very learnedly of "the spiritual mysteries of the gospel veiled under the temple," I have lately been, by good fortune, enabled to add to my library.

56. Veluti pecora, quae natura finxit prona et obedientia ventri.—SALLUST, Bell. Catil. i.

57. I Kings vi. 7.

58. In further illustration of the wisdom of these temple contrivances, it may be mentioned that, by marks placed upon the materials which had been thus prepared at a distance, the individual production of every craftsman was easily ascertained, and the means were provided of rewarding merit and punishing indolence.

59. "Each of the pagan gods had (besides the public and open) a secret worship paid unto him; to which none were admitted but those who had been selected by preparatory ceremonies, called Initiation. This secret-worship was termed the Mysteries."—WARBURTON, Div. Leg. I. i. p. 189.

60. It must be remarked, however, that many of the Fellow Crafts were also stone-cutters in the mountains, chotzeb bahor, and, with their nicer implements, more accurately adjusted the stones which had been imperfectly prepared by the apprentices. This fact does not at all affect the character of the symbolism we are describing. The due preparation of the materials, the symbol of purification, was necessarily continued in all the degrees. The task of purification never ceases.

61. The classical reader will here be reminded of that beautiful passage of Horace, commencing with "Justum et tenacem propositi virum."—Lib. iii. od. 3.

62. "Pallida mors aequo pulsat pede pauperum tabernas Regumque turres."—HOR. lib. i. od. 4.

63. It is worth noticing that the verb natzach, from which the title of the menatzchim (the overseers or Master Masons in the ancient temple), is derived, signifies also in Hebrew to be perfected, to be completed. The third degree is the perfection of the symbolism of the temple, and its lessons lead us to the completion of life. In like manner the Mysteries, says Christie, "were termed τελεταὶ, perfections, because they were supposed to induce a perfectness of life. Those who were purified by them were styled τελουμένοι, and τετελεσμένοι, that is, brought to perfection."—Observations on Ouvaroff's Essay on the Eleusinian Mysteries, p. 183.

64. Dr. Oliver, in the first or preliminary lecture of his "Historical Landmarks," very accurately describes the difference between the pure or primitive Freemasonry of the Noachites, and the spurious Freemasonry of the heathens.

65. The idea of the world, as symbolically representing God's temple, has been thus beautifully developed in a hymn by N.P. Willis, written for the dedication of a church:—

"The perfect world by Adam trod

Was the first temple built by God;

His fiat laid the corner stone,

And heaved its pillars, one by one.

"He hung its starry roof on high—

The broad, illimitable sky;

He spread its pavement, green and bright,

And curtained it with morning light.

"The mountains in their places stood,

The sea, the sky, and 'all was good;'

And when its first pure praises rang,

The 'morning stars together sang.'

"Lord, 'tis not ours to make the sea,

And earth, and sky, a house for thee;

But in thy sight our offering stands,

A humbler temple, made with hands."

66. "The idea," says Dudley, "that the earth is a level surface, and of a square form, is so likely to have been entertained by persons of little experience and limited observation, that it may be justly supposed to have prevailed generally in the early ages of the world."—Naology, p. 7.

67. The quadrangular form of the earth is preserved in almost all the scriptural allusions that are made to it. Thus Isaiah (xi. 12) says, "The Lord shall gather together the dispersed of Judah from the four corners of the earth;" and we find in the Apocalypse (xx. 9) the prophetic version of "four angels standing on the four corners of the earth."

68. "The form of the lodge ought to be a double cube, as an expressive emblem of the powers of darkness and light in the creation."—OLIVER, Landmarks, i. p. 135, note 37.

69. Not that whole visible universe, in its modern signification, as including solar systems upon solar systems, rolling in illimitable space, but in the more contracted view of the ancients, where the earth formed the floor, and the sky the ceiling. "To the vulgar and untaught eye," says Dudley, "the heaven or sky above the earth appears to be co-extensive with the earth, and to take the same form, enclosing a cubical space, of which the earth was the base, the heaven or sky the upper surface."—Naology, 7.—And it is to this notion of the universe that the masonic symbol of the lodge refers.

70. "These rocky shrines, the formation of which Mr. Grose supposes to have been a labor equal to that of erecting the Pyramids of Egypt, are of various height, extent, and depth. They are partitioned out, by the labor of the hammer and the chisel, into many separate chambers, and the roof, which in the pagoda of Elephanta is flat, but in that of Salsette is arched, is supported by rows of pillars of great thickness, and arranged with much regularity. The walls are crowded with gigantic figures of men and women, engaged in various actions, and portrayed in various whimsical attitudes; and they are adorned with several evident symbols of the religion now prevailing in India. Above, as in a sky, once probably adorned with gold and azure, in the same manner as Mr. Savary lately observed in the ruinous remains of some ancient Egyptian temples, are seen floating the children of imagination, genii and dewtahs, in multitudes, and along the cornice, in high relief, are the figures of elephants, horses, and lions, executed with great accuracy. Two of the principal figures at Salsette are twenty-seven feet in height, and of proportionate magnitude; the very bust only of the triple-headed deity in the grand pagoda of Elephanta measures fifteen feet from the base to the top of the cap, while the face of another, if Mr. Grose, who measured it, may be credited, is above five feet in length, and of corresponding breadth."—MAURICE, Ind. Ant. vol. ii. p. 135.

71. According to Faber, the egg was a symbol of the world or megacosm, and also of the ark, or microcosm, as the lunette or crescent was a symbol of the Great Father, the egg and lunette—which was the hieroglyphic of the god Lunus, at Heliopolis—was a symbol of the world proceeding from the Great Father.—Pagan Idolatry, vol. i. b. i. ch. iv.

72. Zoroaster taught that the sun was the most perfect fire of God, the throne of his glory, and the residence of his divine presence, and he therefore instructed his disciples "to direct all their worship to God first towards the sun (which they called Mithras), and next towards their sacred fires, as being the things in which God chiefly dwelt; and their ordinary way of worship was to do so towards both. For when they came before these fires to worship, they always approached them on the west side, that, having their faces towards them and also towards the rising sun at the same time, they might direct their worship to both. And in this posture they always performed every act of their worship."—PRIDEAUX. Connection. i. 216.

73. "The mysteries of Ceres (or Eleusis) are principally distinguished from all others as having been the depositories of certain traditions coeval with the world."—OUVAROFF, Essay on the Mysteries of Eleusis, p. 6.

74. The dadouchus, or torch-bearer, carried a symbol of the sun.

75. "Indeed, the most ancient superstition of all nations," says Maurice, "has been the worship of the sun, as the lord of heaven and the governor of the world; and in particular it prevailed in Phoenicia, Chaldaea, Egypt, and from later information we may add, Peru and Mexico, represented in a variety of ways, and concealed under a multitude of fanciful names. Through all the revolutions of time the great luminary of heaven hath exacted from the generations of men the tribute of devotion."—Indian Antiquities, vol. ii. p. 91.

76. Facciolatus thus defines the Phallus: "penis ligneus, vel vitreus, vel coriaceus, quem in Bacchi festis plaustro impositum per rura et urbes magno honore circumferebant."—Lex. in voc.

77. The exhibition of these images in a colossal form, before the gates of ancient temples, was common. Lucian tells us of two colossal Phalli, each one hundred and eighty feet high, which stood in the fore court of the temple at Hierapolis. Mailer, in his "Ancient Art and its Remains," mentions, on the authority of Leake, the fact that a colossal Phallus, which once stood on the top of the tomb of the Lydian king Halyattes, is now lying near the same spot; it is not an entire Phallus, but only the head of one; it is twelve feet in diameter below and nine feet over the glands. The Phallus has even been found, so universal was this worship, among the savages of America. Dr. Arthaut discovered, in the year 1790, a marble Phallic image in a cave of the island of St. Domingo.—CLAVEL, Hist. Pittoresq. des Religions, p. 9.

78. Sonnerat (Voyage aux Indes Orient, i. p. 118) observes, that the professors of this worship were of the purest principles and most unblemished conduct, and it seems never to have entered into the heads of the Indian legislator and people that anything natural could be grossly obscene.—Sir William Jones remarks (Asiatic Researches, i. 254), that from the earliest periods the women of Asia, Greece, and Italy wore this symbol as a jewel, and Clavel tells us that a similar usage prevails at this day among the women in some of the villages of Brittany. Seely tells us that the Lingam, or Indian Phallus, is an emblem as frequently met with in Hindostan as the cross is in Catholic countries.—Wonders of Elora. p. 278.

79. Num. xxv. 1-3. See also Psalm cvi. 28: "They joined themselves also unto Baal-peor, and ate the sacrifices of the dead." This last expression, according to Russel, has a distinct reference to the physical qualities of matter, and to the time when death, by the winter absence of the solar heat, gets, as it were, possession of the earth. Baal-peor was, he says, the sun exercising his powers of fecundity.—Connection of Sacred and Profane History

80. Is there not a seeming reference to this thought of divine hermaphrodism in the well-known passage of Genesis? "So God created man in his own image, in the image of God created he him: male and female created he them." And so being created "male and female," they were "in the image of God."

81. The world being animated by man, says Creuzer, in his learned work on Symbolism, received from him the two sexes, represented by heaven and the earth. Heaven, as the fecundating principle, was male, and the source of fire; the earth, as the fecundated, was female, and the source of humidity. All things issued from the alliance of these two principles. The vivifying powers of the heavens are concentrated in the sun, and the earth, eternally fixed in the place which it occupies, receives the emanations from the sun, through the medium of the moon, which sheds upon the earth the germs which the sun had deposited in its fertile bosom. The Lingam is at once the symbol and the mystery of this religious idea.

82. Such was the opinion of some of the ancient sun-worshippers, whose adorations were always performed in the open air, because they thought no temple was spacious enough to contain the sun; and hence the saying, "Mundus universus est templum solis"—the universe is the temple of the sun. Like our ancient brethren, they worshipped only on the highest hills. Another analogy.

83. Asgard, the abode of the gods, is shaded by the ash tree, Ydrasil, where the gods assemble every day to do justice. The branches of this tree extend themselves over the whole world, and reach above the heavens. It hath three roots, extremely distant from each other: one of them is among the gods; the second is among the giants, where the abyss formerly was; the third covers Niflheim, or hell, and under this root is the fountain Vergelmer, whence flow the infernal rivers.—Edda, Fab. 8.

84. Exod. iii. 5.

85. Commentaries in loco.

86. Commentary on Exod. iii. 5.

87. Iamblichi Vita Pythag. c. 105. In another place he says, "Θύειν χρὴ ἀνυπόδετον, ϗαι πρὸς τα ἱερὰ προστιέναι,"—We must sacrifice and enter temples with the shoes off. Ibid. c. 85.

88. "Quod etiam nunc apud plerasque Orientis nationes piaculum sit, calceato pede templorum pavimenta calcasse."

89. Beth Habbechirah, cap. vii.

90. Histor. Landm. vol. ii. p. 481.

91. "Non datur nobis potestas adeundi templum nisi nudibus pedibus."

92. Commentaries, ut supra.

93. See a paper "on the religious ceremonies of the Hindus," by H.T. Colebrooke, Esq. in the Asiatic Researches, vol. vi. p. 357.

94. A Specimen of the Critical History of the Celtic Religion and Learning. Letter ii. § xvii.

95. Dr. Oliver, referring to the "twelve grand points in Masonry," which formed a part of the old English lectures, says, "When the candidate was intrusted, he represented Asher, for he was then presented with the glorious fruit of masonic knowledge, as Asher was represented by fatness and royal dainties."—Hist. Landm., vol. i. lect. xi. p. 313.

96. From the Greek αὐτοψία, signifying a seeing with ones own eyes. The candidate, who had previously been called a mystes, or a blind man, from μίω, to shut the eyes, began at this point to change his title to that of an epopt, or an eye-witness.

97. יהי אדך ויהי אדך Yehi aur va yehi aur.

98. Robert William Mackay, Progress of the Intellect, vol. i. p. 93.

99. "And thou shalt put in the breastplate of judgment the Urim and the Thummim."—Exod. xxviii. 30.—The Egyptian judges also wore breastplates, on which was represented the figure of Ra, the sun, and Thme, the goddess of Truth, representing, says Gliddon, "Ra, or the sun, in a double capacity—physical and intellectual light; and Thme, in a double capacity—justice and truth."—Ancient Egypt, p. 33.

100. We owe this interesting discovery to F. Portal, who has given it in his elaborate work on Egyptian symbols as compared with those of the Hebrews. To those who cannot consult the original work in French, I can safely recommend the excellent translation by my esteemed friend, Bro. John W. Simons, of New York, and which will be found in the thirtieth volume of the "Universal Masonic Library."

101. "The most early defection to Idolatry," says Bryant, "consisted in the adoration of the sun and the worship of demons, styled Baalim."—Analysts of Anc. Mythol. vol. iii. p. 431.

102. The remarks of Mr. Duncan on this subject are well worth perusal. "Light has always formed one of the primary objects of heathen adoration. The glorious spectacle of animated nature would lose all its interest if man were deprived of vision, and light extinguished; for that which is unseen and unknown becomes, for all practical purposes, as valueless as if it were non-existent. Light is a source of positive happiness; without it, man could barely exist; and since all religious opinion is based on the ideas of pleasure and pain, and the corresponding sensations of hope and fear, it is not to be wondered if the heathen reverenced light. Darkness, on the contrary, by replunging nature, as it were, into a state of nothingness, and depriving man of the pleasurable emotions conveyed through the organ of sight, was ever held in abhorrence, as a source of misery and fear. The two opposite conditions in which man thus found himself placed, occasioned by the enjoyment or the banishment of light, induced him to imagine the existence of two antagonist principles in nature, to whose dominion he was alternately subject. Light multiplied his enjoyments, and darkness diminished them. The former, accordingly, became his friend, and the latter his enemy. The words 'light' and 'good,' and 'darkness' and 'evil,' conveyed similar ideas, and became, in sacred language, synonymous terms. But as good and evil were not supposed to flow from one and the same source, no more than light and darkness were supposed to have a common origin, two distinct and independent principles were established, totally different in their nature, of opposite characters, pursuing a conflicting line of action, and creating antagonistic effects. Such was the origin of this famous dogma, recognized by all the heathens, and incorporated with all the sacred fables, cosmogonies, and mysteries of antiquity."—The Religions of Profane Antiquity, p. 186.

103. See the "Bhagvat Geeta," one of the religious books of Brahminism. A writer in Blackwood, in an article on the "Castes and Creeds of India," vol. lxxxi. p. 316, thus accounts for the adoration of light by the early nations of the world: "Can we wonder at the worship of light by those early nations? Carry our thoughts back to their remote times, and our only wonder would be if they did not so adore it. The sun is life as well as light to all that is on the earth—as we of the present day know even better than they of old. Moving in dazzling radiance or brilliant-hued pageantry through the sky, scanning in calm royalty all that passes below, it seems the very god of this fair world, which lives and blooms but in his smile."

104. The Institutes of Menu, which are the acknowledged code of the Brahmins, inform us that "the world was all darkness, undiscernible, undistinguishable altogether, as in a profound sleep, till the self-existent, invisible God, making it manifest with five elements and other glorious forms, perfectly dispelled the gloom."—Sir WILLIAM JONES, On the Gods of Greece. Asiatic Researches, i. 244.

Among the Rosicrucians, who have, by some, been improperly confounded with the Freemasons, the word lux was used to signify a knowledge of the philosopher's stone, or the great desideratum of a universal elixir and a universal menstruum. This was their truth.

105. On Symbolic Colors, p. 23, Inman's translation.

106. Freemasonry having received the name of lux, or light, its disciples have, very appropriately, been called "the Sons of Light." Thus Burns, in his celebrated Farewell:—

"Oft have I met your social band,

And spent the cheerful, festive night;

Oft, honored with supreme command,

Presided o'er the sons of light."

107. Thus defined: "The stone which lies at the corner of two walls, and unites them; the principal stone, and especially the stone which forms the corner of the foundation of an edifice."—Webster.

108. Among the ancients the corner-stone of important edifices was laid with impressive ceremonies. These are well described by Tacitus, in his history of the rebuilding of the Capitol. After detailing the preliminary ceremonies which consisted in a procession of vestals, who with chaplets of flowers encompassed the ground and consecrated it by libations of living water, he adds that, after solemn prayer, Helvidius, to whom the care of rebuilding the Capitol had been committed, "laid his hand upon the fillets that adorned the foundation stone, and also the cords by which it was to be drawn to its place. In that instant the magistrates, the priests, the senators, the Roman knights, and a number of citizens, all acting with one effort and general demonstrations of joy, laid hold of the ropes and dragged the ponderous load to its destined spot. They then threw in ingots of gold and silver, and other metals, which had never been melted in the furnace, but still retained, untouched by human art, their first formation in the bowels of the earth."—Tac. Hist., 1. iv. c. 53, Murphy's transl.

109. As, for instance, in Psalm cxviii. 22, "The stone which the builders refused is become the head-stone of the corner," which, Clarke says, "seems to have been originally spoken of David, who was at first rejected by the Jewish rulers, but was afterwards chosen by the Lord to be the great ruler of his people in Israel;" and in Isaiah xxviii. 16, "Behold, I lay in Zion, for a foundation, a stone, a tried stone, a precious corner-stone, a sure foundation," which clearly refers to the promised Messiah.

110. In the ritual "observed at laying the foundation-stone of public structures," it is said, "The principal architect then presents the working tools to the Grand Master, who applies the plumb, square, and level to the stone, in their proper positions, and pronounces it to be well-formed, true, and trusty."—WEBB'S Monitor, p. 120.

111. "The square teaches us to regulate our conduct by the principles of morality and virtue."—Ritual of the E. A. Degree.—The old York lectures define the square thus: "The square is the theory of universal duty, and consisteth in two right lines, forming an angle of perfect sincerity, or ninety degrees; the longest side is the sum of the lengths of the several duties which we owe to all men. And every man should be agreeable to this square, when perfectly finished."

112. Aristotle.

113. "The cube is a symbol of truth, of wisdom, and moral perfection. The new Jerusalem, promised in the Apocalypse, is equal in length, breadth, and height. The Mystical city ought to be considered as a new church, where divine wisdom will reign."—OLIVER'S Landmarks, ii. p. 357.—And he might have added, where eternal truth will be present.

114. In the most primitive times, all the gods appear to have been represented by cubical blocks of stone; and Pausanias says that he saw thirty of these stones in the city of Pharae, which represented as many deities. The first of the kind, it is probable, were dedicated to Hermes, whence they derived their name of "Hermae."

115. "Give unto Jehovah the glory due unto His name; worship Jehovah in the beauty of holiness."—Psalm xxix. 2.

116. It is at least a singular coincidence that in the Brahminical religion great respect was paid to the north-east point of the heavens. Thus it is said in the Institutes of Menu, "If he has any incurable disease, let him advance in a straight path towards the invincible north-east point, feeding on water and air till his mortal frame totally decay, and his soul become united with the Supreme."

117. This symbolism of the double position of the corner-stone has not escaped the attention of the religious symbologists. Etsius, an early commentator, in 1682, referring to the passage in Ephesians ii. 20, says, "That is called the corner-stone, or chief corner-stone, which is placed in the extreme angle of a foundation, conjoining and holding together two walls of the pile, meeting from different quarters. And the apostle not only would be understood by this metaphor that Christ is the principal foundation of the whole church, but also that in him, as in a corner-stone, the two peoples, Jews and Gentiles, are conjoined, and so conjoined as to rise together into one edifice, and become one church." And Julius Firmicius, who wrote in the sixteenth century, says that Christ is called the corner-stone, because, being placed in the angle of the two walls, which are the Old and the New Testament, he collects the nations into one fold. "Lapis sanctus, i.e. Christus, aut fidei fundamenta sustentat aut in angulo positus duorum parietum membra aequata moderatione conjungit, i.e., Veteris et Novi Testamenti in unum colligit gentes."—De Errore profan. Religionum, chap. xxi.

118. This permanence of position was also attributed to those cubical stones among the Romans which represented the statues of the god Terminus. They could never lawfully be removed from the spot which they occupied. Hence, when Tarquin was about to build the temple of Jupiter, on the Capitoline Hill, all the shrines and statues of the other gods were removed from the eminence to make way for the new edifice, except that of Terminus, represented by a stone. This remained untouched, and was enclosed within the temple, to show, says Dudley, "that the stone, having been a personification of the God Supreme, could not be reasonably required to yield to Jupiter himself in dignity and power."—DUDLEY'S Naology, p 145.

119. Dudley's Naology, p. 476.

120. Masonic Discourses, Dis. iv. p. 81.

121. "The act of consecration chiefly consisted in the unction, which was a ceremony derived from the most primitive antiquity. The sacred tabernacle, with all the vessels and utensils, as also the altar and the priests themselves, were consecrated in this manner by Moses, at the divine command. It is well known that the Jewish kings and prophets were admitted to their several offices by unction. The patriarch Jacob, by the same right, consecrated the altars which he made use of; in doing which it is more probable that he followed the tradition of his forefathers, than that he was the author of this custom. The same, or something like it, was also continued down to the times of Christianity."—POTTER'S Archaeologia Graeca, b. ii. p. 176.

122. From the Greek τετρὰς, four, and γράμμα, letter, because it is composed of four Hebrew letters. Brande thus defines it: "Among several ancient nations, the name of the mystic numberfour, which was often symbolized to represent the Deity, whose name was expressed by four letters." But this definition is incorrect. The tetragrammaton is not the name of the number four, but the word which expresses the name of God in four letters, and is always applied to the Hebrew word only.

123. Exod. iii. 15. In our common version of the Bible, the word "Lord" is substituted for "Jehovah," whence the true import of the original is lost.

124. Exod. vi. 2. 3.

125. "The Jews have many superstitious stories and opinions relative to this name, which, because they were forbidden to mention in vain, they would not mention at all. They substitutedAdonai, &c., in its room, whenever it occurred to them in reading or speaking, or else simply and emphatically styled it השם the Name. Some of them attributed to a certain repetition of this name the virtue of a charm, and others have had the boldness to assert that our blessed Savior wrought all his miracles (for they do not deny them to be such) by that mystical use of this venerable name. See the Toldoth Jeschu, an infamously scurrilous life of Jesus, written by a Jew not later than the thirteenth century. On p. 7, edition of Wagenseilius, 1681, is a succinct detail of the manner in which our Savior is said to have entered the temple and obtained possession of the Holy Name. Leusden says that he had offered to give a sum of money to a very poor Jew at Amsterdam, if he would only once deliberately pronounce the name Jehovah; but he refused it by saying that he did not dare."—Horae Solitariae, vol. i. p. 3.—"A Brahmin will not pronounce the name of the Almighty, without drawing down his sleeve and placing it on his mouth with fear and trembling."—MURRAY, Truth of Revelation, p. 321.

126. The same scrupulous avoidance of a strict translation has been pursued in other versions. For Jehovah, the Septuagint substitutes "Κύριος," the Vulgate "Dominus," and the German "der Herr," all equivalent to "the Lord." The French version uses the title "l'Eternel." But, with a better comprehension of the value of the word, Lowth in his "Isaiah," the Swedenborgian version of the Psalms, and some other recent versions, have restored the original name.

127. In the Talmudical treatise, Majan Hachochima, quoted by Stephelin (Rabbinical Literature, i. p. 131), we are informed that rightly to understand the shem hamphorash is a key to the unlocking of all mysteries. "There," says the treatise, "shalt thou understand the words of men, the words of cattle, the singing of birds, the language of beasts, the barking of dogs, the language of devils, the language of ministering angels, the language of date-trees, the motion of the sea, the unity of hearts, and the murmuring of the tongue—nay, even the thoughts of the reins."

128. The gamma, Γ, or Greek letter G, is said to have been sacred among the Pythagoreans as the initial of Γεωμειρία or Geometry.

129. Vide Oliver, Hist. Init. p. 68, note.

130. Jamblichus says that Pythagoras passed over from Miletus to Sidon, thinking that he could thence go more easily into Egypt, and that while there he caused himself to be initiated into all the mysteries of Byblos and Tyre, and those which were practised in many parts of Syria, not because he was under the influence of any superstitious motives, but from the fear that if he were not to avail himself of these opportunities, he might neglect to acquire some knowledge in those rites which was worthy of observation. But as these mysteries were originally received by the Phoenicians from Egypt, he passed over into that country, where he remained twenty-two years, occupying himself in the study of geometry, astronomy, and all the initiations of the gods (πάσας θεῶν τελετάς), until he was carried a captive into Babylon by the soldiers of Cambyses, and that twelve years afterwards he returned to Samos at the age of sixty years.—Vit. Pythag, cap. iii., iv.

131. "The sacred words were intrusted to him, of which the Ineffable Tetractys, or name of God, was the chief."—OLIVER, Hist. Init. p. 109.

132. "Hu, the mighty, whose history as a patriarch is precisely that of Noah, was promoted to the rank of the principal demon-god among the Britons; and, as his chariot was composed of rays of the sun, it may be presumed that he was worshipped in conjunction with that luminary, and to the same superstition we may refer what is said of his light and swift course."—DAVIES,Mythol. and Rites of the Brit. Druids, p. 110.

133. "All the male gods (of the ancients) may be reduced to one, the generative energy; and all the female to one, the prolific principle. In fact, they may all be included in the one great Hermaphrodite, the ἀῥῤενοθηλυς who combines in his nature all the elements of production, and who continues to support the vast creation which originally proceeded from his will."—RUSSELL'S Connection, i. p. 402.

134. It is a tradition that it was pronounced in the following seven different ways by the patriarchs, from Methuselah to David, viz.: Juha, Jeva, Jova, Jevo, Jeveh, Johe, and Jehovah. In all these words the j is to be pronounced as y, the a as ah, the e as a, and the v as w.

135. The i is to be pronounced as e, and the whole word as if spelled in English ho-he.

136. In the apocryphal "Book of the Conversation of God with Moses on Mount Sinai," translated by the Rev. W. Cureton from an Arabic MS. of the fifteenth century, and published by the Philobiblon Society of London, the idea of the eternal watchfulness of God is thus beautifully allegorized:—

"Then Moses said to the Lord, O Lord, dost thou sleep or not? The Lord said unto Moses, I never sleep: but take a cup and fill it with water. Then Moses took a cup and filled it with water, as the Lord commanded him. Then the Lord cast into the heart of Moses the breath of slumber; so he slept, and the cup fell from his hand, and the water which was therein was spilled. Then Moses awoke from his sleep. Then said God to Moses, I declare by my power, and by my glory, that if I were to withdraw my providence from the heavens and the earth for no longer a space of time than thou hast slept, they would at once fall to ruin and confusion, like as the cup fell from thy hand."

137. I have in my possession a rare copy of the Vulgate Bible, in black letter, printed at Lyons, in 1522. The frontispiece is a coarsely executed wood cut, divided into six compartments, and representing the six days of the creation. The Father is, in each compartment, pictured as an aged man engaged in his creative task.

138. Christian Iconography, Millington's trans., vol. i. p. 59.

139. The triangle, or delta, is the symbol of Deity for this reason. In geometry a single line cannot represent a perfect figure; neither can two lines; three lines, however, constitute the triangle or first perfect and demonstrable figure. Hence this figure symbolizes the Eternal God, infinitely perfect in his nature. But the triangle properly refers to God only in his quality as an Eternal Being, its three sides representing the Past, the Present, and the Future. Some Christian symbologists have made the three sides represent the Father, Son, and Holy Ghost; but they evidently thereby destroy the divine unity, making a trinity of Gods in the unity of a Godhead. The Gnostic trinity of Manes consisted of one God and two principles, one of good and the other of evil. The Indian trinity, symbolized also by the triangle, consisted of Brahma, Siva, and Vishnu, the Creator, Preserver, and Destroyer, represented by Earth, Water, and Air. This symbolism of the Eternal God by the triangle is the reason why a trinitarian scheme has been so prevalent in all religions—the three sides naturally suggesting the three divisions of the Godhead. But in the Pagan and Oriental religions this trinity was nothing else but a tritheism.

140. Noachidae, or Noachites, the descendants of Noah. This patriarch having alone preserved the true name and worship of God amid a race of impious idolaters, the Freemasons claim to be his descendants, because they preserve that pure religion which distinguished this second father of the human race from the rest of the world. (See the author's Lexicon of Freemasonry.) The Tyrian workmen at the temple of Solomon were the descendants of that other division of the race who fell off, at Shinar, from the true worship, and repudiated the principles of Noah. The Tyrians, however, like many other ancient mystics, had recovered some portion of the lost light, and the complete repossession was finally achieved by their union with the Jewish masons, who were Noachidae.

141. "A mythis omnis priscorum hominum tum historia tum philosophia procedit."—Ad Apollod. Athen. Biblioth. not. f. p. 3.—And Faber says, "Allegory and personification were peculiarly agreeable to the genius of antiquity; and the simplicity of truth was continually sacrificed at the shrine of poetical decoration."—On the Cabiri.

142. See Grote, History of Greece, vol. i. ch. xvi. p. 479, whence this definition has been substantially derived. The definitions of Creuzer, Hermann, Buttmann, Heyne, Welcker, Voss, and Müller are none of them Better, and some of them not as good.

143. Hist. of Greece, vol. i. ch. xvi. p. 579. The idea of the existence of an enlightened people, who lived at a remote era, and came from the East, was a very prevalent notion among the ancient traditions. It is corroborative of this that the Hebrew word ֶקֶדם, kedem, signifies, in respect to place, the east, and, in respect to time, olden time, ancient days. The phrase in Isaiah xix. 11, which reads, "I am the son of the wise, the son of ancient kings," might just as well have been translated "the son of kings of the East." In a note to the passage Ezek. xliii. 2, "the glory of the God of Israel came from the way of the East," Adam Clarke says, "All knowledge, all religion, and all arts and sciences, have travelled, according to the course of the sun, FROM EAST TO WEST!" Bazot tells us (in his Manuel du Franc-maçon, p. 154) that "the veneration which masons entertain for the east confirms an opinion previously announced, that the religious system of Masonry came from the east, and has reference to the primitive religion, whose first corruption was the worship of the sun." And lastly, the masonic reader will recollect the answer given in the Leland MS. to the question respecting the origin of Masonry, namely, "It did begin" (I modernize the orthography) "with the first men in the east, which were before the first men of the west; and coming westerly, it hath brought herewith all comforts to the wild and comfortless." Locke's commentary on this answer may conclude this note: "It should seem, by this, that masons believe there were men in the east before Adam, who is called the 'first man of the west,' and that arts and sciences began in the east. Some authors, of great note for learning, have been of the same opinion; and it is certain that Europe and Africa (which, in respect to Asia, may be called western countries) were wild and savage long after arts and politeness of manners were in great perfection in China and the Indies." The Talmudists make the same allusions to the superiority of the east. Thus, Rabbi Bechai says, "Adam was created with his face towards the east that he might behold the light and the rising sun, whence the east was to him the anterior part of the world."

144. Strauss makes a division of myths into historical, philosophical, and poetical.—Leben Jesu.—His poetical myth agrees with my first division, his philosophical with my second, and his historical with my third. But I object to the word poetical, as a distinctive term, because all myths have their foundation in the poetic idea.

145. Ulmann, for instance, distinguishes between a myth and a legend—the former containing, to a great degree, fiction combined with history, and the latter having but a few faint echoes of mythical history.

146. In his "Prolegomena zu einer wissenshaftlichen Mythologie," cap. iv. This valuable work was translated in 1844, by Mr. John Leitch.

147. Historical Landmarks, i. 53.

148. See an article, by the author, on "The Unwritten Landmarks of Freemasonry," in the first volume of the Masonic Miscellany, in which this subject is treated at considerable length.

149. As a matter of some interest to the curious reader, I insert the legend as published in the Gentleman's Magazine of June, 1815, from, it is said, a parchment roll supposed to have been written early in the seventeenth century, and which, if so, was in all probability copied from one of an older date:—

"Moreover, when Abraham and Sara his wife went into Egipt, there he taught the Seaven Scyences to the Egiptians; and he had a worthy Scoller that height Ewclyde, and he learned right well, and was a master of all the vij Sciences liberall. And in his dayes it befell that the lord and the estates of the realme had soe many sonns that they had gotten some by their wifes and some by other ladyes of the realme; for that land is a hott land and a plentious of generacion. And they had not competent livehode to find with their children; wherefor they made much care. And then the King of the land made a great counsell and a parliament, to witt, how they might find their children honestly as gentlemen. And they could find no manner of good way. And then they did crye through all the realme, if there were any man that could enforme them, that he should come to them, and he should be soe rewarded for his travail, that he should hold him pleased.

"After that this cry was made, then came this worthy clarke Ewclyde, and said to the King and to all his great lords: 'If yee will, take me your children to governe, and to teach them one of the Seaven Scyences, wherewith they may live honestly as gentlemen should, under a condicion that yee will grant mee and them a commission that I may have power to rule them after the manner that the science ought to be ruled.' And that the Kinge and all his counsell granted to him anone, and sealed their commission. And then this worthy tooke to him these lords' sonns, and taught them the science of Geometric in practice, for to work in stones all manner of worthy worke that belongeth to buildinge churches, temples, castells, towres, and mannors, and all other manner of buildings."

150. Ancient Egypt under the Pharaohs, vol. I p. 393.

151. 1 Kings vi. 8.

152. An allusion to this symbolism is retained in one of the well-known mottoes of the order—"Lux e tenebris."

153. "An allegory is that in which, under borrowed characters and allusions, is shadowed some real action or moral instruction; or, to keep more strictly to its derivation (ἄλλος, alius, and ἀγορεύω, dico), it is that in which one thing is related and another thing is understood. Hence it is apparent that an allegory must have two senses—the literal and mystical; and for that reason it must convey its instruction under borrowed characters and allusions throughout."—The Antiquity, Evidence, and Certainty of Christianity canvassed, or Dr. Middleton's Examination of the Bishop of London's Discourses on Prophecy. By Anselm Bayly, LL.B., Minor Canon of St. Paul's. Lond, 1751.

154. The words themselves are purely classical, but the meanings here given to them are of a mediaeval or corrupt Latinity. Among the old Romans, a trivium meant a place where three ways met, and a quadrivium where four, or what we now call a cross-road. When we speak of the paths of learning, we readily discover the origin of the signification given by the scholastic philosophers to these terms.

155. Hist. of Philos. vol. ii. p. 337.

156. Such a talisman was the following figure:—

matrix

157. Anderson's Constitutions, 2d ed. 1738, p. 14.

158. Anderson's Constitutions, 3d ed. 1756, p. 24.

159. "The hidden doctrines of the unity of the Deity and the immortality of the soul were originally in all the Mysteries, even those of Cupid and Bacchus."—WARBURTON, in Spence's Anecdotes, p. 309.

160. "The allegorical interpretation of the myths has been, by several learned investigators, especially by Creuzer, connected with the hypothesis of an ancient and highly instructed body of priests, having their origin either in Egypt or in the East, and communicating to the rude and barbarous Greeks religious, physical, and historical knowledge, under the veil of symbols."—GROTE,Hist. of Greece, vol. i. ch. xvi. p. 579.—And the Chevalier Ramsay corroborates this theory: "Vestiges of the most sublime truths are to be found in the sages of all nations, times, and religions, both sacred and profane, and these vestiges are emanations of the antediluvian and noevian tradition, more or less disguised and adulterated."—Philosophical Principles of Natural and Revealed Religion unfolded in a Geometrical Order, vol. 1, p. iv.

161. Of this there is abundant evidence in all the ancient and modern writers on the Mysteries. Apuleius, cautiously describing his initiation into the Mysteries of Isis, says, "I approached the confines of death, and having trod on the threshold of Proserpine, I returned therefrom, being borne through all the elements. At midnight I saw the sun shining with its brilliant light; and I approached the presence of the gods beneath, and the gods of heaven, and stood near and worshipped them."—Metam. lib. vi. The context shows that all this was a scenic representation.

162. Aish hakam iodea binah, "a cunning man, endued with understanding," is the description given by the king of Tyre of Hiram Abif. See 2 Chron. ii. 13. It is needless to say that "cunning" is a good old Saxon word meaning skilful.

163.

"Pronaque cum spectent animalia cætera terram;

Os homini sublime dedit: coelumque tueri

Jussit, et erectos ad sidera tollere vultus."

OVID, Met. i. 84.

"Thus, while the mute creation downward bend

Their sight, and to their earthly mother tend,

Man looks aloft, and with erected eyes

Beholds his own hereditary skies."

DRYDEN.

164. "Ἀφανισμὸς, disappearance, destruction, a perishing, death, from ἀφανίζω, to remove from one's view, to conceal," &c.—Schrevel. Lex.

165. "Εῦρεσις, a finding, invention, discovery."—Schrevel. Lex.

166. A French writer of the last century, speaking of the degree of "Très Parfait Maitre," says, "C'est ici qu'on voit réellement qu'Hiram n'a été que le type de Jésus Christ, que le temple et les autres symboles maçonniques sont des allegories relatives à l'Eglise, à la Foi, et aux bonnes moeurs."—Origine et Objet de la Franchemaçonnerie, par le F.B. Paris, 1774.

167. "This our order is a positive contradiction to the Judaic blindness and infidelity, and testifies our faith concerning the resurrection of the body."—HUTCHINSON, Spirit of Masonry, lect. ix. p. 101.—The whole lecture is occupied in advancing and supporting his peculiar theory.

168. "Thus, then, it appears that the historical reference of the legend of Speculative Freemasonry, in all ages of the world, was—to our death in Adam and life in Christ. What, then, was the origin of our tradition? Or, in other words, to what particular incident did the legend of initiation refer before the flood? I conceive it to have been the offering and assassination of Abel by his brother Cain; the escape of the murderer; the discovery of the body by his disconsolate parents, and its subsequent interment, under a certain belief of its final resurrection from the dead, and of the detection and punishment of Cain by divine vengeance."—OLIVER, Historical Landmarks of Freemasonry, vol. ii. p. 171.

169. "Le grade de Maître va donc nous retracer allegoriquement la mort du dieu-lumière—mourant en hiver pour reparaître et ressusciter au printemps."—RAGON, Cours Philos. et Interp. des Init. p. 158.

170. "Dans l'ordre moral, Hiram n'est autre chose que la raison éternelle, par qui tout est pondéré, réglé, conservé."—DES ETANGS, Œuvres Maçonniques, p. 90.

171. With the same argument would I meet the hypothesis that Hiram was the representative of Charles I. of England—an hypothesis now so generally abandoned, that I have not thought it worth noticing in the text.

172. "The initiation into the Mysteries," he says, "scenically represented the mythic descent into Hades and the return from thence to the light of day; by which was meant the entrance into the Ark and the subsequent liberation from its dark enclosure. Such Mysteries were established in almost every part of the pagan world; and those of Ceres were substantially the same as the Orgies of Adonis, Osiris, Hu, Mithras, and the Cabiri. They all equally related to the allegorical disappearance, or death, or descent of the great father at their commencement, and to his invention, or revival, or return from Hades, at their conclusion."—Origin of Pagan Idolatry, vol. iv. b. iv. ch. v. p. 384—But this Arkite theory, as it is called, has not met with the general approbation of subsequent writers.

173. Mount Calvary is a small hill or eminence, situated in a westerly direction from that Mount Moriah on which the temple of Solomon was built. It was originally a hillock of notable eminence, but has, in modern times, been greatly reduced by the excavations made in it for the construction of the Church of the Holy Sepulchre. Buckingham, in his Palestine, p. 283, says, "The present rock, called Calvary, and enclosed within the Church of the Holy Sepulchre, bears marks, in every part that is naked, of its having been a round nodule of rock standing above the common level of the surface."

174. Dr. Beard, in the art. "Golgotha," in Kitto's Encyc. of Bib. Lit., reasons in a similar method as to the place of the crucifixion, and supposing that the soldiers, from the fear of a popular tumult, would hurry Jesus to the most convenient spot for execution, says, "Then the road to Joppa or Damascus would be most convenient, and no spot in the vicinity would probably be so suitable as the slight rounded elevation which bore the name of Calvary."

175. Some have supposed that it was so called because it was the place of public execution. Gulgoleth in Hebrew, or gogultho in Syriac, means a skull.

176. Quoted in Oliver, Landmarks, vol. i. p. 587, note.

177. Oliver's idea (Landmarks, ii. 149) that cassia has, since the year 1730, been corrupted into acacia, is contrary to all etymological experience. Words are corrupted, not by lengthening, but by abbreviating them. The uneducated and the careless are always prone to cut off a syllable, not to add a new one.

178. And yet I have been surprised by seeing, once or twice, the word "Cassia" adopted as the name of a lodge. "Cinnamon" or "sandal wood" would have been as appropriate, for any masonic meaning or symbolism.

179. Eclog. ii. 49.

"Pallentes violas et summa papavera carpens,

Narcissum et florem jungit benè olentis anethi:

Tum casia, atque aliis intexens suavibus herbis,

Mollia luteola pingit vaccinia, caltha."

180. Exod. xxx. 24, Ezek. xxvii. 9, and Ps. xlv. 8.

181. Oliver, it is true, says, that "there is not the smallest trace of any tree of the kind growing so far north as Jerusalem" (Landm. ii. 136); but this statement is refuted by the authority of Lieutenant Lynch, who saw it growing in great abundance at Jericho, and still farther north.—Exped. to the Dead Sea, p. 262.—The Rabbi Joseph Schwarz, who is excellent authority, says, "The Acacia (Shittim) Tree, Al Sunt, is found in Palestine of different varieties; it looks like the Mulberry tree, attains a great height, and has a hard wood. The gum which is obtained from it is the gum Arabic."—Descriptive Geography and Historical Sketch of Palestine, p. 308, Leeser's translation. Phila., 1850.—Schwarz was for sixteen years a resident of Palestine, and wrote from personal observation. The testimony of Lynch and Schwarz should, therefore, forever settle the question of the existence of the acacia in Palestine.

182. Calmet, Parkhurst, Gesenius, Clarke, Shaw, and all the best authorities, concur in saying that the otzi shittim, or shittim wood of Exodus, was the common acacia or mimosa nilotica of Linnæus.

183. "This custom among the Hebrews arose from this circumstance. Agreeably to their laws, no dead bodies were allowed to be interred within the walls of the city; and as the Cohens, or priests, were prohibited from crossing a grave, it was necessary to place marks thereon, that they might avoid them. For this purpose the acacia was used."—DALCHO, Oration, p. 27, note.—I object to the reason assigned by Dalcho; but of the existence of the custom there can be no question, notwithstanding the denial or doubt of Dr. Oliver. Blount (Travels in the Levant, p. 197) says, speaking of the Jewish burial customs, "those who bestow a marble stone over any [grave] have a hole a yard long and a foot broad, in which they plant an evergreen, which seems to grow from the body, and is carefully watched." Hasselquist (Travels, p. 28) confirms his testimony. I borrow the citations from Brown (Antiquities of the Jews, vol. ii. p. 356), but have verified the reference to Hasselquist. The work of Blount I have not been enabled to consult.

184. Antiquities of Greece, p. 569.

185. Dr. Crucefix, MS., quoted by Oliver, Landmarks, ii. 2.

186. Spirit of Masonry, lect. ix. p. 99.

187. The Temple of Solomon, ch. ix. p. 233.

188. It is probable that the quince derived this symbolism, like the acacia, from its name; for there seems to be some connection between the Greek word ϗυδώνιος, which means a quince, and the participle ϗυδίων, which signifies rejoicing, exulting. But this must have been an afterthought, for the name is derived from Cydon, in Crete, of which island the quince is a native.

189. Desprez, speaking of the palm as an emblem of victory, says (Comment. in Horat. Od. I. i. 5), "Palma verò signum victoriae passim apud omnes statuitur, ex Plutarcho, propterea quod ea est ejus natura ligni, ut urgentibus opprimentibusque minimè cedat. Unde est illud Alciati epigramma,—

'Nititur in pondus palma, et consurgit in altum:

Quoque magis premitur, hoc magè tollit onus.'"

It is in the eighth book of his Symposia that Plutarch states this peculiar property of the palm to resist the oppression of any superincumbent weight, and to rise up against it, whence it was adopted as the symbol of victory. Cowley also alludes to it in his Davideis.

"Well did he know how palms by oppression speed

Victorious, and the vctor's sacred meed."

190. "Rosemary was anciently supposed to strengthen the memory, and was not only carried at funerals, but worn at weddings."—STEEVENS, Notes on Hamlet, a. iv. s. 5.—Douce (Illustrations of Shakspeare, i. 345) gives the following old song in reference to this subject:—

"Rosemarie is for remembrance

   Betweene us daie and night,

Wishing that I might always have

   You present in my sight."

191. Ste. Croix (Recherches sur les Mystères, i. 56) says that in the Samothracian Mysteries it was forbidden to put parsley on the table, because, according to the mystagogues, it had been produced by the blood of Cadmillus, slain by his brothers.

192. "The Hindoos," says Faber, "represent their mundane lotus, as having four large leaves and four small leaves placed alternately, while from the centre of the flower rises a protuberance. Now, the circular cup formed by the eight leaves they deem a symbol of the earth, floating on the surface of the ocean, and consisting of four large continents and four intermediate smaller islands; while the centrical protuberance is viewed by them as representing their sacred Mount Menu."—Communication to Gent. Mag. vol. lxxxvi. p. 408.

193. The erica arborea or tree heath.

194. Ragon thus alludes to this mystical event: "Isis found the body of Osiris in the neighborhood of Biblos, and near a tall plant called the erica. Oppressed with grief, she seated herself on the margin of a fountain, whose waters issued from a rock. This rock is the small hill mentioned in the ritual; the erica has been replaced by the acacia, and the grief of Isis has been changed for that of the fellow crafts."—Cours des Initiations, p. 151.

195. It is singular, and perhaps significant, that the word eriko, in Greek, ἐρίϗω, whence erica is probably derived, means to break in pieces, to mangle.

196. Histoire Pittoresque des Religions, t. i. p. 217.

197. According to Toland (Works, i. 74), the festival of searching, cutting, and consecrating the mistletoe, took place on the 10th of March, or New Year's day. "This," he says, "is the ceremony to which Virgil alludes, by his golden branch, in the Sixth Book of the Æneid." No doubt of it; for all these sacred plants had a common origin in some ancient and general symbolic idea.

198. "Under this branch is figured the wreath of myrtle, with which the initiated were crowned at the celebration of the Mysteries."—WARBURTON, Divine Legation, vol. i. p. 299.

199. "In the sweat of thy face shalt thou eat bread." Gen. iii. 19. Bush interprets the decree to mean that "some species of toilsome occupation is the appointed lot of all men."

200. Aristotle says, "He that cannot contract society with others, or who, through his own self-sufficiency αὐτάρϗειαν, does not need it, forms no part of the community, but is either a wild beast or a god."

201. "Der Arbeiter," says Lenning, "ist der symbolische Name eines Freimaurers"—the Workman is the symbolic name of a Freemason.—Encyclop. der Fraumererei.

202. John iii. 19-21.

203. I Corinth, iii. 9.

204. Orbis Miraculum, or the Temple of Solomon, pourtrayed by Scripture Light, ch. ix. p. 192. London, 1659.

205. Swedenborg a Hermetic Philosopher, &c., p. 210. The object of the author is to show that the Swedish sage was an adept, and that his writings may be interpreted from the point of view of Hermetic philosophy.

206. Cours Philosophique et Interprétatif des Initiations Anciennes et Modernes, p. 99.

207. Ibid., p. 176.

208. Histoire Générale de la Franc-maçonnerie, p. 52.

209. Histoire de la Magie, liv. v. ch. vii. p. 100.

210. Vorlesung über das Symbol des Tempels, in the "Jarbüchern der Gross. Loge Roy. York zur Freundschaft," cited by Lenning, Encyc., voc. Tempel.

211. In an Essay on the Masonic Idea of Man's Destination, cited by Lenning, ut supra, from the Altenburg Zeitschift der Freimaurerei.

212. Cited by Lenning, ut sup.

213. Thus Dr. Oliver, while treating of the relation of the temple to the lodge, thus briefly alludes to this important symbol: "As our ancient brethren erected a material temple, without the use of axe, hammer, or metal tool, so is our moral temple constructed."—Historical Landmarks, lect. xxxi.

214. System of Speculative Masonry, ch. vi. p. 63.

215. On the Speculative Temple—an essay read in 1861 before the Grand Lodge of Alabama.

216. A portion of this essay, but in a very abridged form, was used by the author in his work on "Cryptic Masonry."

217. Hist. Landmarks, i. 459, note 52.

218. אבך שתייה See the Gemara and Buxtorf Lex. Talm., p. 2541.

219. Job xxxviii. 4-7.

220. A New Translation of the Book of Job, notes, p. 196.

221. In voc. שתייה, where some other curious extracts from the Talmud and Talmudic writers on the subject of the Stone of Foundation are given.

222. Sepher Toldoth Jeshu, p. 6. The abominably scurrilous character of this work aroused the indignation of the Christians, who, in the fifteenth century, were not distinguished for a spirit of tolerance, and the Jews, becoming alarmed, made every effort to suppress it. But, in 1681, it was republished by Wagenselius in his "Tela Ignea Satanae," with a Latin translation.

223. Comment, on Gen. xxviii. 18.

224. "Ni fallit fatum, Scoti quocunque locatum Invenient lapidem, regnare tenentur ibidem."

225. Old and New Testament connected, vol. i. p. 148.

226. The Temple of Solomon, pourtrayed by Scripture Light, ch. ix. p. 194. Of the Mysteries laid up in the Foundation of the Temple.

227. See Pausanias, lib. iv.

228. The "Disputationes adversus Gentes" of Arnobius supplies us with a fund of information on the symbolism of the classic mythology.

229. Naology, ch. iii. p. 119.

230. Cornut. de Nat. Deor. c. 16.

231. Essais sur les Fables, t. i. lett. 2. p. 9.

232. Bosworth (Aug. Sax. Dict.) defines treowth to signify "troth, truth, treaty, league, pledge, covenant."